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    Bravo's Catfight Fetish

    Aftershocks hair raiser: Ashley pulling her way to her own Real Housewives ofNew Jersey spinoff show

    Theodore Bale
    Joseph Campana
    Jul 13, 2010 | 11:04 am
    • Shouldn't Bravo's Real Housewives of New Jersey change to a a hair-yankingmotif?
    • Ashley's own mom Jacqueline knows that she cannot hope to contain her daughter.
    • Elena Kagan's never made as convincing a legal argument as Ashley Holmes pulledoff.
      White House photo

    Let’s be clear about one thing: Teresa Giudice, the flashy table-flipping virago of Franklin Lakes, is one scary bitch. And we mean that in the best of ways.

    When we left you, dear readers, Teresa was still spouting fragmentary pleasantries in the foyer of the North Jersey Country Club.

    But we could see her simultaneously spinning a deadly cobweb, waiting for the first false move from the object of her theater of cruelty, Danielle Staub. Seconds later, Teresa was all battle cries.

    “Did you forget I’m from Patterson?” she warns before the teenage fashion show fell into a deep sea of pandemonium.

    We’ve been waiting all season for this encounter, and by now we’ve accepted Bravo’s gratuitous love of woman-on-woman violence. Was it necessary for her to scurry after Danielle? Yes, if you want to keep your title as Queen Bee of The Real Housewives of any location.

    We thought Teresa would pull off one of her own heels and stab a bitch in the eye. But instead, it was Danielle who had to lumber along like a one-legged pirate, exclaiming to the crowd, “I broke my f*cking heel!” before taking emergency shelter in an outdoor corner of the club to hyperventilate and weep. “Harry, put her in the car!” shrieked Kim G. to her imposing chauffeur, as if Danielle were stuffed, trussed, and headed for the oven on Easter.

    Watching The Real Housewives of New Jersey Monday night, we were filled with a sense of déjà vu. Haven’t we seen most of this before? As Jacqueline’s sultry-yet-spitfire daughter Ashley grabbed a hunk of Danielle’s extensions in her hungry fist, we thought immediately of the last season of The Real Housewives of Atlanta, when even the classy Sheree Whitfield nearly yanked off Kim Zolciak’s broke-down blonde wig.

    It’s a scene that never fails to satisfy, ever since Neely O’Hara snatched Helen Lawson’s wig in the legendary 1967 film Valley of the Dolls.

    We’ll never forget Neely's riposte: “It’s a wig! Her hair’s as fake as she is!” Of course, the problem of authenticity haunts the rest of this episode as well. “That was my real hair, not my extensions!” Danielle cries out.

    And later, as a little tug of the wig becomes terroristic trauma in Danielle’s shaky mind. She claims, “They pulled handfuls of hair out of my head!” And then even later: “There’s a small bald spot in the back of my head.”

    However, between hysterical sobbing fits, Danielle mustered the preternatural poise of a paralegal to speak with the police: “My hair was pulled and they accosted me.” Ashley laid down her own law: “Technically, I didn’t pull her hair. I pulled her extensions, which isn’t really part of her.”

    Forget Elena Kagan. Ashley’s our nominee for the Supreme Court.

    Of course, Danielle’s already poisoning the jury pool with intimations of a lawsuit. No doubt many people suffer from a sore neck and twitching eyes after a little hair pull. But that, Danielle tells us, is what the law was designed to do: Protect people like her. I guess that makes her ex-con buddy Danny and the Hell’s Angels deputized sheriffs.

    Later, as she processes the event, Danielle pulls to the side of a busy road in her gas-guzzling SUV. And by the way, thank goodness for four-way flashers. How else is a poor girl to call her Energist? “I have tapped into my psychic side with regards to this matter,” Sarai, the Energist, confides.

    Really, Sarai? Did you need your massive psychic powers to realize that violence is bad?

    Hey wait a minute: Didn’t Dina have an Energist first? Remember what she said about Danielle in the first season? “That girl’s obsessed with me. I don’t know if she wants to be me, or skin me and wear me like last year’s Versace.”

    And there was yet another energist session as Sarai tried to “pull negative energy” out of Jacqueline — through a telephone — at Danielle’s request. Jacqueline plays along, trying to prevent daughter Ashley from being brought up on charges. But really she plays games on her mobile as Sarai mutters mumbo-jumbo on national television. Is New Jersey a breeding ground for energists or is the American Energist Association bankrolling Bravo?

    For the moment, Jacqueline’s willing to play along with Danielle’s reindeer games. And she and ever-crasser husband Chris (wearing a rosary around his neck) attempt to bully poor Ashley as she lounges, serene, in black-and-white tiger print pajamas. When a single glance from their erstwhile vixen says, “Keep your laws off my body,” mom and dad’s sad attempt to foil a women’s wig war with idle threats is just another waste of time.

    Ashley’s not impressed: “I can do anything I want to her.” Oh Bravo, when does Ashley get her own show?

    unspecified
    news/entertainment

    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

    moviesfilm
    news/entertainment

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