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    The Ego Whisperer

    Duke coach Mike Krzyzewski is the real villain in the LeBron James betrayal

    Chris Baldwin
    Jul 11, 2010 | 3:45 pm
    • If you play for Mike Krzyzewski, you learn to look out for your self interestsfirst.
    • LeBron James is the one gone, but he's not all too blame.
    • Coach K convinced Dwyane Wade, LeBron and Chris Bosh that they needed each otherto succeed.

    The LeBron James jerseys have been burned in a virtual YouTube contest and the 10-story "We Are All Witnesses" Nike mural of LeBron is slowly being dismantled (because downtown Cleveland needs another blighted building side).

    When will Cleveland get around to smashing bobbleheads of Duke coach Mike Krzyzewski and tossing his motivational tomes into the flames though?

    Yes, Krzyzewski. He's the real villain of LeBron's betrayal and he's skating by with a free pass. If it wasn't for Coach K's work with the U.S. Olympic Basketball Team, LeBron, Dwyane Wade and Chris Bosh never would have even thought of getting together in South Beach.

    Using his typical five fingers can't do anything by themselves, but if they come together they form a powerful fist mumbo-jumbo, Krzyzewski convinced LeBron, DWade and Bosh that they needed each other to succeed. What's wrong with this you ask? It helped the U.S. roll to a gold medal in men's basketball after all.

    The problem is it doesn't stop there with Coach K. It never does.

    For if you spend anytime around the fakest man in sports you cannot help but get drawn into his vortex of personal selfishness. The coach who preaches teamwork has always used other job offers to increase his power at Duke to the point where he now runs a personal fiefdom on the cloistered Durham campus. Krzyzewski's shown time and time again that he considers himself more powerful and more important than any university president.

    So why shouldn't one of his still relatively new eager pupils suddenly consider himself more important than his home state, his hometown and his home fans.

    Crazy Cavaliers owner Dan Gilbert got it wrong. LeBron James didn't pull a Benedict Arnold. He went Mike Krzyzewski.

    And Gilbert should know better than anyone.

    After all, another Krzyzewski disciple (former Blue Devil) Carlos Boozer gave the town of Cleveland its first crushing free-agency blow (call it the pre-LeBron death shot) several years ago. Remember, Boozer reneged on the handshake deal with the Cavs that allowed him to become a free agent in the first place and jumped on a more lucrative offer from the Utah Jazz instead, giving Cleveland and a then-rookie LeBron their first hard business kick to the head.

    Many Cavs fans and the team's ownership derided Boozer as a Benedict Arnold then too. Now, years later, after getting together with Coach K himself, LeBron humiliates Cleveland in a national TV special. That's no coincidence, that's a pattern of well-taught, cold-blooded self interest.

    If LeBron had never been coached by Krzyzewski in the Olympics, if he'd never fallen underneath the spell of the selfish sorcerer, he'd still be a Cav today.

    Those looking for a villain in "The Decision" should focus on the right man. He can be found in North Carolina's Triangle, locked behind his high-tech fortress of a basketball center.

    unspecified
    news/entertainment

    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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