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    Hollywood to houston

    Houston in the spotlight with No. 1 film location in Texas

    Craig Lindsey
    Jul 10, 2018 | 4:01 pm
    Universal Pictures: Celebrating 100 Years screening - Apollo 13
    Can you guess what's the most-filmed location in Texas?
    Courtesy photo

    What do the movies Apollo 13, Urban Cowboy, Terms of Endearment, Armageddon, Rushmore, and Robocop 2 have in common? They were all filmed mostly or partially right here in Houston.

    According to GoCompare.com, Houston is the third-most-filmed city for movie and TV productions — 1,279, to be exact — in Texas. Similarly, Texas happens to be the third-most-filmed state — 8,164 in total — in the country. Houston also boasts the most-filmed location in the state: Johnson Space Center. It's been used for the aforementioned Apollo and Armageddon, as well as Transformers: Dark Side of the Moon, and the Clint Eastwood movie Space Cowboys.

    Statewide, the city that's been filmed the most is Austin, with 2,257 movie and TV productions. Those productions range from The Texas Chainsaw Massacre (the original and the remake) to Miss Congeniality, to virtually anything local star filmmakers Robert Rodriguez and Houston-born Richard Linklater have shot. Dallas is at second place with 1,537 — with such productions as Robocop, Boys Don't Cry, and, of course, the TV show Dallas doing film time there.

    San Antonio is at fourth with 564 (remember in Pee Wee's Big Adventure when Pee Wee tried to look for his bike at The Alamo's non-existent basement?), and Fort Worth (where Walker, Texas Ranger shot) rounds out the top five with 331.

    The site compiled the list from the "filming locations" section of the Internet Movie Database (IMDb). Here is the list of most-filmed (movies and TV productions) cities in Texas:

    1. Austin: 2,257 (Miss Congeniality, Boyhood, Texas Chainsaw Massacre, True Grit)

    2. Dallas: 1,537 (Robocop, Boys Don't Cry, Any Given Sunday)

    3. Houston: 1,279 (Apollo 13, Armageddon, Urban Cowboy)

    4. San Antonio: 564 (Ace Ventura: When Nature Calls, Miss Congeniality, Pee-Wee's Big Adventure)

    5. Fort Worth: 331 (Logan's Run, Necessary Roughness, Walker, Texas Ranger)

    6. Arlington: 179 (The Rookie, Prison Break, Entourage)

    7. El Paso: 177 (The Counselor, The Day After Tomorrow, Man of Fire)

    8: Denton: 137 (Necessary Roughness, Armageddon, Bonnie and Clyde)

    9. Corpus Christi: 97 (Pearl Harbor, Selena, The Mentalist)

    10: Plano: 85 (Dallas, Wishbone)

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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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