In the relatively risk-averse world that is modern Hollywood, getting an original story is a rarity. The vast majority of potentially blockbuster movies these days are ones that have a connection to some kind of existing intellectual property that already has a well-established track record. So anytime something interesting arrives that’s not a sequel/reboot/remake/commercial for a product, it deserves to be celebrated.
And that goes double when it’s done as well as the new sci-fi film, The Creator. The film is set in a post-apocalyptic world in 2065, 30 years after a sentient artificial intelligence detonated a nuclear bomb in Los Angeles. Joshua (John David Washington) is an American soldier who for years worked undercover alongside A.I.-enhanced robots, many of which are fitted with clones of human faces, to try to find their reclusive leader, Nirmata, in a part of the world now called New Asia.
A personal tragedy sends him into exile, but he’s recruited back into service by Colonel Howell (Allison Janney) to seek out and destroy a weapon that may turn the tide in the war for good. Turns out the weapon is a robot in the form of a child (Madeleine Yuna Voyles), and when Joshua discovers that fact, he finds it impossible to carry out the mission. Instead, he does everything he can to protect the girl he calls Alphie, with the military hot on his tail all the while.
Written and directed by Gareth Edwards (Rogue One) and co-written by Chris Weitz, the film is astonishing in a number of ways, but mostly for its ability to draw the viewer in visually. The CGI is amazingly believable, making it easy to immerse yourself in the storytelling. From a foreboding super-weapon in the sky called NOMAD to the futuristic landscapes to the whirring metal cylinders that appear to be the brains of the robots, the film is full of fantastic details that make it a feast for the eyes.
The concept of A.I. is increasingly being used as a storytelling tool, and here the filmmakers seem to try to play both sides of the fence. Many people in the film fear its capabilities, especially given the nuclear event. But by literally putting human faces on many of the robots, it becomes more difficult to see them as pure evil, a dilemma that’s at the core of the problem for both Joshua and the audience.
Washington, who’s fast becoming as reliably good as his father, Denzel, is the star of the film, and he does a great job in that role. But stealing the show every second she’s on screen is Voyles, who delivers a debut performance the likes of which hasn’t been seen in many years. She is utterly convincing and heartbreaking as Alphie; while the story may have worked with a lesser actor, she helps take it to completely different level.
Also putting in great work are Janney, who proves herself as badass and fearsome a military leader as any man; Mark Menchaca as her No. 2; Ken Watanabe as an A.I. robot; singer-turned-actor Sturgill Simpson as a friend of Joshua; and Gemma Chan, redeeming herself after the misfire of Eternals.
The Creator could’ve earned praise simply by giving us an original sci-fi story. But by accompanying it with awe-inspiring imagery and performances that elevate the story immeasurably, Edwards and his team have made a film that will likely be remembered for years to come.
The Creator opens in theaters on September 29.