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    Love, peace & happiness

    Counting the days to Austin City Limits for one reason: Stevie Wonder is thesunshine of my life

    Barbara Kuntz
    Jul 4, 2011 | 2:30 pm

    I have my ticket to see just one show at Austin City Limits.

    Stevie Wonder.

    I’ll definitely take in the acts for the day, checking out the music new to me. My college-age sons share with me their favorite bands, so I try to stay “hip.” And I truly enjoy exploring all genres of music, from classical to experimental to the most radical out there. I’ve been through hard rock, death rock, punk, funk, blues, disco, R&B, country, jazz, rap, alternative and dubstep. What ever is next, bring it on!

    Hippie me
    The boys don’t know, though, how “hip” their mom really is. When I was their age, the Kerrville Folk Festival was a regular rendezvous on my calendar, complete with a permanent list on the inside of my car trunk hood of what to bring. I’d mastered it to perfection.

    The boys don’t know, though, how “hip” their mom really is. When I was their age, the Kerrville Folk Festival was a regular rendezvous on my calendar, complete with a permanent list on the inside of my car truck hood of what to bring. I’d mastered it to perfection.

    A dozen or so of us would pitch tents, wander like kites around the gorgeous Hill Country grounds of Quiet Valley Ranch and listen to musicians from The Singing Tree, where wannabes debuted to an encouraging (and forgiving) crowd, to the main stage to celebrate performances of top artists of the era. We’d shower in roofless communal bathrooms and soak in the peace and free love.

    Munchies meant popcorn made by my hippy-dippy, chilled out-and-way-cool aunt. Secret ingredients: Bragg’s amino acid and brewer’s yeast. The best. And I still make it at home. Whole Foods has everything you need to make it yourself.

    I may take individually packed brown bags of my homemade popcorn to ACL to hand out to the younger generation, that’s about it. No packing. But for sure, I’m taking my excitement to see Stevie.

    Get to know Stevie

    The Talking Book album about blew me away when I first listened to it in junior high, spinning on the turntable in my parent’s living room, playing both sides over and over again, completely amazed by Stevie Wonder's vocal range and keyboard skills. And contagious passion. I love every song on that album still today.

    Introduce yourself to or get reacquainted with Talking Book before the concert or with a CD for the road trip to Austin. Must-have playlists include: “You are the Sunshine of My Life” (thank you, Stevie, for this beautiful song); “Maybe Your Baby,” when Stevie introduced his incredible ability on a Moog synthesizer; “You and I,” I Believe” and “Blame it on the Sun,” all love songs; “Superstition” (need I say more); and “Tuesday Heartbreak.”

    Oh, hell. Just download the entire album. It’s Classic Stevie, pure genius, with more to come.

    Family Music Tree
    In that same living room, with the doors closed from mom and dad’s view, my older brothers played their favorite LPs to pass on music history to my sister and me. Sal and I know every word to almost every Beatles song, played air guitar to The Stones and The Who (to the delight of the guys), floated around the room to The Doors, tried to imitate Dylan’s voice and jumped from couch to chair to couch to the tunes of ZZ Top. And then there was blues legend Robert Johnson, who we just listened to on another turntable spinning 78s, from my oldest brother’s extensive blues collection, one of the largest in the state of Texas.

    My first important contribution to the family music tree was Stevie Wonder (followed by Stevie Nicks…O-M-G diva, and another Stevie, Stevie Ray Vaughan, RIP). Stevie W. has cut more than 20 albums. Talking Book was released in 1972, and I didn’t realize he had had about nine albums before that, starting with The 12-Year Old Genius in 1963 with a young Marvin Gaye on drums.

    More Playlists
    Must-haves from Innervisions: “Living for the City” (kicks ass while addressing social injustice); funkadelic “Higher Ground” (empowering); and two love songs, “All in Love is Fair” and “Golden Lady.”

    Must-haves from “Songs in the Key of Life”: “I Wish”; “Isn’t She Lovely?”; “Another Star,” with Bobbi Humphrey on flute and George Benson on guitar and as background vocals; and “Ngiculela - Es Una Historia - I Am Singing.”

    Be sure to include sexy “Boogie on Reggae Woman” from Fulfillingness’ First Finale; and “Part-time Lover” and “Overjoyed” from In Square Circle, just to name a few more from a 50-year-plus career.

    Stevie collaborated with other artists on numerous songs, including Elton John, Gladys Knight and Dionne Warwick on “That’s What Friend are For,” and was a major player in the original “We Are the World.” He and Ray Charles did a gig together, too. “Ebony and Ivory”? Stevie and Paul McCartney.

    Counting the days to ACL
    Stevie’s all about love, peace and happiness, just like my experiences at Kerrville Folklife Festival. Sit back, let him sing and you’ll walk away with every song in your heart.

    Stevie sings "You are the Sunshine of My Life":

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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