july on the rooftop

Houston's rooftop and drive-in cinema reveals scorching July lineups

This pandemic summer is more horror than comedy, but one Houston-area movie purveyor is doing its best to salvage July entertainment during COVID-19 and social distancing.

Rooftop Cinema Club has unveiled its summer lineup at its original rooftop venue at BLVD Place in Uptown Houston and the popular Drive-In at Sawyer Yards. The new listings extend the summer schedule through August 2. Meanwhile, Sawyer Yards now features $20 “Late Night Date Night” tickets on weekdays.

The movie club will continue to host its $5 Community Screenings for those impacted by COVID-19 and also those in support of Black Lives Matter. All proceeds from its first film every Monday will be donated directly to the Houston Food Bank and to the Black Lives Matter organization, according to a press release.

Guests can check the film program online for the “Community Screening” banner to find those events and book tickets.

Tickets for the Drive-In at Sawyer Yards start at $28 per vehicle, regardless of occupancy. New for July, Rooftop Cinema is offering “Late Night Date Night” tickets for $20 per vehicle (maximum 2 people) for the second screenings on Sunday through Thursday. Guests have the option to bring their own snacks, choose to order concessions from Rooftop Cinema Club, or food from on-site food trucks all done online for a safe, contactless, experience.

Doors open at 7:15 pm, with the first of two showings each night starting at 8:30 pm. Here is the complete July schedule for Sawyer Yards.

July 1 - Shrek; Pretty Woman
July 2 - The Lego Movie; Boyz N the Hood
July 3 - Jurassic Park; The Terminator
July 5 - Grease; Girls Trip
July 6 - The Muppets (Community Screening); Rocketman
July 7 - Toy Story 4; If Beale Street Could Talk
July 8 - Stand By Me; The Shining
July 9 - The Sandlot; Do the Right Thing
July 10 - The Goonies; Friday
July 11 - Jurassic Park; Con Air
July 12 - Poetic Justice
July 13 - Moana (Community Screening); Grease
July 14 - The Breakfast Club; Bridesmaids
July 15 - How to Train Your Dragon: The Hidden World; A Nightmare on Elm Street
July 16 - The Princess Bride; Knives Out
July 17 - The Lost World: Jurassic Park; Casablanca
July 18 - The Lion King (2019); Eternal Sunshine of The Spotless Mind
July 19 - Grease; Pretty Woman
July 20 - Sister Act (Community Screening); What's Love Got to Do With It
July 21 - The Sandlot; Crazy, Stupid, Love
July 22 - Hocus Pocus; Poltergeist
July 23 - Finding Dory; Grease
July 24 - Friday
July 25 - Love Jones
July 26 - Up; Breakfast at Tiffany's
July 27 - Beauty and The Beast (Community Screening); Purple Rain
July 28 - Grease; Set It Off
July 29 - Friday the 13th
July 30 - Frozen II; Poetic Justice
July 31 - Space Jam; Fight Club
August 1 - The Goonies; Beverly Hills Cop
August 2 - The Sandlot; Dirty Dancing

New for July, Rooftop Cinema at BLVD Place has added a second screening after 11pm on Fridays and Saturdays. Tickets start at $17 per person for a one-person lounge seat. Tickets for couples, or anyone looking for a roomier loveseat, plus large popcorn, are $24 per person. Student discounts are also available starting at $15.30 per ticket, with valid I.D. required the night of the event.

Here is the full July schedule for the BLVD Place Rooftop venue:

July 6 - Breakfast at Tiffany's
July 7 - Do the Right Thing
July 8 - Hustlers
July 9 - You've Got Mail
July 10 - If Beale Street Could Talk; The Rocky Horror Picture Show
July 11 - Once Upon A Time… In Hollywood; A Nightmare on Elm Street
July 12 - The Breakfast Club
July 13 - Armageddon
July 14 - Jaws
July 15 - The Great Debaters
July 16 - The Notebook (Open Caption)
July 17 - Love Jones; Raising Arizona
July 18 - Grease; The Craft
July 19 - Clueless
July 20 - The Farewell
July 21 - Selena
July 22 - Hustle & Flow
July 23 - Dirty Dancing
July 24 - When Harry Met Sally; The Room
July 25 - The Great Gatsby; Friday the 13th
July 26 - The Wood
July 27 - Sweet Home Alabama
July 28 - The Sandlot
July 29 - Pulp Fiction
July 30 - Grease (Sing-Along)
July 31 - Dazed and Confused; Friday
August 1 - Love and Basketball; Death Becomes Her
August 2 - Pretty Woman (Open Caption)

Drive up and chill at Sawyer Yards.

Photo courtesy of Rooftop Cinema Club

Drive up and chill at Sawyer Yards.

movies

Movie Review

Christopher Nolan's The Odyssey is technically stunning but lacks emotion

Photo by Melinda Sue Gordon/Universal Pictures

Matt Damon in The Odyssey.

For a story that is 3,000 years old and has been referenced innumerable times since the advent of the moving picture, it’s striking that The Odyssey has not been adapted into a film more often. Christopher Nolan’s new film is, depending on your definition, just the fourth time in film history that someone has attempted to tell the original story (oddly, the third film — The Return — came out just two years ago).

Matt Damon stars as Odysseus, who has been gone from his home of Ithaca for over 20 years. Waiting at home for him is his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland), as well as a hall full of suitors — most notably Antinous (Robert Pattinson) — who are hoping that Penelope will finally believe that Odysseus is dead and choose to marry one of them.

In typical Nolan fashion, the film goes back-and-forth in time often to show what has happened to Odysseus in the past two decades. His sea voyages with his crew have him attacking Troy using the legendary Trojan Horse; taking on the cyclops Polyphemus (Bill Irwin); trying to escape the clutches of the witch Circe (Samantha Morton); living with the nymph Calypso (Charlize Theron); communing with the vision of Athena (Zendaya); and more.

Nolan, who wrote and directed the epic film, has a clear reverence for the material and, perhaps more than any current filmmaker, has the chops to make the sprawling story feel coherent. With a plethora of characters who have names that take some time to understand for those not familiar with the ancient tale, it’s extremely tough to wrangle everything and everyone together, and Nolan and his team make that trick seem relatively easy.

However, there’s a difference between making the story comprehensible and making it compelling, and Nolan is not as successful on this front. As portrayed in this film, it’s difficult to care whether Odysseus ever finds his way home. His connection with Penelope and Telemachus is tenuous, at best, and his status as a hero is called into question on multiple occasions. Complicated protagonists are nothing new, but in a story where the hero’s journey is the whole point, Nolan fails to make the quest all encompassing.

That’s not to say that there aren’t some standout moments along the way. The sequence in Polyphemus’ cave is tremendous, as are a few other scenes in which Nolan’s reported reliance on practical effects make you wonder how the crew accomplished what they did. Damon has said this is the hardest movie he’s ever made, and that effort shows up in every scene, especially those on the water.

At 56 years old, Damon is getting close to elder statesman status in Hollywood, and he ably embodies the role of the respected and feared leader. Hathaway, Holland, and Pattinson get the next most screentime, and each makes their character interesting if not mesmerizing. The murderer’s row of the supporting cast — Theron, Lupita Nyong'o, Zendaya, Elliot Page, Morton, Jon Bernthal, John Leguizamo, and more — give each scene a nice sheen whether or not their individual arc makes sense.

While the technical achievements of Nolan and his team in The Odyssey are admirable and occasionally awe-inspiring, the story he lays out is not quite as overwhelming. The structure he chose to use doesn’t allow the story to overcome the episodic nature of Odysseus’ brutal journey, keeping big emotions mostly at bay.

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The Odyssey opens in theaters on July 17.

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Movie Review

Christopher Nolan's The Odyssey is technically stunning but lacks emotion