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    Tapas for two at Oporto

    Brazil turns itself into the World Cup's biggest bore: The joy of samba socceris gone

    David Theis
    Jun 26, 2010 | 2:07 am
    • Brazil used to play soccer like a samba celebration.
    • Now that the grumpy Dunga is in charge, Brazil has turned into a team thatslogs.

    The marquee matches for the last day of group play in the World Cup featured the two halves of the Iberian Peninsula — Portugal and Spain. In their honor I repaired to the Portuguese restaurant Oporto for a day of espresso, tapas and wine.

    Actually, even though I love the food (and everything else) at Oporto, I was more interested in the soccer than the piri-piri sauce. The very talented and often aesthetically pleasing Portugal side was facing Battleship Brazil, as one commentator has referred to the South American giants. The second game featured even more talented and even more aesthetically pleasing Spain against upstart Chile, whose earthquake-inspired young players have so far shown tremendous flair.

    More intriguingly, though Spain had come into the tournament as one of the favorites (despite the fact that they’ve won exactly as many World Cups as the United States — zero), they pretty much had to win today to be sure of advancing, because of their opening game loss to Switzerland. So it looked like all systems go.

    But the first 30 minutes or so of Brazil-Portugal killed my soccer buzz. Brazil coach Dunga (in Brazil even the coaches strike the single name pose) has vowed to win South Africa 2010 by any means necessary, even if that means playing the kind of ugly, plodding futebol that his fellow Brazilians abhor. I actually think he’s getting a kick out of infuriating his compatriots with his anti-samba soccer.

    In any event, a very defensive-minded Brazil kept the game on lockdown, and it ended 0-0. It was a stupefying match, the kind that gives soccer a bad name, and all the more frustrating because you know that both teams have the horses to run. Oh well. Both teams advanced. Maybe if they meet in the later stages the Cristiano Ronaldo will get the chance to do something besides nutmeg Homer Simpson.

    Spain-Chile was more entertaining, but also frustrating in its own way. For starters, a deluge started here just before kickoff, so Oporto’s televisions went down. They came back on in time to show both sides racing up and down the field, with Spain showing more technical passing ability and Chile more raw speed.

    Then Spain scored what will probably be the most unusual goal of the tournament. Hoping to stop a Spanish break, Chile’s goalie ran far outside the box. He slid into the attacker and sure enough deflected the ball away, but right into the feet of Spanish striker David Villa, who took careful aim on the unguarded goal 50 yards away and curled the Jabulani in.

    Then, Chile was the victim of some dubious officiating. A Chilean was red-carded for a very minor foul (if the trip was a foul at all), and the team then had to play a man down against the highly efficient Spaniards. Spain scored again, but then, impressively, Chile responded with a goal early in the second half. They lost 2-1, but the goal put them through to the second round where they’ll face Brazil.

    Frankly, I’d like to see them dart through the Brazilian defense and pull off a massive (and of course very unlikely) upset.

    Spain plays Portugal next in what could be the most entertaining game of the next round (Mexico v. Argentina also comes to mind). The championship of Iberia is at stake.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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