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    a trip to yellowstone city

    New star-studded, Houston-backed movie sends viewers on a Wild West murder mystery

    Craig Lindsey
    Jun 24, 2022 | 4:25 pm
    Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero.
    Anna Camp (Pitch Perfect) as Alice Murphy and Isaiah Mustafa (Shadow Hunters, IT) as Cicero.
    Photo by Ezra Olsen

    Movie producer Kelly Frazier is a Western kind of gal.

    Born and raised in Houston, the former music-video producer (she's worked with such country artists as Shania Twain, George Jones, and Billy Ray Cyrus) has been working almost exclusively in the genre of cowboy fiction. "I did about seven Westerns in a row, which are always the most fun to shoot," Frazier, who's been in the business ("scarily enough," she says) for 30 years, tells CultureMap.

    The latest oater she's involved with is Murder at Yellowstone City, which has just been released in theaters and on digital and boasts a cast of familiar Hollywood legends, stars, and starlets.

    The movie is actually something of an whodunit: A man (Zach McGowan) who strikes gold in a run-down Montana town is murdered. When the sheriff (film legend Gabriel Byrne) immediately locks up a traveling stranger of color (Isaiah Mustafa, he of the Old Spice commercials), several townspeople — particularly the town preacher (Thomas Jane star of The Punisher) and his wife (Anna Camp of Pitch Perfect) — suspect someone else is responsible.

    Oscar winner Richard Dreyfuss, Nat Wolff, and Aimee Garcia also star as some of the town's inhabitants.

    Frazier and her K7 Storytellers company got involved with the project when actress Scottie Thompson (who serves a a co-producer and plays the victim's widow) approached her with a script filmmaker Richard Gray (who directed Thompson in The Lookalike and Broken Ghost) wanted to direct next. "He had shared the project with her, to potentially act in it," says Frazier. "She brought it to us — she's dipping her toe in producing these days — and, so, we all worked together to get a plan in place that made sense."

    Of course, the plan involved scaring up some money to make the film, and that's when another Houstonian joined the party. San Antonio-born businesswoman Julie Stagner joined the circle of producers, using her background in asset management and other financial services to build a budget for Murder. "[Kelly] was looking for some investors to help with the film," says Stagner, "and I came on as an executive producer with the film and had the wonderful opportunity of working by Kelly's side on this project, being on set and getting to produce in post-production. It was a phenomenal experience learning from some of the best in the business."

    The film was shot in spring 2021 at the Yellowstone Film Ranch, a location co-owned by Gray, in Montana. ("We were just super-fortunate that we didn't have any COVID issues on set, and we were able to do that," says Stagner.) Frazier and Stagner weren't the only Houstonians involved in the production. Local teen actress Isabella Ruby has a supporting role as a young, gun-wielding gal who lives and works at the town saloon/house of ill repute.

    "There are so many talented people in Texas," says Frazier. "There are great crews. There's great talent — like Izzy — and tons of great actors. There are so many Texans out here in L.A. that say the same thing that I do: If there was a big-enough [film] community in Texas, we'd all move back. You know, people like [Matthew] McConaughey and Mike Judge and [Richard] Linklater and Robert Rodriguez have that luxury. But there's such a deep talent pool there."

    Frazier would love to bring more film productions to the Lone Star State. However, with the current tax incentives on film and TV productions (5 to 20 percent, according to the Texas Film Commission) being lower than other states (Montana is 25 percent), making some horse operas around here isn't financially feasible right now.

    "I would shoot every movie in Texas, to be able to be home and close to family," says Frazier. "So, the great thing about Texas is it can be literally any place you want it to be. You've got the beach. You've got, you know, the swamp country of East Texas. You've got the big mountains of the Big Bend and everything in between. So, there's so many looks you can get in Texas, and it would be great... Financially, if it made sense, I would shoot every movie in Texas."

    At the moment, both Frazier and Stagner hope that their townsfolk will take in this murder-mystery in the Old West. "I think [audiences] will feel a lot of emotion," says Stagner, "and they'll be entertained in a great way from all the classic and traditional things that you'd find in a Western."

    But don't forget about the movie's meaningful message. "As cliched as its sounds, do the right thing and search for the truth," says Frazier. "If you see an injustice, do something about it, and don't always take things on the surface."

    ---

    Murder at Yellowstone City is now playing in select theaters and on streaming services such as iTunes and Amazon.

    Tanaya Beatty as Violet Running Horse.

    Murder at Yellowstone City movie Tanaya Beatty as Violet Running Horse
    Photo by Ezra Olsen
    Tanaya Beatty as Violet Running Horse.
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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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