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    Houstonia's Losses Mount

    Houstonia Magazine's editor-in-chief is gone after just 3 issues: Shakeups continue at new magazine

    Tyler Rudick
    Jun 21, 2013 | 4:27 pm

    The new Houstonia Magazine sent its publisher packing after just one issue. Its much-promoted editor-in-chief hire lasted . . . three issues.

    John Wilburn has joined publisher Lou DeLone in making a quick departure from Houstonia.

    As the first editor of the Houston Press, Wilburn carries a heady reputation in the Bayou City media market. As a newcomer to the regional market, Houstonia knew he was just the man to hire as its first editor-in-chief.

    But not long after Houstonia's April launch, Wilburn is gone, marking the magazine's second major leadership departure in a few months.

    "He was offered a new position as editor-at-large of the magazine, which he ultimately declined to accept."

    Editorial director Scott Vogel — the Houston native who founded the publication with sister Nicole Vogel — tells CultureMap via email that Wilburn left the post in May.

    "John was hired to be the editor-in-chief of the magazine, and was the number two editor here, reporting to me," Vogel writes. "In April, he was offered a new position as editor-at-large of the magazine, which he ultimately declined to accept."

    Multiple sources tell CultureMap that Scott Vogel has taken on an increasingly vocal role in editorial and determining the magazine's content and that Wilburn was hired with the understanding that he'd be able to chart the magazine's editorial course. Hence his editor-in-chief title.

    Wilburn acknowledged he received CultureMap's request for an interview, but did not return phone calls or comment further. He finished up his tenure with a final editor's note in the magazine's June issue (though the note does not acknowledge his impending departure).

    Wilburn served a stint as managing editor for the Houston Chronicle, which he joined after helping kick off the Houston branch of Microsoft's Sidewalk.com (now CitySearch) as well as serving as operations manager for KHOU's news website. He was working as an opinion editor at the Chronicle when he left for Houstonia Magazine.

    With Wilburn at its helm, Houstonia quickly found itself with a lineup of local talent that included Houston Press alum like Robb Walsh, John Nova Lomax and Cathy Matusow.

    “The chance to capture, between magazine covers, a city as muscular, diverse and energetic as Houston, offers an irresistible lure for those of us who love colorful storytelling,” Wilburn said in a January press release announcing Houstonia's arrival.

    But, the thrill apparently didn't last long.

    This isn't the first — or second time for that matter — the barely launched magazine's made headlines for drama not in its pages. Houstonia found itself changing its name after the Houstonian Hotel objected to its original planned title: Houstonian Magazine.

    Who's left from Houstonia Magazine's first issue? Just months in, the new magazine's seen two of its highest ranked leaders depart.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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