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    Big Dreams For New Film

    Texas director comes home with big dreams for new film based on real-life inspirations

    Tarra Gaines
    Jun 13, 2016 | 9:00 am

    A young New York woman runs away from familial pressures to go to law school and begins to discover her voice in a very unlikely place yet close to home. This is the fictional story of Dora in the independent film I Dream Too Much.

    But go back a few decades to imagine a young woman growing up in Beaumont and falling in love with movies. After graduating from Texas A&M, her love of films still strong, she runs away from familial pressure to become a lawyer, to instead find her voice not too far away in a Houston swamp and later amid the wilds of Austin. This, not so coincidentally, is the real life story of I Dream Too Much director Katie Cokinos.

    I had a chance to talk with Cokinos before she embarked on a rather unique journey to promote her first feature film. She’s coming home to tour the film in several Texas cities with special screenings in Beaumont, Houston, Dallas and Austin.

    I Dream Too Much stars Eden Brolin as Dora and three-time Oscar nominee Diane Ladd as her cranky but complex Aunt Vera. Trying to avoid her mother’s hints about law school, Dora moves in with her Aunt Vera, who is recovering from a broken foot. While Dora dreams about, and meddles in, the lives of Vera and the quirky locals she meets, she begins to find her own path.

    Real Life Inspirations

    Though there’s only a few similarities between the fictional Dora and Cokinos’s own story, the drive the find one’s identity as a creative woman in the world does appear to be a big commonality in Cokinos’s personal history and her film.

    “I was supposed to go to law school but decided to pursue film,” Cokinos said. “I moved to Houston and started working at the Southwest Alternate Media Project [SWAMP]. That was just one of the best things I ever did. It was there that I saw every level of film.”

    At SWAMP, Cokinos did the important behind-the-scenes work that allows filmmakers to realize their vision, from helping them get grant funding to distribution and planning conferences.

    While there she also met Eagle Pennell and Richard Linklater. She ended up doing producing duty on Pennell’s 1990 film Heart Full of Soul and was a publicist for Linklater’s cult classical Slacker. As Linklater became more tied to completing and then taking Slacker to film festivals, he had less time to run the Austin Film Society and suggested the job to Cokinos.

    “Austin seemed like a smaller film community where things were happening on a different level, and I really wanted to be a part of it,” she explained.

    In Austin she became even more involved in filmmaking as a location scout and manager for several Texas-set movies like the Texas Chainsaw Massacre: The Next Generation and What's Eating Gilbert Grape. Learning as she worked on these big productions also helped her pay the bills while she wrote and directed her own short films. Alex Rappaport, the cinematographer on her first featurette, Portrait of a Girl as a Young Cat, soon became husband her. They moved to New York to raise a family, but Cokinos continued to write screenplays, including I Dream Too Much.

    A Personal Direction

    When I asked her if there was ever any doubt that she would be the one to direct this story, she said there was absolutely no doubt because the film is so personal to her. With a self-deprecating laugh she also confessed she didn’t know that anyone else would have wanted to direct this light, female coming-of-age story that contains little angst and no dystopian landscapes.

    “I really wanted to make a modernize[d] Jane Austen story. In the back of my head I kept thinking what if it’s Jane Austen 2016, without zombies.”

    While there are definitely modernized Austen elements in the story, there is no romance in either the classic or chick flick sense. Dora isn’t vying for the attention of a man and the only love triangle mentioned happened decades before her birth and involved her wise yet cynical Aunt Vera.

    When I remarked to Cokinos how unique a film about a young woman who is not caught up in a romance seemed to me, she explained that was a quality Linklater liked about the script and perhaps one of the reasons he chose to become executive producer.

    “It never was about Dora falling in love,” she said. “That’s a type of coming of age, but that wasn’t the coming of age film I wanted to show. I wanted to show her interior, finding her voice, and finding herself amid family and societal pressure. She’s just coming out of college, and for me that was one of the hardest transitions I ever went through.”

    This trip home to promote I Dream Too Much might also bring her a step closer to her second film. Cokinos is very excited about the recently published, and Beaumont-set, novel The Do-Right, by Texas native Lisa Sandlin and thinks it would make a great film. She’s in the midst of optioning the book and is about to get to work adapting it to a screenplay.

    “Beaumont is in my blood,” she confessed, laughing. “I’ve always wanted to make a film in Beaumont.”

    Though her love of film led her away from home, it looks like that same love might soon be bringing her back to Texas to bring another of its stories to screen.

    Cokinos will be present at a special screen of I Dream Too Much on Tuesday, June 14 at River Oaks Theater.

    Eden Brolin stars as Dora in I Dream Too Much.

    Houston, Houston Cinema Arts Fest 2015, October 2015, I Dream Too Much
    Photo courtesy of Houston Cinema Arts Festival
    Eden Brolin stars as Dora in I Dream Too Much.
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    Concert News

    Singer-songwriter Sara Bareilles brings Good Grief tour to Houston

    Brianna Caleri
    Jun 4, 2026 | 2:30 pm
    Sara Bareilles
    Photo courtesy of Sara Bareilles
    Sara Bareilles is touring in support of Good Grief, her first new album in seven years.

    Singer-songwriter Sara Bareilles is hitting the stage on her new Good Grief Tour, which promotes not just her new album but also a new documentary, Sara Bareilles: Good Grief. The tour stops at the Hobby Center for the Performing Arts in downtown Houston on October 7

    Bareilles will start the relatively short tour in Boston, Massachusetts, on September 9 and close it out in Seattle, Washington, on October 19. In addition to Houston, she'll stop in Austin at the Bass Concert Hall in Austin on October 6.

    The Good Grief Tour announcement is highly coordinated, setting a preorder date of August 28 for Bareilles' seventh album, Good Grief, and debuting the album's first single, "Home." The documentary will also make its world premiere at the Tribeca Festival on Thursday, June 4. Viewers will get to see the process that brought the album to life as Bareilles returned to the studio for the first time in seven years, since recording the Grammy-winning album Amidst the Chaos.

    Good Grief, which Bareilles produced herself, features work by Charley Drayton, Butterfly Boucher, Misty Boyce, Solomon Dorsey and Rob Moose in the band, and includes collaborations with Brandi Carlile, Andrea Gibson, Ingrid Michaelson, Joe Tippett and Megan Falley. "Hope" was inspired by an interview between Stephen Colbert and Anderson Cooper, making this an especially communal effort.

    “This whole collection of songs felt like transmissions rather than a deliberate attempt to make sense of the world,” said Bareilles in a press release. “My deepest hope is that Good Grief provides some kind of comfort or catharsis.”

    Tickets sales will open with artist, Verizon, and CITI pre-sales on Monday, June 8. General sales start Wednesday, June 10, at 10 am. One dollar from each ticket will go to mental health organization the Jed Foundation via Plus One and Live Nation. All net proceeds from VIP upgrades will go to NAMI (National Alliance on Mental Illness).

    Sara Bareilles — Good Grief Tour dates

    September 9—Boston, MA—MGM Music Hall at Fenway
    September 12—Washington, D.C.—The Anthem
    September 15—Toronto, ON—Massey Hall
    September 18—New York, NY—Radio City Music Hall
    September 21—Philadelphia, PA—The Met Philadelphia presented by Highmark
    September 24—Atlanta, GA—Fox Theatre
    September 25—Cincinnati, OH—Taft Theatre
    September 27—Chicago, IL—The Chicago Theatre
    September 30—Minneapolis, MN—Orpheum Theatre
    October 2—St. Louis, MO—Stifel Theatre
    October 4—Denver, CO—Bellco Theatre
    October 6—Austin, TX—Bass Concert Hall
    October 7—Houston, TX—The Hobby Center for the Performing Arts
    October 12—Los Angeles, CA—Dolby Theatre
    October 13—Los Angeles, CA—Dolby Theatre
    October 16—San Francisco, CA—Bill Graham Civic Auditorium
    October 19—Seattle, WA—The Paramount Theatre

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