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    The ringer & a Ranger at Richmond Arms

    Satisfying, sweaty U.S. World Cup tie: Beat by the heat, but not the Brits (withvideo)

    David Theis
    Jun 12, 2010 | 9:08 pm

    I feel like I did my bit for USA's World Cup soccer team today. I got to Richmond Arms at the ghastly hour of 6 a.m., and then sat through two matches while waiting for U.S.-England to kick off around 1 p.m.

    I hadn’t been sure if I really needed to be that early to get a seat, but, given the crowds that can gather at Houston's Mecca of football viewing, I decided to be there when the doors opened.

    It turned out to be a little overzealous. Between 20 and 50 fans filed in for the first match, South Korea v. Greece. I could’ve slept in. I was far from the most exhausted fan, however.

    Of the six people seated at my banquette, three had pulled all-nighters. Two of them said they were American soldiers — one a West Point graduate, no less, and the other was a Ranger. After facing the harrows of war, they said, they would have no trouble keeping awake until the 1 p.m. kickoff. Alas, the spirit was willing but the flesh was weak, and I lost track of them as the crowd swelled.

    The third sleepless man was more fortunate; a long-time U.S. resident of Korean ancestry, the improbably named Madison (I’ve actually tweaked his name in case he’d rather I not report on his merry-making) was there to see South Korea take on Greece in the early match.

    Madison had bet one of his fellow car mechanics (a Salvadoran, he thinks) that he would shave his head if South Korea lost, while his co-worker only had to put up $10. Madison had nothing to worry about as his team cruised to an easy victory, while Greece looked lackluster at best. After the match he went off to the garage to work. I hope it was a slow day at the shop.

    The bar filled to an agreeable level for the second match — Argentina v. Nigeria. Some Nigerian fans started to sing and the match began with a lovely atmosphere. Argentina could only capitalize on one of its many scoring opportunities — brilliant Lionel Messi fired again and again to no avail — but still took a comfortable 1-0 win.

    Then came the main event, U.S. v. England. There had been verbal skirmishes throughout the early morning over the placement of each country’s flags, and so on, and the Yanks gave as good as we got. There was even a chant of “BP sucks,” which the Brits didn’t seem to take too personally. (Not to be glib, but if there were no BP in Houston, then there would be no Richmond Arms either.)

    I’d say there were more Americans than Brits inside the bar. Tension built as kickoff neared. The English sang their anthem, “God Save the Queen,” then the Americans responded with the most powerful “Star-Spangled Banner” that I’ve ever been a part of. I think we made Richmond Arms vibrate.

    I wish that the right-wing grouches who claim soccer is a fundamentally un-American game could’ve heard our patriotic, and surprisingly emotional, rendering, and perhaps joined in.

    The game began on a disastrous note for the Yanks, as England’s Steven Gerrard scored a very easy fourth-minute goal. The U.S. looked overmatched for most of the first half, and then they got lucky. A routine Clint Dempsey shot spun away from goalkeeper Robert Green and trickled across the line.

    Cue the roaring at Richmond Arms.

    And the sweating. The legendary pub’s air-conditioning was no match for the crowd, and it got really, really hot inside. Over 100 degrees, I’d say with some confidence. The crowd was pretty well wilted by the end of the 1-1 draw.

    The event wound up being an ordeal, and I’m not sure I’d do it again. (Of course, today may have drawn the biggest crowd Richmond Arms will see.)

    On a related note, I’m told by reliable sources that Discovery Green drew "at least 4,000" to the Dynamo-sponsored viewing of the game. That’s an extraordinary number, and I wonder what it means for future outdoor events.

    Robert Green's moment of gaffe:

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    Movie Review

    George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

    Alex Bentley
    Nov 21, 2025 | 3:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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