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    London Falling Down

    A loser with baggage: Kalon McMahon Bachelorette booted with righteous F-Bombfury

    Tyler Rudick
    Jun 11, 2012 | 11:34 pm
    • Emily confronts Kalon and the next thing we know it's "Get the fuck out" (mouthblurred by ABC).
      The Bachelorette/ABC
    • Emily turns the tables on Kalon, asking him to "let me finish, as I learned fromyou."
      The Bachelorette/ABC
    • During a group-date Shakespearean performance, Kalon takes his role as Romeovery seriously, going to far to to shoo away Emily for a chance to rehearse.
      Photo by Nick Ray/ABC/The Bachelorette
    • Kalon and Emily during happier times
      Photo by Craig Sjodin/ABC
    • Long a front-runner, Arie, in dress to right, was narrowly spared Monday afterEmily confronted him for not standing up for her during the Kalon debacle.
      Photo by Nick Ray/ABC/The Bachelorette
    • Our man Kalon returns home, in a cab and not a helicopter as he arrived in,after a wildly entertaining five-week appearance.
      The Bachelorette/ABC

    Oh, how the mighty fall . . . After miraculously surviving four weeks of The Bachelorette season eight, Houston reality bad boy Kalon Joseph Reid McMahon finally took it too far Monday night, launching Emily Maynard into a self-described "West Virginia-style" rage and losing his chance at finding love on national television.

    It all started with a passing comment during a casual tableside chat between Kalon, Arie the racecar driver and Jef with one f, who arrived with the other remaining suitors for several days in London. Back at the temporary bachelor pad, spirits are a little low after Emily selects Sean for a one-on-one evening, relegating the rest of the gentleman to a group date the following day.

    "If you become part of her life," Kalon snickers, "pretty much any date's going to be a group date — you, her and (her daughter) Ricki."

    Never one to like an uncomfortable silence, Kalon chimes in to console his fellow contestants. "If you become part of her life," he snickers, "pretty much any date's going to be a group date — you, her and [Emily's daughter] Ricki."

    Arie gently redirects the conversation and, later that night, Dallas-native Sean scores himself a rose.

    The next day brings a hoarse voice for Emily and special trip to Stratford-upon-Avon for a group date performance of Shakespeare's Romeo and Juliet.

    Irked he's lost out to Jef for the second one-on-one date, Kalon finds solace in being selected by the bachelorette to play the coveted role of fair Romeo. Oddly, he appears so consumed by the responsibility of playing one of the production's lead characters that he goes so far as to shoo away Emily with the now infamous line: "We need to get back to rehearsals. You can run along."

    But the true Shakespearean tragedy takes place after the show at a local pub where our hometown hero tells Chris — who sometimes looks like young Gary Sinise, right? — that, after the busy group date, he'll only "get a chance to talk to an exhausted, sick mother who has a child waiting on her.”

    True? Yes. Something to say on camera? Not really.

    Chris is pissed and tells the rest of the gang about their conversation as well as a moment the previous night when Kalon called Ricki the ultimate b-word . . . "baggage." Doug, the single father who's hated Kalon since he said he was putting his son "on hold," is livid and demands an apology from the Houston bachelor.

    Kalon refuses to stand down, noting that he chose the word poorly and that he intended to say Ricki was a responsibility. Doug tells Emily. Emily confronts Kalon and the next thing we know it's "Get the fuck out."

    unspecified
    news/entertainment

    Movie review

    Will Arnett shines in Bradley Cooper’s divorce drama Is This Thing On?

    Alex Bentley
    Jan 9, 2026 | 10:30 am
    Will Arnett in Is This Thing On?
    Photo by Searchlight Pictures/Jason McDonald
    Will Arnett in Is This Thing On?.

    With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

    Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. He plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

    The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls and Christine (Cooper and Andra Day) and Stephen and Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

    The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

    As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

    If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

    Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

    Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

    ---

    Is This Thing On? opens wide in theaters on January 9.

    news/entertainment
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