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    live music is back

    10 best June concerts to catch as live music returns to Houston

    Johnston Farrow
    Johnston Farrow
    Jun 8, 2021 | 12:15 pm

    Hallelujah! Rejoice, Bayou City music fans, as live shows return with much renewed vigor this June.

    Nearly half of Harris County residents are vaccinated, which is a big reason concert venues are starting to book performances close to pre-pandemic capacity as ticket buyers feel more comfortable venturing out to see artists do their thing on stage, outside of a Twitch channel or livestream.

    Some venues still have some health protocols in place, but they are now starting to schedule larger shows with acts from outside of Texas, which is fantastic sign for the local industry, which was hit hard over the last 14 months.

    One of the biggest local shows of the year so far took place at the outdoor Houston Art Car Experience with beloved H-town bands The Suffers, Los Skarnales, Tomar and the FCs, and Bayou City Funk. The event at the Orange Show World Headquarters off Gulf Terminal Drive in South Houston drew hundreds of jubilant fans — masked and unmasked alike. And being the first show in what felt like an eternity, it felt more like a high school reunion than a concert as many people reconnected after not seeing each other in over a year. It was a wonderful event.

    Now that some sense of normalcy is cautiously returning to our city, here are some of the concerts coming up for you to dip your toes into the musical waters. This list include venues and artists that could really use – and deserve – your patronage.

    Schoolpoolparty
    Wednesday, June 9
    House of Blues
    1204 Caroline St.

    Schoolpoolparty aka Alejandro Aranda has had a very Millennial path towards notoriety, placing as the runner-up in Season 17 of American Idol, drawing praises from the judges as well as icon Stevie Nicks. His audition video — with original compositions "Out Loud" and "Cholo Love" — has been viewed over 14 million times.

    Before that, he was a touring member of acclaimed indie act, Twin Shadow. The mix of alternative credibility and YouTube fame led to a cult following and the release of the late-2019 album, Exit Form, and 2020 EP, Doom Hologram.

    Doors open at 7 p.m. Tickets start at $25 plus fees.

    Blackberry Smoke
    Friday, June 11
    House of Blues
    1204 Caroline St.

    Few bands have scored multiple No. 1 country albums while making a serious dent on the indie and rock charts. But that's exactly what Atlanta rock band Blackberry Smoke has accomplished. Their country-fried rock sound has endeared them across the U.S. and even the U.K., an impressive feat. While their last album, You Hear Georgia, didn't make as big of an impact, the nearly 20 years as a band has made them a quality live draw.

    Doors open at 7 p.m. Tickets start at $25 plus fees.

    Ruckus
    Friday, June 11
    The Continental Club
    3700 Main St.

    Talented local band Ruckus has been around for a few years, but they are just wrapping up their first full-length, self-titled album, set to be released later this year.

    They have shared the stage with a variety of who's-who in the Texas music circuit and beyond, including Bob Schneider (see below), Ian Moore, A. Sinclair, and more, combining psych-rock, Americana, and rock and roll that drawing on their Southern influences. Hear the new material in advance at their first show in some time at the storied Continental Club.

    Doors open at 6 p.m. Tickets start at $10 plus fees.

    John Evans with Two Tons of Steel
    Saturday, June 12
    Market Square
    301 Milam St.

    The Downtown District hosts the monthly the Road to River Revival Series and the June edition will feature award-winning Houston-based producer and singer/songwriter John Evans as well as the San Antonio honky tonkers, Two Tons of Steel.

    Presented in collaboration with Houston record label Splice Records and Saint Arnold Brewing Company, the monthly concerts will feature regional performers that showcase the wide variety of genres represented at Splice Records’ popular River Revival Music Festival, taking place from September 23 to 26 in New Braunfels. The best part: the lineup is good, the beer will be cold, and it's free to attend.

    Doors open at 6 p.m. Admission is free.

    Shakey Graves with Sir Woman
    Saturday, June 19
    White Oak Music Hall Lawn
    2915 N Main St.

    One of the few acts to perform a large scale Houston show during the pandemic, Austin-raised, Americana artist Shakey Graves performed a socially distanced grid show at White Oak Music Hall last fall. This time, there will be no such restrictions, allowing his already huge Texas fanbase to freely gather on the White Oak lawn.

    Graves' mix of blues, folk, rock, and country parlays well to the live stage and he'll be performing behind the release of his Look Alive EP and the 10th anniversary re-release of his debut album, Roll the Bones.

    Gates open at 7 p.m. Tickets start at $35 plus fees.

    Buckcherry with Saliva, Hinder, Drowning Pool, and Saving Abel
    Saturday, June 26
    Warehouse Live
    813 St Emanuel St.

    You've rested those ears for over a year, now it's time to give them the thrashing you've been waiting for. Buckcherry, the band with a predilection towards hard drugs (see "Lit Up") mixes it up with other similarly testosterone fueled hard rock acts in an all-day, get-your-rocks-off extravaganza. Some of the more noteworthy radio friendly bands of the last few decades will hit the road together in what should be an epic day of guitars and heavy drums. Expect a lot of sweat, beer, and tattoos.

    Doors open at 1 p.m. Tickets start at $50 plus fees.

    Charley Crockett with Gus Clark
    Saturday, June 26
    White Oak Music Hall Lawn GRID show
    2915 N Main St.

    The pandemic was tough on many artists who were set to break out before venues were shuttered, but some thrived. Charley Crockett was a pleasant exception, whose profile seemingly increased during social distancing, his moody, old school country crooning providing a great soundtrack for working from home and quiet, reflective nights in.

    Sure, his 1950s classic country persona is a bit of a schtick, but the San Benito, Texas native does it so well. He'll be playing songs from his 2020 release, the aptly named, Welcome to Hard Times, and this year's 10 for Slim: Charley Crockett Sings James Hand.

    Gates open at 6:30 p.m. Tickets start at $150 per grid.

    Bob Schneider
    Saturday, June 26
    The Heights Theater
    339 W 19th St.

    There's a good reason the multi-genre Texas troubadour Bob Schneider is a mainstay on the Texas live music circuit. His music appeals to a wide variety of tastes, pulling the many sounds from his long, multi-album, multi-band career, including as lead singer for Austin-based rock bands, Ugly Americans, and The Scabs.

    He draws on alt-rock, folk, country, funk, and blues to build eclectic and entertaining sets. He'll play two shows at the intimate Heights Theater, touring behind this year's In A Roomful Of Blood With A Sleeping Tiger, which could easily be the title for the soundtrack of Houston in 2021.

    Doors open at 5:30 p.m. for the early show, 8:45 p.m. for the late show. Tickets start at $24 plus fees both for the early show and late show.

    Chicago
    Sunday, June 27
    Cynthia Woods Mitchell Pavilion
    2005 Lake Robbins Drive, The Woodlands

    It's not exactly Saturday in the park on the Fourth of July, but Sunday at the Pavilion in late-June will do just fine for yacht rock superstars, Chicago, who will make up a previously schedule show in what might be the biggest music performance in Houston since RodeoHouston back in early 2020.

    The Rock and Roll Hall of Fame inducted act has been around for over 50 years and has a rolodex of hits to choose from, which is all any fan of the multi-million album selling, classic rock band can hope for in what will be a great return for live music at the Cynthia Woods Mitchell Pavilion.

    Gates open at 6:30 p.m. Tickets start at $30.50 plus fees.

    Fitz and the Tantrums with Livingston
    Monday, June 28
    House of Blues
    1204 Caroline St.

    No other concert this month will signify the joy of the return of live music than the Fitz and the Tantrums show at House of Blues. In any other time, these guys would play a bigger venue, but due to the relative inactivity by the entire music industry, we'll get to see this electric, buoyant Los Angeles act that brought fun to the radio airwaves with hits such as "HandClap" and "The Walker."

    Score your tickets because this one will be close to selling out, saved only by it's Monday date.

    Doors open at 7 p.m. Tickets start at $32.50 plus fees.

    The high energy of Fitz and the Tantrums visits House of Blues on Monday, June 28.

    Fitz and the Tantrums
    Photo by Joseph Cultice
    The high energy of Fitz and the Tantrums visits House of Blues on Monday, June 28.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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