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    Summer Fest Survival

    How I Survived Free Press Summer Fest: Naps, water breaks and decision time — Weezer and Skrillex — or both?

    Tarra Gaines
    Jun 8, 2015 | 6:13 am

    The problem with Free Press Summer Fest 2015, and generally with any kind of festival with multiple stages, is the more spectacular the event, the harder the choices. You have to decide going in just what kind of festival goer are you. Are you a researcher and planner who turns your experience into a highly calibrated attack on the day, or are you ready to float free in a fest and let the music on the wind take you wherever?

    When it came time for me to decide before heading out to NRG Park Yellow Lot on Sunday, I decided to pick a few acts I had to see and then wander. This strategy was wise at times, naive at others, but I did learn some valuable lessons to get me ready for FPSF 2016.

    Houston Artists Are Made of Sterner Cooling Stuff than the Rest of the World

    While many of the performers on all the can’t-miss-lists didn’t make an appearance until the sun dipped on the horizon, most of the Houston acts were scheduled earlier in the day. The cynic in me says this was probably because they weren’t the biggest draws, but my H-Town pride also thinks it was perhaps because FPSF organizers didn’t want to sun stroke out anyone from Portland, LA or Glasgow.

    Hometown favs the Tontons certainly could take the high temperature and added some sultry musical heat of their own.

    Hometown favs the Tontons certainly could take the high temperature and added some sultry musical heat of their own. It was definitely worth braving the intense afternoon sunshine to get to FPSF earlier in the day to hear Asli Omar’s lovely wails.

    Naps Are Wasted on the Young

    However coming in early to hear some local groups did put me in desperate need for a lie down around 3 p.m.. I was glad to see I wasn’t the only one, as I found kids and adults of all ages wilting into the floor of the Fancy Pants or water spray tents. More power to all you power nappers out there.

    Beauty Is Subjective

    I don’t think I’ve ever looked at Reliant Stadium so lovingly — actually I’ve never looked at Reliant Stadium lovingly — than after seeing the inside of the Port O Potties and imagining all those lovely clean empty bathrooms just a block away. Also, the several METRO buses stationed around the fest as A/C oases were a sight to behold. Perfect opportunity to get Houstonian millennials into a city bus for the first time there METRO.

    Sometimes You Should Let the Elements Be Your Guide

    True confession: around 5 p.m., with several great bands playing at the same time, I picked The Mountain Goats as my afternoon session almost solely because of their close proximity to a free water and cooling station. I’m going to let water advise me on musical choices from now on because these indie-folk goats did not disappoint and because I learned the valuable life lesson: “Life is too short to refrain from eating jam out of the jar.” I intend to meditate on this lyric often.

    Every Crowd Has Its Own Personality

    Even though we were all in this together, it was fun to analyze what attendees gravitated to which acts. Electronic duo GTA seemed to have the best in sync bouncing audience, with the requisite one-hand in the air. Skrillex had the most selfie stick abusers.

    Skillrex had the most selfie stick abusers; The Flogging Molly crowd was the place most likely to see a guy wearing a kilt.

    Not cool tall guys who kept standing in front of me and waving their sticks around (not a euphemism thankfully). The Flogging Molly crowd was the place most likely to see a guy wearing a kilt.

    Meanwhile, electronic music artist Tycho seemed to have the highest percentage of girls in sparkly gold body paint in their crowd, not to mention that one shirtless guy reveling so much in Tycho’s ambient beats that his American flag shorts kept falling half way down his ass. You be awesome you, dude.

    I’d also argue that the Decemberists had the most laid back audience, literally, as a small but distinctive portion were pretty much lounging on the asphalt throughout the entire set. This might be because their crowd seemed tied with Skrillex’s for the most times I smelled that distinctive but still-illegal-in-Texas funny smell in the air.

    Some Musical Mixtures Should Be Left to Professionals

    No matter how efficiently you schedule your own fest experience or how much you flutter through, sooner or later you have to accept you can’t be at two places at once and just choose. This I refused to do when it came to headlining acts Weezer and Skrillex playing at the same time. So what madness did I attempt? Running back and forth between the two stages and between two very different genres of music.

    Perhaps some producer could make some musical masterpiece out of the two, but my head still hurts from this sound crash brought on by the stellar performances from the '90s kings of alternative rock and the 21st century master of dubstep. I didn’t drink anything but a gallon of water, but I’m sure to wake up with a musical hangover nevertheless.

    But honestly, in the end, totally worth it.

    Although Weezer, shown here, and Skrillex performed at the same time, Tarra Gaines was determined to see both.

    Photo by © Michelle Watson CatchLightGroup.com
    Although Weezer, shown here, and Skrillex performed at the same time, Tarra Gaines was determined to see both.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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