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    Summer Fest Survival

    How I Survived Free Press Summer Fest: Naps, water breaks and decision time — Weezer and Skrillex — or both?

    Tarra Gaines
    Jun 8, 2015 | 6:13 am

    The problem with Free Press Summer Fest 2015, and generally with any kind of festival with multiple stages, is the more spectacular the event, the harder the choices. You have to decide going in just what kind of festival goer are you. Are you a researcher and planner who turns your experience into a highly calibrated attack on the day, or are you ready to float free in a fest and let the music on the wind take you wherever?

    When it came time for me to decide before heading out to NRG Park Yellow Lot on Sunday, I decided to pick a few acts I had to see and then wander. This strategy was wise at times, naive at others, but I did learn some valuable lessons to get me ready for FPSF 2016.

    Houston Artists Are Made of Sterner Cooling Stuff than the Rest of the World

    While many of the performers on all the can’t-miss-lists didn’t make an appearance until the sun dipped on the horizon, most of the Houston acts were scheduled earlier in the day. The cynic in me says this was probably because they weren’t the biggest draws, but my H-Town pride also thinks it was perhaps because FPSF organizers didn’t want to sun stroke out anyone from Portland, LA or Glasgow.

    Hometown favs the Tontons certainly could take the high temperature and added some sultry musical heat of their own.

    Hometown favs the Tontons certainly could take the high temperature and added some sultry musical heat of their own. It was definitely worth braving the intense afternoon sunshine to get to FPSF earlier in the day to hear Asli Omar’s lovely wails.

    Naps Are Wasted on the Young

    However coming in early to hear some local groups did put me in desperate need for a lie down around 3 p.m.. I was glad to see I wasn’t the only one, as I found kids and adults of all ages wilting into the floor of the Fancy Pants or water spray tents. More power to all you power nappers out there.

    Beauty Is Subjective

    I don’t think I’ve ever looked at Reliant Stadium so lovingly — actually I’ve never looked at Reliant Stadium lovingly — than after seeing the inside of the Port O Potties and imagining all those lovely clean empty bathrooms just a block away. Also, the several METRO buses stationed around the fest as A/C oases were a sight to behold. Perfect opportunity to get Houstonian millennials into a city bus for the first time there METRO.

    Sometimes You Should Let the Elements Be Your Guide

    True confession: around 5 p.m., with several great bands playing at the same time, I picked The Mountain Goats as my afternoon session almost solely because of their close proximity to a free water and cooling station. I’m going to let water advise me on musical choices from now on because these indie-folk goats did not disappoint and because I learned the valuable life lesson: “Life is too short to refrain from eating jam out of the jar.” I intend to meditate on this lyric often.

    Every Crowd Has Its Own Personality

    Even though we were all in this together, it was fun to analyze what attendees gravitated to which acts. Electronic duo GTA seemed to have the best in sync bouncing audience, with the requisite one-hand in the air. Skrillex had the most selfie stick abusers.

    Skillrex had the most selfie stick abusers; The Flogging Molly crowd was the place most likely to see a guy wearing a kilt.

    Not cool tall guys who kept standing in front of me and waving their sticks around (not a euphemism thankfully). The Flogging Molly crowd was the place most likely to see a guy wearing a kilt.

    Meanwhile, electronic music artist Tycho seemed to have the highest percentage of girls in sparkly gold body paint in their crowd, not to mention that one shirtless guy reveling so much in Tycho’s ambient beats that his American flag shorts kept falling half way down his ass. You be awesome you, dude.

    I’d also argue that the Decemberists had the most laid back audience, literally, as a small but distinctive portion were pretty much lounging on the asphalt throughout the entire set. This might be because their crowd seemed tied with Skrillex’s for the most times I smelled that distinctive but still-illegal-in-Texas funny smell in the air.

    Some Musical Mixtures Should Be Left to Professionals

    No matter how efficiently you schedule your own fest experience or how much you flutter through, sooner or later you have to accept you can’t be at two places at once and just choose. This I refused to do when it came to headlining acts Weezer and Skrillex playing at the same time. So what madness did I attempt? Running back and forth between the two stages and between two very different genres of music.

    Perhaps some producer could make some musical masterpiece out of the two, but my head still hurts from this sound crash brought on by the stellar performances from the '90s kings of alternative rock and the 21st century master of dubstep. I didn’t drink anything but a gallon of water, but I’m sure to wake up with a musical hangover nevertheless.

    But honestly, in the end, totally worth it.

    Although Weezer, shown here, and Skrillex performed at the same time, Tarra Gaines was determined to see both.

    Photo by © Michelle Watson CatchLightGroup.com
    Although Weezer, shown here, and Skrillex performed at the same time, Tarra Gaines was determined to see both.
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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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