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    Summer Fest Survival

    How I Survived Free Press Summer Fest: Naps, water breaks and decision time — Weezer and Skrillex — or both?

    Tarra Gaines
    Jun 8, 2015 | 6:13 am

    The problem with Free Press Summer Fest 2015, and generally with any kind of festival with multiple stages, is the more spectacular the event, the harder the choices. You have to decide going in just what kind of festival goer are you. Are you a researcher and planner who turns your experience into a highly calibrated attack on the day, or are you ready to float free in a fest and let the music on the wind take you wherever?

    When it came time for me to decide before heading out to NRG Park Yellow Lot on Sunday, I decided to pick a few acts I had to see and then wander. This strategy was wise at times, naive at others, but I did learn some valuable lessons to get me ready for FPSF 2016.

    Houston Artists Are Made of Sterner Cooling Stuff than the Rest of the World

    While many of the performers on all the can’t-miss-lists didn’t make an appearance until the sun dipped on the horizon, most of the Houston acts were scheduled earlier in the day. The cynic in me says this was probably because they weren’t the biggest draws, but my H-Town pride also thinks it was perhaps because FPSF organizers didn’t want to sun stroke out anyone from Portland, LA or Glasgow.

    Hometown favs the Tontons certainly could take the high temperature and added some sultry musical heat of their own.

    Hometown favs the Tontons certainly could take the high temperature and added some sultry musical heat of their own. It was definitely worth braving the intense afternoon sunshine to get to FPSF earlier in the day to hear Asli Omar’s lovely wails.

    Naps Are Wasted on the Young

    However coming in early to hear some local groups did put me in desperate need for a lie down around 3 p.m.. I was glad to see I wasn’t the only one, as I found kids and adults of all ages wilting into the floor of the Fancy Pants or water spray tents. More power to all you power nappers out there.

    Beauty Is Subjective

    I don’t think I’ve ever looked at Reliant Stadium so lovingly — actually I’ve never looked at Reliant Stadium lovingly — than after seeing the inside of the Port O Potties and imagining all those lovely clean empty bathrooms just a block away. Also, the several METRO buses stationed around the fest as A/C oases were a sight to behold. Perfect opportunity to get Houstonian millennials into a city bus for the first time there METRO.

    Sometimes You Should Let the Elements Be Your Guide

    True confession: around 5 p.m., with several great bands playing at the same time, I picked The Mountain Goats as my afternoon session almost solely because of their close proximity to a free water and cooling station. I’m going to let water advise me on musical choices from now on because these indie-folk goats did not disappoint and because I learned the valuable life lesson: “Life is too short to refrain from eating jam out of the jar.” I intend to meditate on this lyric often.

    Every Crowd Has Its Own Personality

    Even though we were all in this together, it was fun to analyze what attendees gravitated to which acts. Electronic duo GTA seemed to have the best in sync bouncing audience, with the requisite one-hand in the air. Skrillex had the most selfie stick abusers.

    Skillrex had the most selfie stick abusers; The Flogging Molly crowd was the place most likely to see a guy wearing a kilt.

    Not cool tall guys who kept standing in front of me and waving their sticks around (not a euphemism thankfully). The Flogging Molly crowd was the place most likely to see a guy wearing a kilt.

    Meanwhile, electronic music artist Tycho seemed to have the highest percentage of girls in sparkly gold body paint in their crowd, not to mention that one shirtless guy reveling so much in Tycho’s ambient beats that his American flag shorts kept falling half way down his ass. You be awesome you, dude.

    I’d also argue that the Decemberists had the most laid back audience, literally, as a small but distinctive portion were pretty much lounging on the asphalt throughout the entire set. This might be because their crowd seemed tied with Skrillex’s for the most times I smelled that distinctive but still-illegal-in-Texas funny smell in the air.

    Some Musical Mixtures Should Be Left to Professionals

    No matter how efficiently you schedule your own fest experience or how much you flutter through, sooner or later you have to accept you can’t be at two places at once and just choose. This I refused to do when it came to headlining acts Weezer and Skrillex playing at the same time. So what madness did I attempt? Running back and forth between the two stages and between two very different genres of music.

    Perhaps some producer could make some musical masterpiece out of the two, but my head still hurts from this sound crash brought on by the stellar performances from the '90s kings of alternative rock and the 21st century master of dubstep. I didn’t drink anything but a gallon of water, but I’m sure to wake up with a musical hangover nevertheless.

    But honestly, in the end, totally worth it.

    Although Weezer, shown here, and Skrillex performed at the same time, Tarra Gaines was determined to see both.

    Photo by © Michelle Watson CatchLightGroup.com
    Although Weezer, shown here, and Skrillex performed at the same time, Tarra Gaines was determined to see both.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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