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    Giant Princess delivers

    Can't wait till next year ... Summer Fest slip, slides away with plenty of messymoments & Flaming Lips

    Wilbert Chinchilla
    Jun 7, 2010 | 4:18 pm
    • Confetti rained down as Summer Fest closed.
      Photo by Anthony Rathbun
    • You don't see this in Houston every weekend.
      Photo by Anthony Rathbun
    • The bands kept coming at Summer Fest.
      Photo by Anthony Rathbun
    • Fighting the heat is no small part of Summer Fest.
      Photo by Anthony Rathbun

    When you look back on Free Press Summer Fest you can't escape the heat (yes, it was as hot as hell). But the second edition of Houston's (hopefully soon-to-be-long-standing) music party was more than that.

    Where else can you get a crash course in local bands, a chance to ride the slip 'n' slide, a large dousing of rain, and a random guy who loves food (like really loves it) all in one spot?

    Here's how I attacked Summer Fest:

    Slipping By Some Music

    My friends and I manage to make it to the KTRU Stage where Giant Princess is performing. It's great to finally see this local band play. Their sound is like a rockier Arcade Fire vocal from lead singer Collin Hedrick. Their use of piano along with the regular three-piece made for an interesting sound that you were sometimes able to head bang to and other times stand back and appreciate.

    I can't help but feel like Giant Princess' music should be in a movie of some sort — a Michael Cera movie anyone?

    Afterwards, we hydrate (no heatstroke, we're Summer Fest veterans now) and continue to fuel ourselves with over-priced consumables. While making our way to the main stage I manage to catch Lymbyc Systym, — advertised as Lymbic System.

    Because of a time slot switch, Uh Huh Her is next to play their poppy new wave. Their synthesized sound is composed of two voices — Camila Grey and Leisha Hailey, former cast member of The L Word. I definitely felt bits of Blondie, where the pop leans more towards rock influences. Luckily, their up-tempo songs start when the slip 'n' slide is being set up atop the hill at Eleanor Tinsley Park.

    Of course as a thorough reporter, there was no way I wouldn't go on the slip 'n' slide. I ride the slip 'n slide just by throwing myself on it (without paint) and landing safely. I barely go fast enough, so I grab some paint from my fellow festival goers and draw some tribal signs on my face. After getting soaked with a hose, I speed down the hill, eventually colliding with a girl half my size (sorry by the way).

    When I go for my third run, it starts to rain and the hell on earth that is Houston (temperature wise) begins to cool over.

    After it Rains, We Don't Eat Alone

    Even though we are cooled off by the slip 'n' slide, it still isn't enough to make a great difference. Thank whomever you worship that it rained (luckily without lightning or else Summer Fest would have been shut down). The rain doesn't make many people leave and more people actually began to slip and slide on the grass.

    After a fourth and a head-first fifth run (which I wouldn't recommend) on the slide, the crowd starts to head for cover from the heavy rain. Like many people, we return to our car in order to put valuables in a safer place.

    We make it back to see more acts and get some food.

    The rain's died down and we all sit on a bench by the swings in the park to eat. We munch on Chinese food from the festival and converse about what has been going on. Apparently my friend has our fortune cookies and I ask for mine, which sucks. Someone else's states, "Someone's kindness will delight and surprise you."

    As I read it, a guy pops a squat on the bench between my friend and myself. He pats my back and says, "What's going on?" I have never met this guy in my life. He then states that my fortune is cool and eats his burger David Hasselhoff style. He then tells us, "Can you believe it, I just got this from the trash," referencing the burger and Chinese food he is thoroughly dismantling with his mouth.

    First thought is gross. Second is get out. We decide that was the time to leave and go see Slim Thug and Bun B. Before we go, our new friends asks one last question; "Are you guys gonna finish that?"

    The Flaming Festival Ends

    Slim Thug and Bun B's performance is pretty cool, but not many people know the lyrics and bobbing your head to music you don't know feels weird. I am in the pit and we are in the front row to see The Flaming Lips and their hamster ball.

    As the band sets up, a couple of people pass, wanting out of the pit. One guy is so sick his lips are pale white and he can barely move. It looks like he is on the brink of something awful. Everyone understands the severity of the situation and collaborates to create an easy exit. As one friend puts it, "I have never been prouder of Houston than that moment."

    Minutes later, The Flaming Lips are introduced by festival organizer/self-dubbed "mayor of Montrose" Omar Afra and their lead singer Wayne Coyne states that "the mayor" told him anyone can smoke weed without the fear of getting arrested in the festival. We also discover that Steven Drozd, the lead guitarist, is from Fort Bend. Who knew?

    And like that we begin to finalize our celebrations as confetti rains down instead of water on the biggest group of people collectively gathered in Houston that I have ever seen.

    Let's hope we can keep Summer Fest going without ruining it. Looking at you pale lips.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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