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Giant Princess delivers

Can't wait till next year ... Summer Fest slip, slides away with plenty of messymoments & Flaming Lips

Wilbert Chinchilla
Jun 7, 2010 | 4:18 pm
  • Confetti rained down as Summer Fest closed.
    Photo by Anthony Rathbun
  • You don't see this in Houston every weekend.
    Photo by Anthony Rathbun
  • The bands kept coming at Summer Fest.
    Photo by Anthony Rathbun
  • Fighting the heat is no small part of Summer Fest.
    Photo by Anthony Rathbun

When you look back on Free Press Summer Fest you can't escape the heat (yes, it was as hot as hell). But the second edition of Houston's (hopefully soon-to-be-long-standing) music party was more than that.

Where else can you get a crash course in local bands, a chance to ride the slip 'n' slide, a large dousing of rain, and a random guy who loves food (like really loves it) all in one spot?

Here's how I attacked Summer Fest:

Slipping By Some Music

My friends and I manage to make it to the KTRU Stage where Giant Princess is performing. It's great to finally see this local band play. Their sound is like a rockier Arcade Fire vocal from lead singer Collin Hedrick. Their use of piano along with the regular three-piece made for an interesting sound that you were sometimes able to head bang to and other times stand back and appreciate.

I can't help but feel like Giant Princess' music should be in a movie of some sort — a Michael Cera movie anyone?

Afterwards, we hydrate (no heatstroke, we're Summer Fest veterans now) and continue to fuel ourselves with over-priced consumables. While making our way to the main stage I manage to catch Lymbyc Systym, — advertised as Lymbic System.

Because of a time slot switch, Uh Huh Her is next to play their poppy new wave. Their synthesized sound is composed of two voices — Camila Grey and Leisha Hailey, former cast member of The L Word. I definitely felt bits of Blondie, where the pop leans more towards rock influences. Luckily, their up-tempo songs start when the slip 'n' slide is being set up atop the hill at Eleanor Tinsley Park.

Of course as a thorough reporter, there was no way I wouldn't go on the slip 'n' slide. I ride the slip 'n slide just by throwing myself on it (without paint) and landing safely. I barely go fast enough, so I grab some paint from my fellow festival goers and draw some tribal signs on my face. After getting soaked with a hose, I speed down the hill, eventually colliding with a girl half my size (sorry by the way).

When I go for my third run, it starts to rain and the hell on earth that is Houston (temperature wise) begins to cool over.

After it Rains, We Don't Eat Alone

Even though we are cooled off by the slip 'n' slide, it still isn't enough to make a great difference. Thank whomever you worship that it rained (luckily without lightning or else Summer Fest would have been shut down). The rain doesn't make many people leave and more people actually began to slip and slide on the grass.

After a fourth and a head-first fifth run (which I wouldn't recommend) on the slide, the crowd starts to head for cover from the heavy rain. Like many people, we return to our car in order to put valuables in a safer place.

We make it back to see more acts and get some food.

The rain's died down and we all sit on a bench by the swings in the park to eat. We munch on Chinese food from the festival and converse about what has been going on. Apparently my friend has our fortune cookies and I ask for mine, which sucks. Someone else's states, "Someone's kindness will delight and surprise you."

As I read it, a guy pops a squat on the bench between my friend and myself. He pats my back and says, "What's going on?" I have never met this guy in my life. He then states that my fortune is cool and eats his burger David Hasselhoff style. He then tells us, "Can you believe it, I just got this from the trash," referencing the burger and Chinese food he is thoroughly dismantling with his mouth.

First thought is gross. Second is get out. We decide that was the time to leave and go see Slim Thug and Bun B. Before we go, our new friends asks one last question; "Are you guys gonna finish that?"

The Flaming Festival Ends

Slim Thug and Bun B's performance is pretty cool, but not many people know the lyrics and bobbing your head to music you don't know feels weird. I am in the pit and we are in the front row to see The Flaming Lips and their hamster ball.

As the band sets up, a couple of people pass, wanting out of the pit. One guy is so sick his lips are pale white and he can barely move. It looks like he is on the brink of something awful. Everyone understands the severity of the situation and collaborates to create an easy exit. As one friend puts it, "I have never been prouder of Houston than that moment."

Minutes later, The Flaming Lips are introduced by festival organizer/self-dubbed "mayor of Montrose" Omar Afra and their lead singer Wayne Coyne states that "the mayor" told him anyone can smoke weed without the fear of getting arrested in the festival. We also discover that Steven Drozd, the lead guitarist, is from Fort Bend. Who knew?

And like that we begin to finalize our celebrations as confetti rains down instead of water on the biggest group of people collectively gathered in Houston that I have ever seen.

Let's hope we can keep Summer Fest going without ruining it. Looking at you pale lips.

unspecified
news/entertainment

Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

---

The Invite is now playing in theaters.

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