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    Giant Princess delivers

    Can't wait till next year ... Summer Fest slip, slides away with plenty of messymoments & Flaming Lips

    Wilbert Chinchilla
    Jun 7, 2010 | 4:18 pm
    • Confetti rained down as Summer Fest closed.
      Photo by Anthony Rathbun
    • You don't see this in Houston every weekend.
      Photo by Anthony Rathbun
    • The bands kept coming at Summer Fest.
      Photo by Anthony Rathbun
    • Fighting the heat is no small part of Summer Fest.
      Photo by Anthony Rathbun

    When you look back on Free Press Summer Fest you can't escape the heat (yes, it was as hot as hell). But the second edition of Houston's (hopefully soon-to-be-long-standing) music party was more than that.

    Where else can you get a crash course in local bands, a chance to ride the slip 'n' slide, a large dousing of rain, and a random guy who loves food (like really loves it) all in one spot?

    Here's how I attacked Summer Fest:

    Slipping By Some Music

    My friends and I manage to make it to the KTRU Stage where Giant Princess is performing. It's great to finally see this local band play. Their sound is like a rockier Arcade Fire vocal from lead singer Collin Hedrick. Their use of piano along with the regular three-piece made for an interesting sound that you were sometimes able to head bang to and other times stand back and appreciate.

    I can't help but feel like Giant Princess' music should be in a movie of some sort — a Michael Cera movie anyone?

    Afterwards, we hydrate (no heatstroke, we're Summer Fest veterans now) and continue to fuel ourselves with over-priced consumables. While making our way to the main stage I manage to catch Lymbyc Systym, — advertised as Lymbic System.

    Because of a time slot switch, Uh Huh Her is next to play their poppy new wave. Their synthesized sound is composed of two voices — Camila Grey and Leisha Hailey, former cast member of The L Word. I definitely felt bits of Blondie, where the pop leans more towards rock influences. Luckily, their up-tempo songs start when the slip 'n' slide is being set up atop the hill at Eleanor Tinsley Park.

    Of course as a thorough reporter, there was no way I wouldn't go on the slip 'n' slide. I ride the slip 'n slide just by throwing myself on it (without paint) and landing safely. I barely go fast enough, so I grab some paint from my fellow festival goers and draw some tribal signs on my face. After getting soaked with a hose, I speed down the hill, eventually colliding with a girl half my size (sorry by the way).

    When I go for my third run, it starts to rain and the hell on earth that is Houston (temperature wise) begins to cool over.

    After it Rains, We Don't Eat Alone

    Even though we are cooled off by the slip 'n' slide, it still isn't enough to make a great difference. Thank whomever you worship that it rained (luckily without lightning or else Summer Fest would have been shut down). The rain doesn't make many people leave and more people actually began to slip and slide on the grass.

    After a fourth and a head-first fifth run (which I wouldn't recommend) on the slide, the crowd starts to head for cover from the heavy rain. Like many people, we return to our car in order to put valuables in a safer place.

    We make it back to see more acts and get some food.

    The rain's died down and we all sit on a bench by the swings in the park to eat. We munch on Chinese food from the festival and converse about what has been going on. Apparently my friend has our fortune cookies and I ask for mine, which sucks. Someone else's states, "Someone's kindness will delight and surprise you."

    As I read it, a guy pops a squat on the bench between my friend and myself. He pats my back and says, "What's going on?" I have never met this guy in my life. He then states that my fortune is cool and eats his burger David Hasselhoff style. He then tells us, "Can you believe it, I just got this from the trash," referencing the burger and Chinese food he is thoroughly dismantling with his mouth.

    First thought is gross. Second is get out. We decide that was the time to leave and go see Slim Thug and Bun B. Before we go, our new friends asks one last question; "Are you guys gonna finish that?"

    The Flaming Festival Ends

    Slim Thug and Bun B's performance is pretty cool, but not many people know the lyrics and bobbing your head to music you don't know feels weird. I am in the pit and we are in the front row to see The Flaming Lips and their hamster ball.

    As the band sets up, a couple of people pass, wanting out of the pit. One guy is so sick his lips are pale white and he can barely move. It looks like he is on the brink of something awful. Everyone understands the severity of the situation and collaborates to create an easy exit. As one friend puts it, "I have never been prouder of Houston than that moment."

    Minutes later, The Flaming Lips are introduced by festival organizer/self-dubbed "mayor of Montrose" Omar Afra and their lead singer Wayne Coyne states that "the mayor" told him anyone can smoke weed without the fear of getting arrested in the festival. We also discover that Steven Drozd, the lead guitarist, is from Fort Bend. Who knew?

    And like that we begin to finalize our celebrations as confetti rains down instead of water on the biggest group of people collectively gathered in Houston that I have ever seen.

    Let's hope we can keep Summer Fest going without ruining it. Looking at you pale lips.

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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