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    Giant Princess delivers

    Can't wait till next year ... Summer Fest slip, slides away with plenty of messymoments & Flaming Lips

    Wilbert Chinchilla
    Jun 7, 2010 | 4:18 pm
    • Confetti rained down as Summer Fest closed.
      Photo by Anthony Rathbun
    • You don't see this in Houston every weekend.
      Photo by Anthony Rathbun
    • The bands kept coming at Summer Fest.
      Photo by Anthony Rathbun
    • Fighting the heat is no small part of Summer Fest.
      Photo by Anthony Rathbun

    When you look back on Free Press Summer Fest you can't escape the heat (yes, it was as hot as hell). But the second edition of Houston's (hopefully soon-to-be-long-standing) music party was more than that.

    Where else can you get a crash course in local bands, a chance to ride the slip 'n' slide, a large dousing of rain, and a random guy who loves food (like really loves it) all in one spot?

    Here's how I attacked Summer Fest:

    Slipping By Some Music

    My friends and I manage to make it to the KTRU Stage where Giant Princess is performing. It's great to finally see this local band play. Their sound is like a rockier Arcade Fire vocal from lead singer Collin Hedrick. Their use of piano along with the regular three-piece made for an interesting sound that you were sometimes able to head bang to and other times stand back and appreciate.

    I can't help but feel like Giant Princess' music should be in a movie of some sort — a Michael Cera movie anyone?

    Afterwards, we hydrate (no heatstroke, we're Summer Fest veterans now) and continue to fuel ourselves with over-priced consumables. While making our way to the main stage I manage to catch Lymbyc Systym, — advertised as Lymbic System.

    Because of a time slot switch, Uh Huh Her is next to play their poppy new wave. Their synthesized sound is composed of two voices — Camila Grey and Leisha Hailey, former cast member of The L Word. I definitely felt bits of Blondie, where the pop leans more towards rock influences. Luckily, their up-tempo songs start when the slip 'n' slide is being set up atop the hill at Eleanor Tinsley Park.

    Of course as a thorough reporter, there was no way I wouldn't go on the slip 'n' slide. I ride the slip 'n slide just by throwing myself on it (without paint) and landing safely. I barely go fast enough, so I grab some paint from my fellow festival goers and draw some tribal signs on my face. After getting soaked with a hose, I speed down the hill, eventually colliding with a girl half my size (sorry by the way).

    When I go for my third run, it starts to rain and the hell on earth that is Houston (temperature wise) begins to cool over.

    After it Rains, We Don't Eat Alone

    Even though we are cooled off by the slip 'n' slide, it still isn't enough to make a great difference. Thank whomever you worship that it rained (luckily without lightning or else Summer Fest would have been shut down). The rain doesn't make many people leave and more people actually began to slip and slide on the grass.

    After a fourth and a head-first fifth run (which I wouldn't recommend) on the slide, the crowd starts to head for cover from the heavy rain. Like many people, we return to our car in order to put valuables in a safer place.

    We make it back to see more acts and get some food.

    The rain's died down and we all sit on a bench by the swings in the park to eat. We munch on Chinese food from the festival and converse about what has been going on. Apparently my friend has our fortune cookies and I ask for mine, which sucks. Someone else's states, "Someone's kindness will delight and surprise you."

    As I read it, a guy pops a squat on the bench between my friend and myself. He pats my back and says, "What's going on?" I have never met this guy in my life. He then states that my fortune is cool and eats his burger David Hasselhoff style. He then tells us, "Can you believe it, I just got this from the trash," referencing the burger and Chinese food he is thoroughly dismantling with his mouth.

    First thought is gross. Second is get out. We decide that was the time to leave and go see Slim Thug and Bun B. Before we go, our new friends asks one last question; "Are you guys gonna finish that?"

    The Flaming Festival Ends

    Slim Thug and Bun B's performance is pretty cool, but not many people know the lyrics and bobbing your head to music you don't know feels weird. I am in the pit and we are in the front row to see The Flaming Lips and their hamster ball.

    As the band sets up, a couple of people pass, wanting out of the pit. One guy is so sick his lips are pale white and he can barely move. It looks like he is on the brink of something awful. Everyone understands the severity of the situation and collaborates to create an easy exit. As one friend puts it, "I have never been prouder of Houston than that moment."

    Minutes later, The Flaming Lips are introduced by festival organizer/self-dubbed "mayor of Montrose" Omar Afra and their lead singer Wayne Coyne states that "the mayor" told him anyone can smoke weed without the fear of getting arrested in the festival. We also discover that Steven Drozd, the lead guitarist, is from Fort Bend. Who knew?

    And like that we begin to finalize our celebrations as confetti rains down instead of water on the biggest group of people collectively gathered in Houston that I have ever seen.

    Let's hope we can keep Summer Fest going without ruining it. Looking at you pale lips.

    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment
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