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    Why you need to watch soccer

    There was blood — How I became a World Cup fanatic

    David Theis
    David Theis
    Jun 6, 2010 | 4:08 am
    The scene that turned the author into an instant soccer fan.

    I can remember the exact moment when I became a soccer fan. For the 2006 World Cup match between the U.S. and Italy I’d gone to Rice Village with friends to watch.

    I couldn’t have named two U.S. players, but going to watch the game in a public place, presumably joined by the city’s Euros, Africans, and South Americans, sounded like a pleasantly cosmopolitan way to spend the afternoon.

    I planned to watch from the comfort of my favorite Village sports-watching hangout, Brian O’Neill’s, and was both surprised and annoyed when I arrived a few minutes before kickoff to find the bar packed. My little group had to retreat to Little Woodrow’s next door. I groused as we sat at one of the picnic tables. Brian O’Neill’s was filled with real fans, sporting their official Italian and U.S. jerseys, while at Little Woodrow’s I had to ask them to first turn on the game, and then to turn up the sound.

    It didn’t make me feel very cosmopolitan. And I was expecting the game itself to be boring. After all, it was soccer.

    Then something happened. When Italy scored first, I was surprised to find myself yelling at the screen. A feeling of sports patriotism came over me, something that I hadn’t felt since the intense competitions between the United States and the USSR during the Cold War Olympiads. I’ve never been able to get emotionally involved in our various basketball Dream Teams. After all, if they don’t screw up, they ought to win.

    But soccer was different — we were the underdogs.

    Then, after the U.S. tied the game (I didn’t learn to say “equalized” until later) on an absurd Italian own goal, Italian midfielder Daniele De Rossi struck — literally. While competing for a header with U.S. striker Brian McBride, De Rossi blasted his elbow into McBride’s face, leaving the Yank soaked in blood.

    I understand now how absurd my reaction was, but …I hadn’t known soccer could make you bleed.

    Now I wanted Italian blood, De Rossi’s blood, and the rather mild sounding ‘match’ turned passionate for me. De Rossi was sent off (not that the two are necessarily linked, but De Rossi’s father-in-law, an apparent mobster, was killed in a Mafia hit two years ago), but then two Americans were sent off as well.

    The contest became an epic struggle of nine against ten, and when it ended a 1-1 draw, I left Woodrow’s feeling completely drained.

    And hooked. I was still jealous of the Brian O’Neill’s crowd with their jerseys and organized cheers, and was determined to watch as many contests with the in-crowd as I could. I moved around town: A German restaurant for Germany-Poland. A Mexican restaurant for Mexico-Argentina. It was an incredible sports-watching experience, and it came just at the time when I was beginning to sour on baseball.

    Houston becomes ... exotic!

    Houston has seldom seemed a more compelling place than it did that month or so. It was like taking a world tour while sitting still, as the various peoples rotated through our bars. The Brian O’Neill’s crowd for the Germany-Argentina quarterfinal was half German and half South American.

    The Germans (my ancestral people) chanted "Deutschland! Deutschland!" as the thrilling match reached its climax, and I felt like I was in a parallel Houston, the exotic city of my dreams.

    For the Italy-France final (I was 100 percent down with France), I was again at Brian O’Neill’s (or B.O., as my 12-year-old son and I call the bar now) with my crowd. It was quite a day in Houston, as well as in Germany where the final was played.

    Lightning struck a Village-area transformer just before kickoff and the bar’s electricity went off. The Italians and the French scattered to their Plan B bars while we ran around looking for a TV. The power loss seemed to roll, and one Village bar after another lost power. We’d made our way to Hans’ Bier Haus by the time Zidane Zidane famously (infamously?) caved in an Italian defender’s chest with a head butt and was sent off, sealing France’s defeat.

    Soccer really was a window to a different world. What American athlete would allow himself to be thrown out of a world championship game because a defender claimed biblical knowledge of his sister?

    Four-year wait

    So, I was hooked on the World Cup, and have been more or less counting the days till this year’s event ever since. But what about soccer itself, without the epic World Cup context?

    I signed up for the Fox Soccer Channel and GolTV and began watching the English Premiere League and Spain’s La Liga. To my gratification, I discovered the league games were actually played at a higher level than the World Cup. Soccer is the ultimate team game, and, naturally, year-round teams play it better.

    So I became a Johnny-come-very-lately Barcelona fan (I know, not very original), and tried to establish a bond with Arsenal. I bought a Dynamo jersey and occasionally took my place in the cheap seats at Robertson Stadium.

    I’ll probably never be a very knowledgeable fan. Given the fact that the game has no timeouts, and that only three substitutions are allowed per match, I still don’t quite know what the coach does during the game. But you don’t have to be an expert to enjoy it. Like me you can just ooh and ahh over the fancy dribbles, tight passes, curling kicks, and diving saves.

    And, above all, over the highly theatrical fan participation. Soccer fans are not called ‘supporters’ for nothing.

    Win, lose, or draw, that England-U.S. match this Saturday should be quite something. The wait is almost over.

    The scene that turned the author into an instant soccer fan.

    unspecified
    news/entertainment

    Movie Review

    Chris Pratt fights for his innocence in popcorn thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 2:00 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

    moviesfilmchris prattrebecca fergusonmovie review
    news/entertainment
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