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    The Dedicated Playlist

    Not your average songs of summer: Ice Cube and Belle and Sebastian both havespots on this list

    Jim Beviglia
    Jun 5, 2011 | 6:08 pm
    • What says summer like the aptly named Beach Boys?
    • Even our most idyllic summer days can't compare to Ice Cube's "Good Day."
    • The Car's "Moving in Stereo" will always remind me of summer — and Phoebe Cate'sred bikini.

    It’s easy to find a mix of songs for the hottest season, filled with beaches, barbecues and the like. But summer, just like every other time of year, has its ups and downs. There is something about it that makes the deep feelings associated with the season linger for months after the temperature cools. With that in mind, here is a summer playlist that avoids the obvious choices and tries to leave no emotional stone unturned.

    “The Boys Are Back In Town” by Thin Lizzy: Boozing, brawling and boisterous, the heroes of this rousing rocker seem to bring the season to bear with their arrival. That melancholy tinge in lead singer Phil Lynott’s voice is the perfect counterpoint to the galloping guitars.

    “Day Of The Locusts” by Bob Dylan: Graduation is a rite of passage that kicks off the summer, but it isn’t always a celebratory time. For those people who might be leaving school with a sour taste, Dylan’s musings on how out of place he felt when receiving an honorary degree from Princeton University are just the tonic.

    “Runnin’ Down A Dream” by Tom Petty: If there were a survey held on songs Most Likely To Cause Speeding Tickets, this classic from Full Moon Fever would likely rank way high. Small bit of ironic trivia — Petty himself has admitted in interviews to being a poor driver and thus is rarely behind the wheel himself.

    “California” by Phantom Planet: The West Coast represents an eternal summer for many Americans, and this song captures that feeling brilliantly. It was an instantly iconic homage to the Golden State; it’s no wonder that the band who recorded it has never approached that success since.

    “Here Comes The Summer” by The Fiery Furnaces: It’s worth seeking out this obscure release from the Brooklyn brother-sister duo. Buoyed by indelible hooks and nostalgic lyrics, it engages the heart, soul, and libido all at once.

    “I Wish It Would Rain” by The Temptations: Hearts do get broken in the summer. Lead singer David Ruffin can't stand to see the sunshine if his former lover isn’t around to share it with him. Absolutely brilliant vocals throughout on this soul classic.

    “A Summer Wasting” by Belle and Sebastian: The great paradox of summer is that it seems endless while it’s here yet seems to have gone by in the blink of an eye once it’s over. This sweet ditty from the alternative music heroes gorgeously drives that point home.

    “It Was A Good Day” by Ice Cube: We all have our own ideal summer day in our mind, but it’s likely that even our best hopes can’t match the perfection that Cube manages to squeeze into one 24-hour period. Sex, burgers, hoops, and the Goodyear Blimp singing your praises ain’t bad at all.

    “Moving In Stereo” by The Cars: If you’re a certain age, it’s impossible to hear this moody new wave album cut without imagining Phoebe Cates emerging from a pool of water in Fast Times At Ridgemont High, water dripping off her hair, sunlight gleaming off her…. OK, I’m back. I was, uh, daydreaming for a minute.

    “The Other Side Of Summer” by Elvis Costello: “From the foaming breakers in the poisonous surf/To the burning forests in the hills of Astroturf.” Leave it to E.C. to give us a nightmarish, if somewhat accurate, version of summer and set it ironically alongside Beach Boys-style harmonies.

    “Getcha Back” by The Beach Boys: OK, it’s not a classic Beach Boys song by any stretch, but it was all over MTV when I was a 13-year-old kid, so let’s call it a sentimental favorite. If those “Bomp-bomp-ba-doo” backing vocals don’t conjure the summer, I don’t know what does.

    “That Summer Feeling” by Jonathan Richman: Richman, in his trademark deadpan style, equates the summer with youth, urging his listeners to drink in every bit of its bittersweet brilliance while it lasts. “That summer feeling is gonna haunt you one day in your life.” Truer words were never spoken.

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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