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    all along the watchtower

    From the observation deck: A sneak peek at artist James Turrell's mysterious newlight installation at Rice University

    Tyler Rudick
    Jun 3, 2012 | 4:00 pm
    • Turrell noted that the light show is nearly impossible to capture on film . . .Starting in mid-June, however, Houstonians will be able to catch the twice-dailyLED performances on a regular schedule.
      Photo by Tyler Rudick
    • View from second-story viewing area with Shepherd School of Music in thebackground. Note the LED arrays at the bottom of the image.
      Photo by Tyler Rudick
    • In a purple light, the sky appears somewhat green . . . Unfortunately, thecolors are difficult to render correctly on camera.
      Photo by Tyler Rudick
    • Granite seating in the first floor observation area is slightly inclined towardsthe oculus at the center of the roof.
      Photo by Tyler Rudick
    • Looking down the central axis with a view of the central opening in the roof.
      Photo by Tyler Rudick

    Well, it's totally true. The sky really does change color in James Turrell's new Twilight Epiphany skyspace at Rice University.

    During a preview of the installation’s much-anticipated light show, CultureMap was lucky enough to experience the piece’s skyward alchemy firsthand.

    News writers and photographers arrived just before sunset to take our places inside the mysterious two-story structure next to the Shepherd School of Music. From a distance, the skyspace resembles a sort of modernist walk-in burial mound topped with an elevated flat white roof.

    "Since this is your first visit, we usually suggest starting in the enclosed first floor viewing area," explained Rice Public Art director Molly Hubbard as the group stepped into the ground floor observation room. Directly overhead, a 14-foot square oculus looked to the sky.

    A fter staring at the opening in the roof for at least 10 minutes, the oculus appeared completely flat — a crisp dark square on a mustard-colored backdrop.

    "Each level offers a completely different experience, though, so feel free to walk up to the second floor," she added as we made our way to the granite seats along the wall.

    As the sun started to set, LED lights on the upper floor projected a wash of pale orange onto the ceiling. When the light sequence shifted to a pinkish hue, Hubbard noted that the 35-minute show had started.

    When the lights slowly turned a deep shade of purple, something clearly was starting to happen. Through the opening above, the darkening evening sky was becoming a blue-green. Even the brighter strips of sky visible below the roofline were taking on a greenish cast.

    Moments later, purple changed to pink and then to yellow. The sky was a dark navy now, and after staring at the opening in the roof for at least 10 minutes, the oculus appeared completely flat — a crisp dark square on a mustard-colored backdrop.

    Then the magic started. (Spoiler alert!)

    While the yellow LED lights gradually turned blue, the navy square appears to brighten and, for a few seconds, it actually disappears before settling on gray.

    Needing a point of comparison, I took Hubbard's advice and stepped outside the installation to climb the stairs to the second floor observatory.

    From the upper level, the sky through the oculus and beneath the roofline appeared an even darker gray under the blue LEDs, which changed back to purple to return the sky to its previous blue-green shade.

    As the purple lights turned white, Turrell’s light show had one more trick up its sleeve . . . which Houstonians can see for themselves starting June 14, when Twilight Epiphany begins its regular schedule of dawn and dusk performances. Stay tuned for details.

    unspecified
    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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    news/entertainment

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