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    The CultureMap Interview

    Behind the vampire: Justin Cronin — the new Stephenie Meyer (with literary cred) — on kids, Crowe and his Houston writing life

    Steven Thomson
    Jun 2, 2010 | 5:16 pm
    Justin Cronin

    Hometown literary hero Justin Cronin has made it. His 766-page The Passage, the first book in an epic trilogy, hits the shelves next week. The Rice University professor has become the class favorite of the publishing world, making a splash in all of the influential industry voices, including Library Journal, Publisher's Weekly and Indie Next List. Meanwhile, the script for a film adaptation of The Passage is in the works as Fox 2000 prepares to shoot what is destined to be the next vampire blockbuster.

    When The Passage goes on sale on Tuesday, Cronin will embark on a 20-city international tour that includes two stops in Houston, as well as cities in Canada, Britain, Germany, the Netherlands and Spain. The literary celebrity took a pause this afternoon to speak with CultureMap about his Houston identity and rise to book world stardom.

    CultureMap: How does Houston figure into The Passage?

    Justin Cronin: There's a good slice of material that takes place here at the beginning of the story. A very important scene centers on the corner of San Felipe and the West Loop, under the freeway. Houston matters. Texas matters, too — there's a scene that takes place in Huntsville. I find that you write about places that capture your imagination and attention.

    Houston is an interesting city to look at, but you need to learn to see it. It's a place of constant renewal — ripping something up and putting down something new. It has its own visual rules. Living there makes you look at it very carefully.

    CM: Describe your life in Houston?

    JC: I came here to teach at Rice. I've been a faculty member there for seven years. My wife and I have two kids, and we spent our first six years in West Houston, near Memorial City. We moved inside the Loop last year, to Bellaire, and my children attend school here. Before the book, I lived the life of a guy with two kids — I have a 13-year-old and seven-year-old. When I'm not working, I'm with them. Children are very busy now — they're like small businesses.

    When I was a kid, I'd just walk out the front door into the woods, and come back home when I needed food or a change of clothes. Once I sold The Passage, I had to travel a lot, so my wife left her job as a high school teacher to help raise the kids.

    CM: In today's article in The New York Times, you are described as the shining star of last week's annual book industry convention, BookExpo America. What was it like being there?

    JC: The first thing I saw when I walked in was a giant banner of the cover of the book. It was described in the article as the size of a city bus — it was actually 60 feet long (twice the size of a bus). It felt great. Writing is a very solitary life. I live quite anonymously, which suits me pretty well.

    But when you're done with a book and come out of your cave, it's nice to hear what people think about it. You go to New York and realize you're part of something larger, a whole industry — editors, publishers, promoters. It's all held up by books — and you wrote one. It's a lot of social contact for somebody who spent three years locked writing in his room.

    CM:
    How is the second installment of the series coming along?

    JC: The book is behaving (chuckling). It's a psychological accomplishment. There's a point in composing a novel where you're trying to tame it and make it behave. I'm in the daily part of it — just sitting down in my office everyday and writing. It's a great job, and I'm lucky to have it. Writing these vivid scenes everyday — it requires ingenuity. Every single plot sequence requires a lot of energy to get it right. Ultimately, I just like writing sentences. It's my favorite thing to do.

    CM: What's the status of the book's film adaptation?

    JC: I believe they have a script. I was in touch with John Logan within the last week, and he said they were in the final stages of ironing that out. He and Ridley Scott are preparing to take it to the studio. It almost all happens off my radar.

    CM: Do you have a wish list for the cast?

    JC: Thank God I do not have to pick. The casting agents would be choosing from a pool of actors who I know less well, since the main cast of characters is people in their 20s. However, Russell Crowe would make an awfully good Wolgast (an FBI agent).

    CM: Will you be returning in the fall to Rice?

    JC: The university has let me do my own thing for a period of time.

    CM: Where do you like to go in Houston to accomplish your writing?

    JC: I never leave the second-story office in my home. My writing involves a ton of research and requires a lot of space and a lot of resources. Have you seen The Fly? When it comes to working only in my office, I'm like the crazy scientist who always wears the same outfit day after day, just so he doesn't have to think about it.

    There's an image of the writer haunting coffeehouses with his laptop, but I have to keep lists and a huge white board. I don't have to bother with, "Where do I want to go today?" I'm the anti-romantic when it comes to that.

    CM: What can we expect at your two book tour stops in Houston?

    JC: I hope to bring a mixture of talking, reading, signing and meeting people. For Houston guests, I can give a better explanation on how the city informed my writing. But my favorite part is to speak with people, if only for just shy of a minute, to understand what they thought about the book.


    Justin Cronin will appear on June 9 at Brazos Bookstore and June 25 at Barnes & Noble Bookstore at River Oaks Shopping Center.

    Justin Cronin

    unspecified
    news/entertainment

    Movie Review

    Toy Story 5 proves that Pixar's toy box still holds some surprises

    Alex Bentley
    Jun 18, 2026 | 3:30 pm
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5
    Photo courtesy of Pixar
    Bullseye, Jessie, Atlas, Smarty Pants, and Snappy in Disney and Pixar's Toy Story 5.

    For fans of Pixar, the idea that it’s been over 30 years since the original Toy Story came out is a little mind-boggling. While the animation studio has had varying degrees of success with their other properties, they’ve always managed to make something special with each installment of their signature franchise. They’re now rolling the dice yet again with Toy Story 5.

    The story is mainly focused on cowgirl toy Jessie (Joan Cusack), who — along with Buzz Lightyear (Tim Allen), Hamm (John Ratzenberger), Forky (Tony Hale), and others — is concerned that new owner Bonnie (Scarlett Spears) is falling prey to the scourge of technology in the form of the tablet Lilypad (Greta Lee). They’re worried that the “friends” she makes through games online pale in comparison to those she could play with in person.

    Woody (Tom Hanks) and Bo Peep (Annie Potts), living an on-the-go lifestyle but still in touch with the main group, come to help when Jessie goes missing while trying to help Bonnie. And — just because — a large group of new-and-improved Buzz Lightyears that have fallen out of a shipping container that has crashed on an island go on a mission that puts them on course to meet up with everyone else.

    Written and directed by McKenna Harris and Andrew Stanton, the film is a mixed bag, mostly because of the disjointed nature of the story. When the group was separated in previous films, things rarely felt out of sync as everybody was still heading toward the same goal. But the different factions in this film seem to be after something different, especially the wholly superfluous addition of the fancy Buzz Lightyears, whose ultimate purpose doesn’t live up to the time dedicated to them.

    There’s no way around it: While Jessie is a good character and has a lot of great moments in this film, the relationship aspect of the series is not as strong this time around. She mostly spends time with her mute horse Bullseye, but even when she interacts with new characters like Smarty Pants (Conan O’Brien), that ineffable magic is not there. Woody and Buzz have scenes together, but since they’re secondary to the main story, they don’t add as much to this film as they have in others.

    However, even if the film can’t live up to the first four movies, it still makes for a fun time. The storyline about technology turning kids (and adults, for that matter) into zombies is a strong one, and the way they incorporate different devices is clever. The large number of characters is unwieldy, but when the filmmakers truly dig down to the personal lives of certain toys or humans, the film is as effective as Pixar has ever been.

    Cusack, Hanks, Allen, and other returning voices are so attuned to their respective characters that you know they’ll deliver each line perfectly. People like Lee, O’Brien, and Craig Robinson are welcome additions to the group, but it’s tough to get used to new voices taking over for actors who’ve passed like Don Rickles, Estelle Harris, and Carl Weathers.

    The pitch-perfect ending of Toy Story 3 made the idea of Pixar making Toy Story 4 seem strange, but then that film proved the studio knew what it was doing. While Toy Story 5 is not a disaster, it’s not to the standard set by the previous films. It should finally be time to put the franchise to bed, knowing that the toys have given all the joy they can give.

    ---

    Toy Story 5 opens in theaters on June 19.

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