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    The CultureMap Interview

    Behind the vampire: Justin Cronin — the new Stephenie Meyer (with literary cred) — on kids, Crowe and his Houston writing life

    Steven Thomson
    Jun 2, 2010 | 5:16 pm
    Justin Cronin

    Hometown literary hero Justin Cronin has made it. His 766-page The Passage, the first book in an epic trilogy, hits the shelves next week. The Rice University professor has become the class favorite of the publishing world, making a splash in all of the influential industry voices, including Library Journal, Publisher's Weekly and Indie Next List. Meanwhile, the script for a film adaptation of The Passage is in the works as Fox 2000 prepares to shoot what is destined to be the next vampire blockbuster.

    When The Passage goes on sale on Tuesday, Cronin will embark on a 20-city international tour that includes two stops in Houston, as well as cities in Canada, Britain, Germany, the Netherlands and Spain. The literary celebrity took a pause this afternoon to speak with CultureMap about his Houston identity and rise to book world stardom.

    CultureMap: How does Houston figure into The Passage?

    Justin Cronin: There's a good slice of material that takes place here at the beginning of the story. A very important scene centers on the corner of San Felipe and the West Loop, under the freeway. Houston matters. Texas matters, too — there's a scene that takes place in Huntsville. I find that you write about places that capture your imagination and attention.

    Houston is an interesting city to look at, but you need to learn to see it. It's a place of constant renewal — ripping something up and putting down something new. It has its own visual rules. Living there makes you look at it very carefully.

    CM: Describe your life in Houston?

    JC: I came here to teach at Rice. I've been a faculty member there for seven years. My wife and I have two kids, and we spent our first six years in West Houston, near Memorial City. We moved inside the Loop last year, to Bellaire, and my children attend school here. Before the book, I lived the life of a guy with two kids — I have a 13-year-old and seven-year-old. When I'm not working, I'm with them. Children are very busy now — they're like small businesses.

    When I was a kid, I'd just walk out the front door into the woods, and come back home when I needed food or a change of clothes. Once I sold The Passage, I had to travel a lot, so my wife left her job as a high school teacher to help raise the kids.

    CM: In today's article in The New York Times, you are described as the shining star of last week's annual book industry convention, BookExpo America. What was it like being there?

    JC: The first thing I saw when I walked in was a giant banner of the cover of the book. It was described in the article as the size of a city bus — it was actually 60 feet long (twice the size of a bus). It felt great. Writing is a very solitary life. I live quite anonymously, which suits me pretty well.

    But when you're done with a book and come out of your cave, it's nice to hear what people think about it. You go to New York and realize you're part of something larger, a whole industry — editors, publishers, promoters. It's all held up by books — and you wrote one. It's a lot of social contact for somebody who spent three years locked writing in his room.

    CM:
    How is the second installment of the series coming along?

    JC: The book is behaving (chuckling). It's a psychological accomplishment. There's a point in composing a novel where you're trying to tame it and make it behave. I'm in the daily part of it — just sitting down in my office everyday and writing. It's a great job, and I'm lucky to have it. Writing these vivid scenes everyday — it requires ingenuity. Every single plot sequence requires a lot of energy to get it right. Ultimately, I just like writing sentences. It's my favorite thing to do.

    CM: What's the status of the book's film adaptation?

    JC: I believe they have a script. I was in touch with John Logan within the last week, and he said they were in the final stages of ironing that out. He and Ridley Scott are preparing to take it to the studio. It almost all happens off my radar.

    CM: Do you have a wish list for the cast?

    JC: Thank God I do not have to pick. The casting agents would be choosing from a pool of actors who I know less well, since the main cast of characters is people in their 20s. However, Russell Crowe would make an awfully good Wolgast (an FBI agent).

    CM: Will you be returning in the fall to Rice?

    JC: The university has let me do my own thing for a period of time.

    CM: Where do you like to go in Houston to accomplish your writing?

    JC: I never leave the second-story office in my home. My writing involves a ton of research and requires a lot of space and a lot of resources. Have you seen The Fly? When it comes to working only in my office, I'm like the crazy scientist who always wears the same outfit day after day, just so he doesn't have to think about it.

    There's an image of the writer haunting coffeehouses with his laptop, but I have to keep lists and a huge white board. I don't have to bother with, "Where do I want to go today?" I'm the anti-romantic when it comes to that.

    CM: What can we expect at your two book tour stops in Houston?

    JC: I hope to bring a mixture of talking, reading, signing and meeting people. For Houston guests, I can give a better explanation on how the city informed my writing. But my favorite part is to speak with people, if only for just shy of a minute, to understand what they thought about the book.


    Justin Cronin will appear on June 9 at Brazos Bookstore and June 25 at Barnes & Noble Bookstore at River Oaks Shopping Center.

    Justin Cronin

    unspecified
    news/entertainment

    River Restoration

    New documentary shows how the Hill Country is recovering after July 4 flood

    Brianna Caleri
    May 12, 2026 | 9:15 am
    Hill Country Alliance Guadalupe River landowner workshop
    Photo courtesy of the Hill Country Alliance
    The Hill Country Alliance is one of the organizations featured in the film. Here, it hosts a workshop for landowners to learn how to plant new vegetation.

    As Central Texas approaches the one-year mark after the destructive July 4 floods in 2025, the disaster has moved into a new phase of remembering and restructuring. A new documentary called Hope for the Guadalupe combines the two, collecting perspectives from the people who lived it and looking at the work Texans are doing now to revitalize the land.

    The film will debut in a series of screenings that start in Austin at the sold-out 11th Annual Water, Texas Film Festival on May 12 and continue throughout Texas. After the community screenings, it will be picked up by Alamo Drafthouse for more showings from May 31 through June 2. These theater showings will be part of a double feature with another, more general conservation documentary called Deep In The Heart: A Texas Wildlife Story. Tickets are on sale now.

    Other screenings with post-film Q&As will take place in the following cities:

    • Kerrville – Thursday, May 14 | Arcadia Live Theatre
    • San Antonio – Friday, May 15 | San Antonio Botanical Garden
    • Dallas – Tuesday, May 19 | Angelika Film Center & Café
    • Houston – Thursday, May 21 | River Oaks Theatre
    • Wimberley — Sunday, May 31 | 7A Ranch Opera House

    The flooding is still primarily referred to by date only. It mostly affected the Guadalupe River, which runs through New Braunfels and separates Austin and San Antonio, but floods also caused significant damage north of Austin. During the worst of the flash flooding, the Guadalupe crested at more than 37 feet in just hours, a press release about the film recounts. It shares an estimate that 52 percent of riparian vegetation — basically, the plants that create a buffer between land and river — was lost in Kerr County.

    Director Ben Masters and producer Josh Winkler gathered their findings by talking to various community members and organizations about the ecology of the region and what they're doing about it now. According to the release, that means hearing from biologists, landowners, and conservationists doing things like planting native species and looking at the area's longterm needs.

    The organizations looking after these longterm needs are now part of a coalition supported by the Community Foundation of the Texas Hill Country. Some of the individual organizations include the Hill Country Alliance, San Antonio Botanical Garden, Kerr County River Foundation, and the Hunt Preservation Society. The film will show some of their projects in progress.

    “The goal was to tell this story with honesty and respect for the people and the place,” said Ben Masters, director of Hope for the Guadalupe. “What we saw was not just devastation, but a community coming together to restore something deeply meaningful. That’s what this film is about.”

    The Community Foundation of the Texas Hill Country is one of several supporters of the film. The Community Foundation is also supporting fundraising efforts through its Hope for the Guadalupe Fund, which supports long-term river restoration, planting of native trees, seeds, and grasses, and stewardship efforts across the region. Many of those efforts are spotlighted in the film.

    “The Guadalupe River is one of Texas’ great natural and cultural resources,” said Community Foundation of the Hill Country CEO Austin Dickson in the release. “This film documents both the devastating impact of the floods and the extraordinary work underway to restore the river corridor and surrounding communities. Long-term recovery means caring for the land, the watershed and the people who depend on them for generations to come.”

    floodingflood reliefecologynaturesustainabilitygardeningnative plantsfilmdocumentary
    news/entertainment
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