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    Free Press Summer Fest Move

    Deja vu: Free Press Summer Festival is moving to NRG Park — again

    Clifford Pugh
    May 30, 2016 | 10:47 am
    heat relief water station at Free Press Summer Fest
    Free Press Summer Festival is returning to NRG Park, where it was held last year. Water stations are expected to be part of scenery as they were last year.
    Photo by © Michelle Watson/CatchLightGroup.com

    The threat of flooding along Buffalo Bayou has sent the Free Press Summer Festival to NRG Park for the second year in a row.

    Organizers announced Sunday that music festival on June 4 and 5 will move from Eleanor Tinsley Park to the Yellow Lot at 1 NRG Park. Although Eleanor Tinsley Park, located on Allen Parkway near downtown Houston, has not flooded as it did last year during the mammoth Memorial Day storms, heavy rains all last week have saturated the area, making the construction of temporary structures problematic.

    The decision to relocate this year's event was agreed upon with the cooperation of the City of Houston Mayor's Office of Special Events and NRG Park.

    "While we are disappointed to move the festival again this year, we have a solid plan in place for fans to have a great FPSF experience at NRG Park. The safety of our patrons, artists and staff, as well as the preservation of Eleanor Tinsley Park are of the highest priority to all involved," said festival co-founder Jagi Katial said in a statement.

    All tickets will be honored at the new venue. Performance schedules are expected to remain the same, with doors opening at 11 am both Saturday and Sunday. Fans should check the festival website and download the mobile app to learn of schedule changes.

    Last year, organizers set up misting stations and free areas to fill up water bottles on the NRG grounds to combat the heat. Even so, the Houston fire department has at least 57 emergency calls. No cooler, tents or canopies are allowed into the festival grounds, but towels, blankets, hats, and empty water containers can be brought in. (For a full list of allowed and prohibited items, go to the FPSF website.)

    This year's lineup includes performances from deadmau5, Modest Mouse, The National, Edward Sharpe and The Magnetic Zeros, The Chainsmokers, Leon Bridges, Young the Giant, Zeds Dead, Jamie xx, Big Gigantic, Gogol Bordello, Matt and Kim, Big Grams, Logic, ColleGrove (Lil Wayne & 2 Chainz), Father John Misty, Zola Jesus, Preservation Hall Jazz Band, Lewis Del Mar, and more.

    concerts
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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