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    For the love of god

    Sacred prayer or steamy love affair? Anniversary concert celebrates music inspired by kings & queens

    Naomi Galvez
    Naomi Galvez
    May 30, 2013 | 12:14 pm

    Some scholars say that The Song of Songs of Solomon focuses on the historic, secular love story between King Solomon and the Queen of Sheba. The book fills our minds with sumptuous, tender, loving and passionate words — the stuff that makes up a great romance novel.

    Yet a sacred reading of these steamy texts of dedication may symbolize something completely different. Some say that the words describe one's connection with God — but I'll leave that up to the reader to decide which fairs a better interpretation.

    During the Baroque era, there was a fascination with these poetic verses. Many composers set these allegorical passages to music, yielding variations as plentiful as the devotions they declare.

    Ars Lyrica Houston closes its 2012-13 season with "Divine Recreation," a program that offers a tempting treat: Musical settings of the Song of Songs of Solomon and other divinely inspired tunes interpreted by Baroque's famed composers such as Dieterich Buxtehude, Claudio Monteverdi and George Frideric Handel.

    Soprano Melissa Givens, who will be featured in the concert, explains that these excerpts celebrate the elements of a relationship, including the initial attraction, pursuit, sexual attraction and union.

    "There are about five stories in the universe that we keep retelling. How love can take you to the highest places or make do things you thought you'd never do."

    The performance will include an alluring duet from Monteverdi's opera The Coronation of Poppaea. The sultry love affair between Nero, Emperor of Rome, and a young girl, Poppea, isn't related to the text from Song of Songs, but connected to the theme of the evening.

    Givens has a personal connection to The Coronation of Poppaea. As a young music student at Rice University, she recalls not being fond of the title role. Years later, however, as she revisits the ambitious score, it has become her most beloved piece to execute. She thinks that's because of a correlation she noticed later in her career and through her work as a teacher.

    "There are about five stories in the universe that we keep retelling," Givens says. "How love can take you to the highest places or make do things you thought you'd never do. It's the basis of a lot of our greatest love stories — and you can trace that right back to the Song of Solomon."

    In alignment with the theme of devotion, the performance also marks Given's 10-year anniversary collaborating with Ars Lyrica. She affectionately describes her tenure with the group as a family environment teeming with amazing colleagues.

    "I've been blessed," she continues. "We're fortunate to be able to perform early music. We've gotten to the point where we get to experience the re-creation of art no matter the repertoire. We communicate this joy. Ars Lyrica was founded on our love for early music, so it's nice to have our next season focus on the subject of love."

    Ars Lyrica's desire to bring early music to a community that years ago didn't have a lot of exposure to the genre continues to inspire while growing in popularity.

    And just how breathtaking are the words between King Solomon and his Queen, or a Roman Emperor and his beloved when they're set to music? You're invited to find out.

    ___

    Ars Lyrica will perform "Divine Recreation" on Friday, 7:30 p.m., at the Hobby Center for the Performing Arts. Tickets start at $35, $22 for students, and can be purchased online or by calling 713-315-2525.

    The repertoire includes Monteverdi's Pulchra es, amica mea from Vespro della beata Vergine; Frescobaldi's Bergamasca from Fiori Musicali; Monteverdi's Pur ti miro from L'Incoronazione di Poppea; Monteverdi's Nigra sum from Vespro della beata Vergine; Marini's La Foscarina. Sonata a 3 con il tremolo; Schütz's Paratum cor meum, Deus, SWV 257; Buxtehude's Liebster, meine Seele saget, BuxWV 70 and excerpts from Handel's Solomon.

    Melissa Givens and the artists of Ars Lyrica Houston.

    Ars Lyrica Houston May 2013 musicians
    Photo by © Anthony Rathbun
    Melissa Givens and the artists of Ars Lyrica Houston.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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