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    For the love of god

    Sacred prayer or steamy love affair? Anniversary concert celebrates music inspired by kings & queens

    Naomi Galvez
    Naomi Galvez
    May 30, 2013 | 12:14 pm

    Some scholars say thatThe Song of Songs of Solomon focuses on the historic, secular love story between King Solomon and the Queen of Sheba. The book fills our minds with sumptuous, tender, loving and passionate words — the stuff that makes up a great romance novel.

    Yet a sacred reading of these steamy texts of dedication may symbolize something completely different. Some say that the words describe one's connection with God — but I'll leave that up to the reader to decide which fairs a better interpretation.

    During the Baroque era, there was a fascination with these poetic verses. Many composers set these allegorical passages to music, yielding variations as plentiful as the devotions they declare.

    Ars Lyrica Houston closes its 2012-13 season with "Divine Recreation," a program that offers a tempting treat: Musical settings of the Song of Songs of Solomon and other divinely inspired tunes interpreted by Baroque's famed composers such as Dieterich Buxtehude, Claudio Monteverdi and George Frideric Handel.

    Soprano Melissa Givens, who will be featured in the concert, explains that these excerpts celebrate the elements of a relationship, including the initial attraction, pursuit, sexual attraction and union.

    "There are about five stories in the universe that we keep retelling. How love can take you to the highest places or make do things you thought you'd never do."

    The performance will include an alluring duet from Monteverdi's opera The Coronation of Poppaea. The sultry love affair between Nero, Emperor of Rome, and a young girl, Poppea, isn't related to the text from Song of Songs, but connected to the theme of the evening.

    Givens has a personal connection to The Coronation of Poppaea. As a young music student at Rice University, she recalls not being fond of the title role. Years later, however, as she revisits the ambitious score, it has become her most beloved piece to execute. She thinks that's because of a correlation she noticed later in her career and through her work as a teacher.

    "There are about five stories in the universe that we keep retelling," Givens says. "How love can take you to the highest places or make do things you thought you'd never do. It's the basis of a lot of our greatest love stories — and you can trace that right back to the Song of Solomon."

    In alignment with the theme of devotion, the performance also marks Given's 10-year anniversary collaborating with Ars Lyrica. She affectionately describes her tenure with the group as a family environment teeming with amazing colleagues.

    "I've been blessed," she continues. "We're fortunate to be able to perform early music. We've gotten to the point where we get to experience the re-creation of art no matter the repertoire. We communicate this joy. Ars Lyrica was founded on our love for early music, so it's nice to have our next season focus on the subject of love."

    Ars Lyrica's desire to bring early music to a community that years ago didn't have a lot of exposure to the genre continues to inspire while growing in popularity.

    And just how breathtaking are the words between King Solomon and his Queen, or a Roman Emperor and his beloved when they're set to music? You're invited to find out.

    ___

    Ars Lyrica will perform "Divine Recreation" on Friday, 7:30 p.m., at the Hobby Center for the Performing Arts. Tickets start at $35, $22 for students, and can be purchased online or by calling 713-315-2525.

    The repertoire includes Monteverdi's Pulchra es, amica mea from Vespro della beata Vergine; Frescobaldi's Bergamasca from Fiori Musicali; Monteverdi's Pur ti miro from L'Incoronazione di Poppea; Monteverdi's Nigra sum from Vespro della beata Vergine; Marini's La Foscarina. Sonata a 3 con il tremolo; Schütz's Paratum cor meum, Deus, SWV 257; Buxtehude's Liebster, meine Seele saget, BuxWV 70 and excerpts from Handel's Solomon.

    Melissa Givens and the artists of Ars Lyrica Houston.

    Ars Lyrica Houston May 2013 musicians
      
    Photo by © Anthony Rathbun
    Melissa Givens and the artists of Ars Lyrica Houston.
    unspecified
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    King George dethroned

    Judge rules Texas Renaissance Festival owner must sell his kingdom

    Jef Rouner
    May 8, 2025 | 6:34 pm
    Amid scandals covered by multiple documentaries, the nation's largest Renaissance festival opens for its golden season.
    Photo courtesy of the Texas Renaissance Festival
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    A Grimes County judge ruled on Wednesday, May 7 that Texas Renaissance Festival owner George Coulam must honor an agreement he made in 2023 to sell the fair. The judgement and sale, if upheld, are not expected to affect the fair's operations in the fall.

    "Our commitment remains unchanged: to deliver a safe, vibrant, and memorable experience for the hundreds of thousands of guests who visit each year," spokesperson Tyler Moyer tells CultureMap in a written statement. "Festival operations are moving forward as planned for the 2025 season."

    The case stems from business dealings depicted in the HBO docuseries Ren Faire. Over the show's three episodes, Coulam is shown engaging in negotiations with a party referred to as "The Greeks," but the deal falls through. Those parties, a group that includes RW Lands, Texas Stargate, and Royal Campgrounds, sued Coulam to compel him to honor the contract.

    Judge Gary W. Chaney sided with the plaintiffs in a brief judgment against Coulam. Not only is he ordered to abide by the original contract to sell the festival grounds and adjacent properties for $60 million, he has to pay $22 million in damages as well as $1 million in attorney fees. Coulam has not commented publicly about the ruling, and it is not known at this time whether he plans to appeal the decision.

    King George's History

    For more than half a century, George Coulam has reigned as king of the Texas Renaissance Festival in Todd Mission. Not only is it the largest and one of the earliest incarnations of such festivals, it codified the concept to such a degree that its model is replicated all over the world. There is no doubt that Coulam has been the Walt Disney of renaissance events.

    However, that long reign has come with accusations of bad business dealings and sexual harassment. Multiple former employees have sued Coulam for hostile work environment related to his conduct. In addition to depicting the sale negotiations, Ren Faire exposed the backstage politics surrounding Coulam's business practices. The show dealt with the possibility of Coulam finally selling the festival to retire, while also highlighting his desire to remain "king," with all the privileges that entails.

    Former performer reacts

    As Coulam's management of the festival grew increasingly capricious, many longtime employees and visitors stopped associating with the fair. Niki Korontona was an employee until 2019 when she decided to leave, partially because of her health and partially because of the toxic environment. She says that if Coulam is truly out, she could see returning.

    "If the sale goes through as it says it's going to, I'll go back," she said in a Facebook message. "While my time with the performance company was its own b----, if the new owners are who I've heard, it will be going into... I don't know... less toxic hands?"

    Few renaissance festivals survive a change of ownership, but it's not unheard of. In fact, Coulam was a part of one of the bigger ones. Before starting the Texas Renaissance Festival in 1974, he founded the Minnesota Renaissance Festival in 1971. The investor of that enterprise, lawyer Jules Smith Sr., then sold his shares and opened a new festival in Maryland in 1977. These days, the Minnesota Renaissance Festival is one of Texas's main rivals.

    That was long before the institutions were cemented into their current forms, worth tens of millions of dollars. Still, Korontana says that a change in management that doesn't mess with what works should succeed.

    "[It's] an ironclad business." she said. "Even recessions didn't break it. It's so commercial that it doesn't matter who owns it as long as tickets aren't too expensive and turkey legs exist."

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