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    An Artful Goodbye

    The museums conference's Houston swan song: Smoke in the hall & Marzio searchbring buzz

    Steven Devadanam
    May 25, 2011 | 6:56 pm
    • Jane Weiner at a table when she's not wowing a conference crowd by putting out acigarette in raw meat.
      Photo by Simon Gentry
    • The American Association of Museums Meeting and MuseumExpo took the world'scultural institutions by storm.
    • Gwen Goffe, interim director of the MFAH, led a talk on trends in philanthropyalongside Courtney Sarofim.
      Photo by Jenny Antill
    • Hope Stone director Jane Weiner wowed the AAM crowd with her avant-gardeperformance.
      Photo by Simon Gentry

    The George R. Brown Convention Center has played host to endless sessions and think tanks about the future of the world's cultural institutions since Sunday. It's all been part of the American Association of Museums Annual Meeting and MuseumExpo, which has unleashed more than 5,000 museum professionals upon the Bayou City.

    After the stream of inspired seminars — and a healthy dose of enlightened partying — the city's cultural purveyors are rather pleased with the conference's impact.

    "I've gotten so many great ideas," said Apama Mackey of the nascent Museum of Drawing (MOD) as she exited a panel about presenting site-specific electronic art in a public environment (think the Mitchell Center for the Art's recent Tex Hex debut). That Houston-heavy discussion included the Aurora Picture Show's director, Delicia Harvey, the Mitchell Center's Bree Edwards, Aurora curator Mary Magsamen, and the prodigal microcinema high priestess (and now, associate curator at Southampton, New York's Parrish Museum), Andrea Grover.

    "It was nice to show that off, because it's all in our own backyard," Mackey said.

    "It's a beautiful thing," echoed The Orange Show's Elaine Dillard.

    Both museum folk were eager to impart lessons from the rapid-fire session, "75 Winning Ideas in 75 Minutes: Worst, Best and Next!" Rather than focusing on thick theory, the session offered quick tips for smart museum management.

    "Like saying, 'thank you,' — a lot. Easy, easy things," Dillard said.

    Another lesson? Using Groupon for tickets is a no-no, as are excessive acronyms. "I love my acronym though," said Mackey of the sleek MOD before absconding with Dillard in tow to a panel on technology and teamwork.

    The AAM conference offered Houstonians an opportunity to flaunt the city's cultural splendors, be it art, nature, science, music or dance. Wednesday's general session included a Hope Stone Dance Company bonanza.

    "There were these three women in cocktail dresses," Bill Arning, director of the Contemporary Arts Museum Houston, said, "and at one point, Jane Weiner, the artistic director, just started smoking and putting out her cigarette in raw meat. To see someone smoke inside the conference hall was amazing. It was the most revolutionary thing I'd seen in days."

    The Hope Stone gig was followed by a riveting performance by the Texas Southern University Jazz Ensemble and Steppers. The session also included a keynote address by Neil deGrasse Tyson and the presentation of a lifetime achievement award to Dallas Museum of Art director Bonnie Pitman.

    With all of the museum talk, one paramount question loomed over the entire conference: Who will replace the lionized, late Museum of Fine Arts, Houston director Peter Marzio?

    Despite the wealth of museum practice discourse, conclusions remained out of reach. "There are a lot of people here who knew Peter and have come up to me and expressed their sadness over the loss," related interim director Gwen Goffe. "I knew Peter for so many years, but I have only begun to know everyone he knew."

    When asked whether she was eyeing visiting museum professionals for the open position, she confirmed that the matter is out of her hands, and the placement will be determined by the confirmed search committee. The decision will be directed by committee chair Rich Kinder, a life trustee of the MFAH and a close friend of Marzio. Also on the small selection committee are chairman of the Board of Trustees Cornelia Long, Brad Bucher, Anne Duncan, William Mathis and Michael Zilkha.

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    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

    ---

    Whalefall is now playing in theaters.

    austin abramsbook to filmscuba divingsurvivaltheaterswhalefallmovie review
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