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secrets

A Houston hotel unveils its little-known stash of art, including works byPicasso, Man Ray & Dalí

Tyler Rudick
May 24, 2012 | 7:38 am
  • Guy Van den Bulcke, Expectations, 1999, oil on canvas.
  • Pablo Picasso, Guitare Sur un Gueridon, c.1980 print from original 1920 work,edition 3/500.
  • La Colombe d’Or has some artful secrets.
  • Wifredo Lam, El Ultimo Viaje del Buque Fantasma 1, 1976, print, edition 54/99.
  • Earl Staley, Big Bend, date unknown, oil on canvas.
  • Francesco Caraccio, Untitled, 2009, nmixed media on paper.

Taking its name from the French inn where Henri Matisse and Marc Chagall purportedly settled debts with paintings, La Colombe d'Or on Montrose Boulevard opened in the early 1980s with a goal of placing fine food and lodging on equal footing with fine art.

Housed within the 1923 mansion of oil baron W.W. Fondren, the boutique hotel has amassed an impressive art collection throughout the decades, displaying work from some of the biggest figures in 20th century art thanks to owner and collector Steve Zimmerman.

After receiving his law degree, the New Orleans-raised hotelier relocated to the Montrose area in the mid 1960s at a time when Dominique de Menil oversaw the art departments at St. Thomas University and (from 1969) at Rice.

On the first floor alone, a Man Ray print hangs inside the bar while a massive abstract work by Houston a rtist Dorothy Hood covers a full wall of the hotel lobby.

"Back then, a girlfriend of mine worked for Mrs. de Menil, while I was teaching political science at St. Thomas," Zimmerman told CultureMap during a lunch at the hotel's popular French restaurant Cinq. "At the time, if it didn't come from Tijuana on black velvet, I didn't think it was art."

Before long, the young couple would find themselves at parties with Andy Warhol and Max Ernst.

"I didn't want to seem like an idiot, so I started sitting in on art courses at St. Thomas and then at Rice with Bill Camfield," Zimmerman recalled, noting that classes were taught by some of the city's leading artists like Jack Boynton and John Alexander. "Next thing I knew, I was hooked and started buying art."

Walking through the La Colombe d'Or, guests will see that Zimmerman's interests tend to lean towards European modernists like Picasso and Braque, with occasional canvases from noted Texas artists such as Earl Staley. On the first floor alone, a Man Ray print hangs inside the bar while a massive abstract work by Houston artist Dorothy Hood covers a full wall of the hotel lobby.

On the third floor, Zimmerman has operated a dedicated art gallery since 2003, selling canvases and works on paper by masters like Salvador Dalí and Wifredo Lam to a small-but-devoted circle of area collectors.

Under the newly appointed directorship of Roxana Kouros, the La Colombe d'Or Art Gallery is expanding its outreach with a new exhibit highlighting works by the gallery's current stable of living European artists, including Francesco Caraccio, Guy Van den Bulcke and Adrien Moroni. A selection of rare prints from the estate of Pablo Picasso also will be displayed.

On view through June 23, Selected Works from the La Colombe d’Or Collection opens with a special reception at La Colombe d’Or (3410 Montrose Boulevard) from 6 to 9 p.m Thursday.

unspecified
news/entertainment

Movie Review

Despicable Me sequel Minions & Monsters keeps franchise's goofy vibe

Alex Bentley
Jun 30, 2026 | 4:00 pm
Henry and James in Minions & Monsters
Photo courtesy of Illumination & Universal Pictures
Henry and James in Minions & Monsters.

The Despicable Me franchise is one of the most enduring of the 21st century, now reaching its seventh film in the past 16 years with the release of Minions & Monsters. The Minions, which were originally mere sidekicks to the supervillain Gru, have now arguably become the face of the franchise, even more so when they get their own movie.

Minions & Monsters purports to give even more history for the little yellow pill-shaped beings who want nothing more than to serve bad guys. Instead of fan favorites like Kevin, Stuart, and Bob leading the way, this film features James, a Minion who can’t stop causing chaos, and his best friend, Henry (all Minions are voiced by series creator Pierre Coffin).

After a prologue showing the Minions teaming up with various baddies over centuries, the group shows up in early 20th century Hollywood, gaining attention from filmmakers like Max (Christoph Waltz) and producer brothers Frank and Edward (both voiced by Jeff Bridges). They quickly rise up the ranks, with adventures coming to involve actress Debbie (Zoey Deutch), robot Dort (Jesse Eisenberg), and a Cthulhu named Goomi (Trey Parker).

Co-directed by Coffin and Patrick Delage and co-written by Coffin and Brian Lynch, the film is the loosest one of the franchise to date, using a barely-there story as an excuse to have the Minions engage in as much mayhem as possible. The prologue is the most successful part of the film, as they meet a cyclops, wizard, bank robber, and more, with each sequence getting wilder and funnier.

The 90-minute film is just as interested in entertaining kids with its craziness as it is in giving adults references to early film history. Among the films and actors that get shout-outs are the first-ever movie, The Horse in Motion, Georges Méliès’ A Trip to the Moon, Charlie Chaplin, Buster Keaton, and more. Whether including those historical relics will have kids wanting to seek out the real deals is questionable, but at least it shows the filmmakers know they owe a debt to the greats of the past.

The second half of the film becomes less coherent as the Minions split into different factions. James, Henry, and a hard-of-hearing Minion named Ed go in one direction to make a monster movie, while a larger group led by their antagonist named Dick goes in another. There’s no real purpose to either side’s journey other than to serve up laughs through the Minionese language (which seems to lean toward Spanish, as one scene acknowledges) and their antics.

Anyone purposefully going to a Minions movie likely enjoys Coffin’s performance of each character, each of which is subtly different. The rest of the cast, while star-laden, never truly sounds like the actors portraying them, which is strange when you have distinctive voices like Waltz, Bridges, and Eisenberg. The only people who stand out are Allison Janney as the narrator, Bobby Moynihan, and a cameo by George Lucas.

While Minions & Monsters doesn’t offer up an overly compelling reason for existing, it’s also harmless fun that has the side benefit of exposing kids to bits of film history that they might not have known existed. It also tries something different from the tried-and-true format of previous films, and experimentation should be appreciated even if it’s not fully successful.

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Minions & Monsters opens in theaters on July 1.

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