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    secrets

    A Houston hotel unveils its little-known stash of art, including works byPicasso, Man Ray & Dalí

    Tyler Rudick
    May 24, 2012 | 7:38 am
    • Guy Van den Bulcke, Expectations, 1999, oil on canvas.
    • Pablo Picasso, Guitare Sur un Gueridon, c.1980 print from original 1920 work,edition 3/500.
    • La Colombe d’Or has some artful secrets.
    • Wifredo Lam, El Ultimo Viaje del Buque Fantasma 1, 1976, print, edition 54/99.
    • Earl Staley, Big Bend, date unknown, oil on canvas.
    • Francesco Caraccio, Untitled, 2009, nmixed media on paper.

    Taking its name from the French inn where Henri Matisse and Marc Chagall purportedly settled debts with paintings, La Colombe d'Or on Montrose Boulevard opened in the early 1980s with a goal of placing fine food and lodging on equal footing with fine art.

    Housed within the 1923 mansion of oil baron W.W. Fondren, the boutique hotel has amassed an impressive art collection throughout the decades, displaying work from some of the biggest figures in 20th century art thanks to owner and collector Steve Zimmerman.

    After receiving his law degree, the New Orleans-raised hotelier relocated to the Montrose area in the mid 1960s at a time when Dominique de Menil oversaw the art departments at St. Thomas University and (from 1969) at Rice.

    On the first floor alone, a Man Ray print hangs inside the bar while a massive abstract work by Houston a rtist Dorothy Hood covers a full wall of the hotel lobby.

    "Back then, a girlfriend of mine worked for Mrs. de Menil, while I was teaching political science at St. Thomas," Zimmerman told CultureMap during a lunch at the hotel's popular French restaurant Cinq. "At the time, if it didn't come from Tijuana on black velvet, I didn't think it was art."

    Before long, the young couple would find themselves at parties with Andy Warhol and Max Ernst.

    "I didn't want to seem like an idiot, so I started sitting in on art courses at St. Thomas and then at Rice with Bill Camfield," Zimmerman recalled, noting that classes were taught by some of the city's leading artists like Jack Boynton and John Alexander. "Next thing I knew, I was hooked and started buying art."

    Walking through the La Colombe d'Or, guests will see that Zimmerman's interests tend to lean towards European modernists like Picasso and Braque, with occasional canvases from noted Texas artists such as Earl Staley. On the first floor alone, a Man Ray print hangs inside the bar while a massive abstract work by Houston artist Dorothy Hood covers a full wall of the hotel lobby.

    On the third floor, Zimmerman has operated a dedicated art gallery since 2003, selling canvases and works on paper by masters like Salvador Dalí and Wifredo Lam to a small-but-devoted circle of area collectors.

    Under the newly appointed directorship of Roxana Kouros, the La Colombe d'Or Art Gallery is expanding its outreach with a new exhibit highlighting works by the gallery's current stable of living European artists, including Francesco Caraccio, Guy Van den Bulcke and Adrien Moroni. A selection of rare prints from the estate of Pablo Picasso also will be displayed.

    On view through June 23, Selected Works from the La Colombe d’Or Collection opens with a special reception at La Colombe d’Or (3410 Montrose Boulevard) from 6 to 9 p.m Thursday.

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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