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    Top Chef episode 12 recap

    Top Chef recap: Bludorn shines in season's farewell to Houston

    Eric Sandler
    May 20, 2022 | 9:25 am
    Chef Sarah Welch addresses the judges.
    Chef Sarah Welch addresses the judges.
    Photo by David Moir Bravo

    This week’s episode of Top Chef marks the end of the show’s time in Houston, but it went out with a bang by giving us the Gulf Coast seafood challenge the season needed.

    Instead of a Quickfire, the chefs go fishing in the Gulf of Mexico to collect the proteins for a seafood-themed Elimination Challenge with guest judges Daniel Boulud and Top Chef Chicago winner Stephanie Izard. Tasked with creating two different preparations for a table of seven diners in only two-and-a-half hours, some of the cheftestants rise to the occasion while two of the season’s strongest competitors wilt under the pressure.

    Ultimately, one of this season's breakout stars packs his knives, and the show moves on to the finale episodes in Tucson, Arizona.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Top Chef didn’t feature much of Galveston’s food world in episode 11, but the show makes up for that this week. After fishing, the cheftestants visit local institution Katie’s Seafood Market to prepare their fish and supplement their catch with some additional ingredients such as farm-raised redfish and snapper.

    Even better, the five remaining chefs return to Houston to prepare, cook, and serve their meals at Bludorn where chef-owner Aaron Bludorn joins the table. It’s the show’s first visit to a Houston restaurant since Brennan’s in episode six, and the first Houston chef (other than Top Chef alum Dawn Burrell) to appear on the show since ChòpnBlọk’s Ope Amosu in episode seven.

    Seated with his mentor Daniel Boulud, Bludorn provides insightful commentary on each competitor’s strengths and weaknesses. The restaurant impresses the judges, too, with Tom Colicchio describing it as “very handsome” and Padma Lakshmi calling it “beautiful.”

    Dawn’s back, too, for both the fishing expedition and the Elimination Challenge meal. As always, she’s a confident, articulate presence at the table who can relate to how the contestants are feeling in this moment.

    How did Evelyn Garcia do
    Our local cheftestant gets a much needed wake-up call in this week’s episode. Although she doesn’t make any errors in preparing her two dishes — caldo de pescado with poached redfish and taco al pastor with roasted redfish — the judges fault her for a lack of ambition that’s required at this stage of the competition. She advances to the finals in Tucson, but not before getting a warning to step it up in the future.

    “I think you gave us two good dishes, but I think you played it really safe today,” Padma tells her. “I know you can make a taco in your sleep. My fish was cooked fine, but it was too much tortilla and not enough fish and not enough taco.”

    Who wins
    Chef Sarah Welch seemed to struggle in her return to the competition last week — keep in mind she had been eliminated in episode four, which means it had been weeks since she'd been part of it — but she finds her footing here. Her “Pseudo Crudo” of pickled Gulf snapper with silken tofu, fermented greens and kraut broth and a pastrami-spiced smoked red drum with carrot butter and Parisian gnocchi takes the win for its creative preparations and bold flavors. In particular, Colicchio hails her pastrami fish as "perfectly cooked," and judge Gail Simmons thinks she's created a new signature dish.

    Chef Sarah's self-deprecating humor has provided some necessary levity in a season that's been defined, at least in part, by its complete lack of drama between the cheftestants. Also, credit her for recognizing the significance of what she achieves this week. "I just cooked for two of the most impressive chefs in the world," she declares after serving the judges.

    Considering the epic run through Last Chance Kitchen it took for her to make it back into the main competition, she has to be viewed as a serious contender for the title.

    Who goes home
    Chef Nick Wallace earned the title of “The Baker” for his ability to make bread, i.e., earn money, in the show’s various competitions, but this week's seafood challenge proves his undoing. He struggles with time management, overcooking the fish in his taco and forgetting to prepare a binder for his fish cake. In an emotional goodbye, he thanks the judges for the opportunity and celebrates the bond he formed with fellow cheftestant Damarr Brown. While his presence will be missed, at least he's leaving with $35,000 in winnings.

    Who exceeds expectations
    Chef Buddha Lo can’t quite make it three Elimination Challenge wins in a row, but he still looks like the overall favorite to be the next Top Chef. He pays homage to one of Daniel Boulud’s signature dishes with his pastry-wrapped fried flounder (a nod that Bludorn recognizes). His ginger-scallion steamed bull redfish (red drum) with shrimp farce earns universal praise from the judges.

    Chef Sarah Welch addresses the judges.

    Top Chef Houston episode 12
    Photo by David Moir/Bravo
    Chef Sarah Welch addresses the judges.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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