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    Top Chef episode 12 recap

    Top Chef recap: Bludorn shines in season's farewell to Houston

    Eric Sandler
    May 20, 2022 | 9:25 am
    Chef Sarah Welch addresses the judges.
    Chef Sarah Welch addresses the judges.
    Photo by David Moir Bravo

    This week’s episode of Top Chef marks the end of the show’s time in Houston, but it went out with a bang by giving us the Gulf Coast seafood challenge the season needed.

    Instead of a Quickfire, the chefs go fishing in the Gulf of Mexico to collect the proteins for a seafood-themed Elimination Challenge with guest judges Daniel Boulud and Top Chef Chicago winner Stephanie Izard. Tasked with creating two different preparations for a table of seven diners in only two-and-a-half hours, some of the cheftestants rise to the occasion while two of the season’s strongest competitors wilt under the pressure.

    Ultimately, one of this season's breakout stars packs his knives, and the show moves on to the finale episodes in Tucson, Arizona.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Top Chef didn’t feature much of Galveston’s food world in episode 11, but the show makes up for that this week. After fishing, the cheftestants visit local institution Katie’s Seafood Market to prepare their fish and supplement their catch with some additional ingredients such as farm-raised redfish and snapper.

    Even better, the five remaining chefs return to Houston to prepare, cook, and serve their meals at Bludorn where chef-owner Aaron Bludorn joins the table. It’s the show’s first visit to a Houston restaurant since Brennan’s in episode six, and the first Houston chef (other than Top Chef alum Dawn Burrell) to appear on the show since ChòpnBlọk’s Ope Amosu in episode seven.

    Seated with his mentor Daniel Boulud, Bludorn provides insightful commentary on each competitor’s strengths and weaknesses. The restaurant impresses the judges, too, with Tom Colicchio describing it as “very handsome” and Padma Lakshmi calling it “beautiful.”

    Dawn’s back, too, for both the fishing expedition and the Elimination Challenge meal. As always, she’s a confident, articulate presence at the table who can relate to how the contestants are feeling in this moment.

    How did Evelyn Garcia do
    Our local cheftestant gets a much needed wake-up call in this week’s episode. Although she doesn’t make any errors in preparing her two dishes — caldo de pescado with poached redfish and taco al pastor with roasted redfish — the judges fault her for a lack of ambition that’s required at this stage of the competition. She advances to the finals in Tucson, but not before getting a warning to step it up in the future.

    “I think you gave us two good dishes, but I think you played it really safe today,” Padma tells her. “I know you can make a taco in your sleep. My fish was cooked fine, but it was too much tortilla and not enough fish and not enough taco.”

    Who wins
    Chef Sarah Welch seemed to struggle in her return to the competition last week — keep in mind she had been eliminated in episode four, which means it had been weeks since she'd been part of it — but she finds her footing here. Her “Pseudo Crudo” of pickled Gulf snapper with silken tofu, fermented greens and kraut broth and a pastrami-spiced smoked red drum with carrot butter and Parisian gnocchi takes the win for its creative preparations and bold flavors. In particular, Colicchio hails her pastrami fish as "perfectly cooked," and judge Gail Simmons thinks she's created a new signature dish.

    Chef Sarah's self-deprecating humor has provided some necessary levity in a season that's been defined, at least in part, by its complete lack of drama between the cheftestants. Also, credit her for recognizing the significance of what she achieves this week. "I just cooked for two of the most impressive chefs in the world," she declares after serving the judges.

    Considering the epic run through Last Chance Kitchen it took for her to make it back into the main competition, she has to be viewed as a serious contender for the title.

    Who goes home
    Chef Nick Wallace earned the title of “The Baker” for his ability to make bread, i.e., earn money, in the show’s various competitions, but this week's seafood challenge proves his undoing. He struggles with time management, overcooking the fish in his taco and forgetting to prepare a binder for his fish cake. In an emotional goodbye, he thanks the judges for the opportunity and celebrates the bond he formed with fellow cheftestant Damarr Brown. While his presence will be missed, at least he's leaving with $35,000 in winnings.

    Who exceeds expectations
    Chef Buddha Lo can’t quite make it three Elimination Challenge wins in a row, but he still looks like the overall favorite to be the next Top Chef. He pays homage to one of Daniel Boulud’s signature dishes with his pastry-wrapped fried flounder (a nod that Bludorn recognizes). His ginger-scallion steamed bull redfish (red drum) with shrimp farce earns universal praise from the judges.

    Chef Sarah Welch addresses the judges.

    Top Chef Houston episode 12
    Photo by David Moir/Bravo
    Chef Sarah Welch addresses the judges.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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