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    Houston: Concert City

    Houston rocks among U.S. cities with the most passionate music fans

    Johnston Farrow
    May 17, 2018 | 10:45 am

    For those H-Towners about to rock, we salute you. Houston is home to the fifth-most passionate live music fanbase, according to a newly published study by ticket sales platform, SeatGeek.

    The platform named the cities where people are most interested in purchasing a concert ticket when an artist they like is coming to town. The site analyzed anonymous data up to March 2018 to see which live music artists and genres people are tracking. The top 50 cities in the U.S. are included and the study referenced the 100 most popular artists on SeatGeek. (SeatGeek users can track any artist, sports team, or event and be notified when they will be coming to town ahead of time so they won't miss out on tickets.)

    The Bayou City comes in behind Oklahoma City, which ranked No. 1. Salt Lake City ranked No. 2, Denver No. 3, and Las Vegas No. 4. Oklahoma City music fans track 20.8 live music events per person, while Houstonians track 20.1.

    Hip-hop, a vital part of the Houston scene, takes the trophy for most loved genre in the city with 47 percent of users preferring the genre, with pop coming in second (21 percent), and R&B and country coming in a distant third-place tie (11 percent).

    Not to be outdone, Dallas-Fort Worth comes in seventh place with 19.9 music tracks per person. Dallas-Fort Worth follows a similar path as Houston, with 45 percent of fans tracking hip-hop, 22 percent loving pop artists, and 12 percent following country artists.

    As for favorite artists, Texas takes pride in Miranda Lambert, as the Lindale native takes top spot in both Houston and Dallas. Even though country doesn't score very well overall in Houston, seven of the 10 top artists tracked by fans in the city are country stars, including Brad Paisley in second, Blake Shelton in third, Tim McGraw in fourth, Luke Bryan in fifth, Jason Aldean in sixth, and Keith Urban in eighth place. Travis Scott (No. 7), Shakira (No. 9), and Kodak Black (No. 10), rounded up the non-country faves in the city.

    All 10 of Dallas' favorite artists come from the country world, despite the genre tracking among only 12 percent of SeatGeek's users. Shelton (No. 2), Paisley (No. 3), McGraw (No. 4), and Aldean (No. 5) listed as the most popular.

    Houston’s placement in the results isn’t too much of a shock when one takes into account the hugely diverse sounds emanating from the fourth largest metropolitan area in the United States. This is a city that draws several major festivals and events each year — here’s looking at you, Day for Night, In Bloom, and RodeoHouston — as well as a smorgasbord of concert offerings almost daily across multiple genres and different sized venues.

    Houston concertgoers are the fifth most passionate in the country, according to SeatGeek research.

    People attending a concert
    Photo courtesy of Toyota Music Factory
    Houston concertgoers are the fifth most passionate in the country, according to SeatGeek research.
    nightlifeconcertsmusic
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

    moviesfilm
    news/entertainment

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