Why just start a book club when you can write a book?
We all know that Tyra Banks lives in a fantasyland (one in which she fancies herself the next Oprah Winfrey, only more svelte). Little did we know that Banks also apparently pictures herself as the next J.K. Rowling and Stephenie Meyer.
Tyra's fantasy is about to get literal (and literary) as she's set to pen Modelland, which she announced on her Web site and described as "a fantastical place you've never seen, or heard about, or read about before ... Where dreams come true and life can change in the blink of a smoky eye."
The fantasy book, which attempts to combine modeling with a Harry Potter or Twilight-like world — will tell the tale of a teen girl "in a make-believe society who finds herself competing for a way of life that's both hotly desired and woefully out of reach at an academy for Intoxibellas, the most exceptional models known to humankind. As the plot unfolds, readers will uncover lessons that are buried beneath the surface of this magical world."
But wait, there's more. Two more, actually, as Banks has signed a three-book deal with Random House. (The release dates are still up in the air).
Seeing as this is the same woman who had then-presidential hopeful Barack Obama stare with her into a crystal ball when he was on her talk show, the same host who got an on-screen mammogram ...
Well, I can't wait to see what kind of crazy she pulls out.
Maika Monroe and Tyriq Withers in Reminders of HIm.
Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.
Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).
Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.
Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.
The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.
It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.
Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.
It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.
