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    Booking It

    10 books you have to read this summer: Moonwalking memory to art world felonies

    Elizabeth Bennett
    May 10, 2011 | 2:53 pm
    • What are you reading this summer?
      Seattle Public Library
    • "Moonwalking with Einstein" by Joshua Foer
    • "An Object of Beauty" by Steve Martin
    • "Trillin on Texas" by Calvin Trillin
    • "The Social Animal" by David Brooks

    If you sometimes can’t remember where you put the car keys — or like author Joshua Foer, the car itself — don’t panic. You can do something about it, Foer promises, in an intriguing-sounding new book called Moonwalking with Einstein.

    Foer is a science journalist who participated in the U.S. Memory Championship and went from a guy with an average memory to actually winning the competition.

    Moonwalking with Einstein is on the bestseller list now because so many people, like me, are obsessed with memory and how to improve it. I’m anxious to read this book, which Maureen Dowd in the New York Times, called “both fun and reassuring. All it takes to have a better memory, he (Foer) contends, are a few tricks and a good erotic imagination.”

    Foer’s book is at the top of my reading list this summer. I don’t get as much new book information as I did when I edited the book pages of the defunct Houston Post, but I still read book sections online from around the country, get catalogs from publishers and review books. And here are some titles — four more nonfiction books and five novels — that sound like great summer reading.

    Trillin on Texas is by the wonderfully amusing Calvin Trillin, a writer for The New Yorker who has, surprisingly, a Texas connection. His family immigrated to the United States through the port of Galveston, and he seems to love writing about Texas. Included in this collection are previously published articles and poems in various publications about everything from Houston’s colorful immigration lawyers and scouting for books with Larry McMurtry to his sardonic take on the Bush dynasty and their tendency toward fractured syntax.

    The Only Game in Town: Sportswriting from The New Yorker, edited by David Remnick, is a paperback collection coming out next month that also promises to be fun reading. Here is John Updike on Ted Williams, Henry Louis Gates Jr. on Michael Jordan, David Owen on Tiger Woods, and Martin Amis writing about several tennis personalities.

    I love biographies of interesting people, and here are two that sound promising:

    Ben: A Personal Portrait of Ben Bradlee, Journalism’s Legendary Editor, by Jeff Himmelman, is about the crusty Washington Post editor who led the fight to publish the Pentagon Papers. Famous for his brashness and charm, Bradlee was depicted by Jason Robards in All the President’s Men. This short (192 pages) biography will be in bookstores next month.

    Will Rogers: A Political Life by Richard D.White is about the Great American Humorist who died in a 1935 plane crash. It got a rave review recently in The New York Times, which pointed out that Rogers in his day was bigger than Jon Stewart, Stephen Colbert and even Rush Limbaugh.

    In fiction this summer? A lot of people are still reading and talking about The Help, Kathryn Stockett’s compellingly-readable novel about black maids in 1960s Mississippi (and soon to become a movie). But here are several newer novels to check out:

    In The Social Animal, New York Times columnist David Brooks explores the unconscious mind and how it shapes the way we eat, love, live, vacation and relate to other people. The novel focuses on one couple, and one of my book club members who is always looking for good new fiction found this one fascinating and funny.

    An Object of Beauty is a new novel about the New York art world by actor and comedian Steve Martin, who is also a wonderfully-amusing writer. His bestselling novella Shopgirl was made into a movie.

    The new book focuses on an ambitious young woman who will do anything to get ahead, including indulging in questionable deals and possible felonies. Martin, himself an art collector, knows his subject well, and may have another bestseller on his hands.

    The Paris Wife by Paula Mclain is a new novel based on Ernest Hemingway’s first wife that several friends are reading this summer. Though doomed, Hadley Richardson’s marriage to Hemingway had its giddy high points, including a whirlwind courtship and a few fast and furious years in Paris in the Jazz Age. Reviews have been mixed, but USA Today predicted that women and book groups “are going to eat up this novel.”

    And here’s another blending of fact and fiction called Not Between Brothers: An Epic Novel of Texas by David Marion Wilkinson. A bloody and gripping tale of the birth of the Lone Star State, the book portrays three cultures — Mexican, white immigrant and Comanche — in collision.

    It’s not a new book — the 15th anniversary edition was published last year in paperback — but Not Between Brothers has been optioned for a TV mini-series and received a number of awards.

    Finally, the most talked-about book in literary circles in 2010 was Freedom, by Jonathan Franzen. It’s been called, like Franzen’s previous novel, The Corrections, a masterpiece of American fiction. Book critics who reviewed it pronounced it “a page turner” and “the great American novel.”

    This one has been on my list for months, and this summer, at last, I’m hoping to read it.

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    Movie Review

    Summer camp drama The Plague proves middle school is still pure horror

    Alex Bentley
    Jan 2, 2026 | 2:30 pm
    Everett Blunck in The Plague
    Photo courtesy of IFC
    Everett Blunck in The Plague.

    Anybody who’s attended elementary school in the last 100 years knows the concept of “cooties,” a fictional affliction that is typically caught when touched by a member of the opposite sex. A more updated version of the same idea is featured in the Diary of a Wimpy Kid series, this time called the “Cheese Touch,” making anyone who touches a moldy piece of cheese on the school’s basketball court an outcast.

    A much more menacing version of this “disease” is on display in The Plague, which takes place at a summer water polo camp for tweens. The film focuses on Ben (Everett Blunck), a slightly awkward boy who struggles to fit in with the “cool” crowd led by Jake (Kayo Martin). That group has no problems making fun of others that they deem to be different, especially Eli (Kenny Rasmussen), who has been ostracized because of a rash he has that the kids call “the plague.”

    Ben wants to be part of the main group, but his natural empathy leads him to reach out to Eli on more than one occasion despite Eli engaging in some uncomfortable behavior. With the camp’s coach (Joel Edgerton) not much help when it comes to the bullying tactics by Jake and others, especially those that take place at night, Ben is left to fend for himself. His vacillations between wanting to be accepted and wanting to do what’s right continue until his hand is forced.

    Written and directed by first-time feature filmmaker Charlie Polinger, the film has all the feel of a horror movie without actually being a horror. The staging used by Polinger gives the film a claustrophobic feel as Ben can’t seem to escape the psychological torture inflicted by Jake and others no matter where he goes. He also employs a jarring score by Johan Lenox to great effect, one that’s designed to keep viewers on edge even when nothing bad is happening.

    No matter how far removed you are from middle school, the film will likely bring up feelings you thought you had left behind. Much like with Bo Burnham’s Eighth Grade, Polinger finds a way to tap into something universal in his depiction of tweens, an age when everyone is still discovering who they really are. Some go along to get along, others don’t even attempt to fit in, but no one truly feels settled.

    Whether the plague is real or not in the world of the film is up for debate. While most of the time it comes off as something made up to underscore the feeling of otherness felt by Ben, Polinger does literalize it to a degree. He even tiptoes up to the line of body horror before wisely retreating, although what he does show will still make some viewers squeamish. However, because he seems to be leaning one way before pulling back, there’s the possibility that some will be disappointed by the tease of something more intense.

    The film’s biggest success is in its casting. Finding good child actors is notoriously tough, and yet Polinger and casting director Rebecca Dealy found a bunch who sell the story for all it’s worth. Blunck, Martin, and Rasmussen get the most play, but everyone else complements them well. Edgerton is the only well-known actor in the film, but he’s used sparingly and isn’t asked to do much, leaving the kids to carry the story on their shoulders.

    Fitting in as a tween is hard enough without others actively trying to find ways to cast someone out. The Plague is an effective demonstration of the dynamics that can play out in a competitive environment that also includes a group that has yet to develop into fully-rounded people. It features discomfort on multiple levels, marking an auspicious debut for Polinger.

    ---

    The Plague is now playing in theaters.

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