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    Trendysomething in somo

    Literary lead-on: David Sedaris wants what he can't have

    Steven Devadanam
    Apr 29, 2010 | 2:34 pm
    • Is David Sedaris blowing smoke or trying to pick up young writers?
    • Some people are seduced by NPR studs; not me though.
    • Was David taking a cue from Monica Lewinsky in his chosen atelier?

    They say that my generation is one without heroes. I don't know who other people my age look up to: maybe Barack Obama, or Shakira, but probably just Ashton Kutcher and Snookie.

    Personally, I always found inspiration in writer David Sedaris. In high school, I'd cut class to read his books on the upper level at Agora, sipping cheap Greek wine, coughing through packs of Lucky Strikes and taking careful mental notes.

    I never wanted to emulate him. He hadn't graduated from college, had a history of drug addiction and crossed a line of self-satisfaction that I once tried so hard not to breach.

    But in the spring of 2006, I jumped on the opportunity to see him in person at the Wortham Center. After his reading, I spent almost an hour rambling around the underground Theater District parking lot before reemerging to the Wortham lobby to find a still-standing book signing line. I'm not one to be easily star-struck, so I casually picked up one of the for-sale copies of Me Talk Pretty One Day and began reading a favorite chapter.

    Before I knew it, the desk of books for sale had been packed up, the registers disappeared, and I had effectively shoplifted Sedaris' hit volume.

    Already at a total loss as to where my car might be, I decided to wait out the confusion and attach myself to the end of the book signing line. Perhaps because I was very last in line, David seemed to pay special attention to me, asking if I'd attended the lecture alone, and then encouraged me to touch the lining of his sport coat.

    "I got it today on sale at the Gap," he boasted, "but you'd never guess it."

    When he asked what my plans were for that night (it was already well past 11 p.m.), his agent, the only other person in the lobby besides the two of us, interrupted with, "David, that's enough."

    I never had an actual crush on Sedaris — he's much too old — but I was flattered.

    Condom Man

    Yesterday (and four years later), I made a night-of impulse buy of tickets to see Sedaris' engagement at Jones Hall. Remembering my parking lot panic, I hitched the light rail downtown, only to find myself escorted off the train within 10 minutes by a police raid checking tickets. I had, in fact, bought a ticket, but only a credit card receipt printed from the machine.

    After the embarrassing dismissal from the rail car, I explained my innocence and got off the hook, yet was made tardy by the need to wait for the next train.

    Arriving at Main Street Square, I bolted for the Theater District, which led to another close-call with a moving violation citation for jaywalking. Ultimately, it was an enjoyable performance, but I spent a fair amount of the time in my nosebleed seat wondering what I would say when it was my turn at the book signing. After describing the way he'd hit on me when I was just 20-years-old, friends and colleagues had convinced me that I needed to reignite his flirtations.

    I knew I was in trouble earlier that evening when I found myself sitting naked in front my closet thinking, "What underwear would David want me to wear?"

    I'm being facetious (although he holds covetable connections in publishing). Yet somehow, I had high expectations of linking the 2006 missed connection.

    The post-reading book signing line was monumental. I had a nice position in the center, but when I tried to take a picture of the scene with my phone, I got a slap on the limp wrist from a security guard and was escorted to the back of the line as punishment.

    "At least I'll have my one-on-one," I surmised to myself.

    After a two and a half hour wait (and a marathon reading of The Daily Beast that drained my phone battery), I finally was face to face with the lit celebrity. (Of course, this was after I'd caught him giving me "the eyes" countless times.)

    I can't recount our conversation word-for-word, but I'm sure I communicated some amount of charm since he said, "London needs more guys like you," with an uncanny twinkle. (He recently relocated from France to the UK capitol.) He then reached into his National Public Radio tote, retrieved a roll of Trojan condoms, and handed one to me.

    I couldn't tell if this was an invitation or just a subtle way of saying, "You're so handsome, you have no other option than to be incredibly promiscuous!"

    I began to walk away, feeling mildly violated, but mainly just confused. As I turned, he whispered in my direction, "Psst! Do you like my blazer?"

    Had David remembered me and our touch-the-jacket "moment" from so many years ago? I had no way of knowing whether he was referencing our casual encounter or if he simply had a very small repertoire of lines for young fans. He then raised his hand to his forehead and saluted me.

    No, "See you later," "Call me," or "I'm in Room 300 at the Lancaster." Just a salute. And really, I didn't want any more. He had proven himself as fairly unstable, and if there's going to be an unstable person in any relationship of mine — it's going to be me.

    Back at the rail station, it took about 20 minutes to register that Metro was closed for the night. With my dead phone, I walked to Hearsay to have somebody call me a cab.

    "Aren't you the guy ... who was the life of the party at your holiday office dinner?" the bartender asked as he closed shop.

    I may not be an internationally renown self-referential writer, but it's nice to know that in select Houston circles, I have a reputation for fun times. I held my head high as I ducked into the minivan taxi waiting outside the bar. As Elgin faded into Westheimer, we passed the once-beloved Agora, and I thought of a naïve teenaged Steven, enraptured by a strange writer's words.

    Almost instinctively, I raised my hand to my forehead, and with a crooked grin, saluted my former self.

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    Concert News

    Buzzy R&B artist Khalid brings summer back to Houston on 2026 tour

    Brianna Caleri
    Dec 11, 2025 | 11:15 am
    Khalid
    Photo courtesy of Khalid
    Khalid is coming to Houston in June 2026.

    Texas R&B and pop artist Khalid is hitting the road for his 2026 It's Always Summer Somewhere Tour, including a stop at the 713 Music Hall in downtown Houston on June 18, 2026.

    The 25-date tour starts in Las Vegas, Nevada, in May and ends in Berkeley, California, in June. In addition to the Houston date, he'll stop in Irving on June 17 and Austin on June 19. He appears to be skipping his adopted hometown of El Paso, where his family moved when he was in high school and where he started his music career.

    The 27-year-old artist originally became known as a teenager on SoundCloud, resulting in several notable features and the critically acclaimed album American Teen. Since those days, he's had features on tracks by Marshmello, Billie Eilish, Halsey, and Normani, among others. He's released four albums in total, including 2025's After the Sun Goes Down.

    Khalid has been nominated to many notable awards and won at least 20, including five at the Billboard Music Awards in 2020 and Best New Artist at the 2017 MTV Video Music Awards. He's had six Grammy nominations so far.

    Pop singer Lauv, known for the breakout hit "I Like Me Better," will join Khalid for all stops on the tour.

    Tickets are available now in an artist pre-sale. The general on sale will start Friday, December 12, at 10 am via khalidofficial.com.

    It's Always Summer Somewhere Tour dates

    Sat May 16 – Las Vegas, NV – PH Live at Planet Hollywood Resort & Casino
    Mon May 18 – Morrison, CO – Red Rocks Amphitheatre
    Wed May 20 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
    Thu May 21 – Sterling Heights, MI – Michigan Lottery Amphitheatre
    Sat May 23 – Hershey, PA – GIANT Center
    Sun May 24 – Toronto, ON – RBC Amphitheatre
    Tue May 26 – Laval, QC – Place Bell
    Thu May 28 – Bridgeport, CT – Hartford HealthCare Amphitheater
    Fri May 29 – Boston, MA – MGM Music Hall at Fenway
    Sun May 31 – Washington, DC – The Anthem
    Wed Jun 03 – Nashville, TN – Nashville Municipal Auditorium
    Thu Jun 04 – Atlanta, GA – Synovus Bank Amphitheatre at Chastain Park
    Sat Jun 06 – Raleigh, NC – Red Hat Amphitheater
    Sun Jun 07 – Philadelphia, PA – Skyline Stage at Highmark Mann
    Tue Jun 09 – Portsmouth, VA – Portsmouth Pavilion
    Wed Jun 10 – Richmond, VA – Allianz Amphitheater at Riverfront
    Fri Jun 12 – New York, NY – Radio City Music Hall
    Mon Jun 15 – Charlotte, NC – Skyla Credit Union Amphitheatre
    Wed Jun 17 – Irving, TX – The Pavilion at Toyota Music Factory
    Thu Jun 18 – Houston, TX – 713 Music Hall
    Fri Jun 19 – Austin, TX – Moody Amphitheater at Waterloo Park
    Sun Jun 21 – Phoenix, AZ – Arizona Financial Theatre
    Mon Jun 22 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
    Wed Jun 24 – Los Angeles, CA – Greek Theatre
    Fri Jun 26 – Berkeley, CA – Greek Theatre*

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