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    Artist Spotlight

    Love & music: Meet the hat-happy iFest blues rocker who almost gave it all upfor his scientist wife

    Karen Labuca
    Apr 23, 2012 | 11:01 am
    • Hadden Sayers and Mark Frye, front, with percussionist Tony McClung
      Photo by Karen Labuca
    • Hadden Sayers, lead guitarist and lead vocalist
      Photo by Karen Labuca
    • Keyboardist Dave Dewitt
      Photo by Karen Labuca

    Amongst the crowded, closed-off downtown Houston streets of iFest, people scrambled to catch Latin fare. But nestled near City Hall, Houston staple Hadden Sayers and his band rocked out their chill blues rock just as the afternoon breeze started to pick up on Sunday.

    The majority of the audience was obviously devoted fans who have known Sayers from his previous work. The Sugar Land native has been making blues music since the 1990s, but he took a big career move (and an initial step back) by relocating to Ohio to support his wife's career (she's a scientist and had the opportunity to work with a world-renowned cancer researcher in Columbus, Ohio). Eventually, he was able to recreate a band with professional recruits — drummer Tony McClung and keyboardist Dave DeWitt — and a little help from his uncle and bassist Mark Frye.

    They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    The band's latest effort Hard Dollar is the first album Sayers has had released by a record label (Blue Corn Music). Sayers released their previous music himself.

    "I was performing as a guest guitarist for Ruthie Foster's band in Austin, another talented blues musician," Sayers tells CultureMap. "They were filming a live DVD and the president of the label liked a song that I wrote for her and that's where it started. Blue Corn Music is actually a Houston-based Sony subsidiary record label."

    Hard Dollar dropped almost exactly one year ago. "We do already have a follow-up in the works," Sayers says. "All the songs are ready, but there's no title yet."

    Hadden Sayers Band could be described as a cross-genre band, though if you witness one of their live sets, their blend is matched with precise instrumentation and timing that will sneak on you with crafted, smooth transitions. Sayers' roots are deep in blues and southern rock, though his recent time in Ohio greatly inspired an Americana sound.

    " 'Take Me Back To Texas' — the first song off the album — was the first song that I wrote when I moved," Sayers says. "That's where the southern influence is from but since we're signed to an Americana label, Ruthie's folk and gospel contribution was the catalyst of the album. It's also about close friends who have passed away and life experiences."

    Their iFest performance started off with a slamming guitar intro and a raw vocal from Sayers himself. The song was "Crush On You" and it caught the crowd by surprise. It also highlighted the talents of McClung and DeWitt. Throughout an hour-long set, Sayers repeated his pleading lyrics — but that's what the blues is all about right?

    They were a joy to watch as the quartet had a respectable relationship showcased on stage and a relaxed form of performing. They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    Extended amounts of guitar solos made some songs seem like they were 10-minutes long. Sayers playfully strummed his Fender Stratocaster non-stop just like any pro, then promoted Hard Dollar shortly after, shouting out, "Heck yeah it's on vinyl!"

    "Back To The Blues" the duet featuring Ruthie Foster, switched to a jazz-sounding track that was almost all instrumental halfway through. In between songs, Sayers entertained the audience with personal anecdotes and the crowd started to let loose with spontaneous slow-dancing to easy-listening "Sweet Texas Girls" and "Trippin' Down To Mexico." Frye had an impressive flute solo, while Sayers multi-tasked and helped pluck his bass. Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    "It's a really cool vibe here," Sayers says. "We've been coming for a long time now and it's nice to see old friends and other acts."

    Sayers has an entire summer booked with tour dates. "We try to free up any time to play festivals so we are very fortunate to have a lot of upcoming shows," he says. "The tour's been going good."

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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