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    Artist Spotlight

    Love & music: Meet the hat-happy iFest blues rocker who almost gave it all upfor his scientist wife

    Karen Labuca
    Apr 23, 2012 | 11:01 am
    • Hadden Sayers and Mark Frye, front, with percussionist Tony McClung
      Photo by Karen Labuca
    • Hadden Sayers, lead guitarist and lead vocalist
      Photo by Karen Labuca
    • Keyboardist Dave Dewitt
      Photo by Karen Labuca

    Amongst the crowded, closed-off downtown Houston streets of iFest, people scrambled to catch Latin fare. But nestled near City Hall, Houston staple Hadden Sayers and his band rocked out their chill blues rock just as the afternoon breeze started to pick up on Sunday.

    The majority of the audience was obviously devoted fans who have known Sayers from his previous work. The Sugar Land native has been making blues music since the 1990s, but he took a big career move (and an initial step back) by relocating to Ohio to support his wife's career (she's a scientist and had the opportunity to work with a world-renowned cancer researcher in Columbus, Ohio). Eventually, he was able to recreate a band with professional recruits — drummer Tony McClung and keyboardist Dave DeWitt — and a little help from his uncle and bassist Mark Frye.

    They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    The band's latest effort Hard Dollar is the first album Sayers has had released by a record label (Blue Corn Music). Sayers released their previous music himself.

    "I was performing as a guest guitarist for Ruthie Foster's band in Austin, another talented blues musician," Sayers tells CultureMap. "They were filming a live DVD and the president of the label liked a song that I wrote for her and that's where it started. Blue Corn Music is actually a Houston-based Sony subsidiary record label."

    Hard Dollar dropped almost exactly one year ago. "We do already have a follow-up in the works," Sayers says. "All the songs are ready, but there's no title yet."

    Hadden Sayers Band could be described as a cross-genre band, though if you witness one of their live sets, their blend is matched with precise instrumentation and timing that will sneak on you with crafted, smooth transitions. Sayers' roots are deep in blues and southern rock, though his recent time in Ohio greatly inspired an Americana sound.

    " 'Take Me Back To Texas' — the first song off the album — was the first song that I wrote when I moved," Sayers says. "That's where the southern influence is from but since we're signed to an Americana label, Ruthie's folk and gospel contribution was the catalyst of the album. It's also about close friends who have passed away and life experiences."

    Their iFest performance started off with a slamming guitar intro and a raw vocal from Sayers himself. The song was "Crush On You" and it caught the crowd by surprise. It also highlighted the talents of McClung and DeWitt. Throughout an hour-long set, Sayers repeated his pleading lyrics — but that's what the blues is all about right?

    They were a joy to watch as the quartet had a respectable relationship showcased on stage and a relaxed form of performing. They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    Extended amounts of guitar solos made some songs seem like they were 10-minutes long. Sayers playfully strummed his Fender Stratocaster non-stop just like any pro, then promoted Hard Dollar shortly after, shouting out, "Heck yeah it's on vinyl!"

    "Back To The Blues" the duet featuring Ruthie Foster, switched to a jazz-sounding track that was almost all instrumental halfway through. In between songs, Sayers entertained the audience with personal anecdotes and the crowd started to let loose with spontaneous slow-dancing to easy-listening "Sweet Texas Girls" and "Trippin' Down To Mexico." Frye had an impressive flute solo, while Sayers multi-tasked and helped pluck his bass. Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    "It's a really cool vibe here," Sayers says. "We've been coming for a long time now and it's nice to see old friends and other acts."

    Sayers has an entire summer booked with tour dates. "We try to free up any time to play festivals so we are very fortunate to have a lot of upcoming shows," he says. "The tour's been going good."

    unspecified
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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