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    Artist Spotlight

    Love & music: Meet the hat-happy iFest blues rocker who almost gave it all upfor his scientist wife

    Karen Labuca
    Apr 23, 2012 | 11:01 am
    • Hadden Sayers and Mark Frye, front, with percussionist Tony McClung
      Photo by Karen Labuca
    • Hadden Sayers, lead guitarist and lead vocalist
      Photo by Karen Labuca
    • Keyboardist Dave Dewitt
      Photo by Karen Labuca

    Amongst the crowded, closed-off downtown Houston streets of iFest, people scrambled to catch Latin fare. But nestled near City Hall, Houston staple Hadden Sayers and his band rocked out their chill blues rock just as the afternoon breeze started to pick up on Sunday.

    The majority of the audience was obviously devoted fans who have known Sayers from his previous work. The Sugar Land native has been making blues music since the 1990s, but he took a big career move (and an initial step back) by relocating to Ohio to support his wife's career (she's a scientist and had the opportunity to work with a world-renowned cancer researcher in Columbus, Ohio). Eventually, he was able to recreate a band with professional recruits — drummer Tony McClung and keyboardist Dave DeWitt — and a little help from his uncle and bassist Mark Frye.

    They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    The band's latest effort Hard Dollar is the first album Sayers has had released by a record label (Blue Corn Music). Sayers released their previous music himself.

    "I was performing as a guest guitarist for Ruthie Foster's band in Austin, another talented blues musician," Sayers tells CultureMap. "They were filming a live DVD and the president of the label liked a song that I wrote for her and that's where it started. Blue Corn Music is actually a Houston-based Sony subsidiary record label."

    Hard Dollar dropped almost exactly one year ago. "We do already have a follow-up in the works," Sayers says. "All the songs are ready, but there's no title yet."

    Hadden Sayers Band could be described as a cross-genre band, though if you witness one of their live sets, their blend is matched with precise instrumentation and timing that will sneak on you with crafted, smooth transitions. Sayers' roots are deep in blues and southern rock, though his recent time in Ohio greatly inspired an Americana sound.

    " 'Take Me Back To Texas' — the first song off the album — was the first song that I wrote when I moved," Sayers says. "That's where the southern influence is from but since we're signed to an Americana label, Ruthie's folk and gospel contribution was the catalyst of the album. It's also about close friends who have passed away and life experiences."

    Their iFest performance started off with a slamming guitar intro and a raw vocal from Sayers himself. The song was "Crush On You" and it caught the crowd by surprise. It also highlighted the talents of McClung and DeWitt. Throughout an hour-long set, Sayers repeated his pleading lyrics — but that's what the blues is all about right?

    They were a joy to watch as the quartet had a respectable relationship showcased on stage and a relaxed form of performing. They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    Extended amounts of guitar solos made some songs seem like they were 10-minutes long. Sayers playfully strummed his Fender Stratocaster non-stop just like any pro, then promoted Hard Dollar shortly after, shouting out, "Heck yeah it's on vinyl!"

    "Back To The Blues" the duet featuring Ruthie Foster, switched to a jazz-sounding track that was almost all instrumental halfway through. In between songs, Sayers entertained the audience with personal anecdotes and the crowd started to let loose with spontaneous slow-dancing to easy-listening "Sweet Texas Girls" and "Trippin' Down To Mexico." Frye had an impressive flute solo, while Sayers multi-tasked and helped pluck his bass. Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    "It's a really cool vibe here," Sayers says. "We've been coming for a long time now and it's nice to see old friends and other acts."

    Sayers has an entire summer booked with tour dates. "We try to free up any time to play festivals so we are very fortunate to have a lot of upcoming shows," he says. "The tour's been going good."

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    Movie Review

    New thriller Crime 101 majors in cool with Hemsworth at the wheel

    Alex Bentley
    Feb 13, 2026 | 4:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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