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    Artist Spotlight

    Love & music: Meet the hat-happy iFest blues rocker who almost gave it all upfor his scientist wife

    Karen Labuca
    Apr 23, 2012 | 11:01 am
    • Hadden Sayers and Mark Frye, front, with percussionist Tony McClung
      Photo by Karen Labuca
    • Hadden Sayers, lead guitarist and lead vocalist
      Photo by Karen Labuca
    • Keyboardist Dave Dewitt
      Photo by Karen Labuca

    Amongst the crowded, closed-off downtown Houston streets of iFest, people scrambled to catch Latin fare. But nestled near City Hall, Houston staple Hadden Sayers and his band rocked out their chill blues rock just as the afternoon breeze started to pick up on Sunday.

    The majority of the audience was obviously devoted fans who have known Sayers from his previous work. The Sugar Land native has been making blues music since the 1990s, but he took a big career move (and an initial step back) by relocating to Ohio to support his wife's career (she's a scientist and had the opportunity to work with a world-renowned cancer researcher in Columbus, Ohio). Eventually, he was able to recreate a band with professional recruits — drummer Tony McClung and keyboardist Dave DeWitt — and a little help from his uncle and bassist Mark Frye.

    They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    The band's latest effort Hard Dollar is the first album Sayers has had released by a record label (Blue Corn Music). Sayers released their previous music himself.

    "I was performing as a guest guitarist for Ruthie Foster's band in Austin, another talented blues musician," Sayers tells CultureMap. "They were filming a live DVD and the president of the label liked a song that I wrote for her and that's where it started. Blue Corn Music is actually a Houston-based Sony subsidiary record label."

    Hard Dollar dropped almost exactly one year ago. "We do already have a follow-up in the works," Sayers says. "All the songs are ready, but there's no title yet."

    Hadden Sayers Band could be described as a cross-genre band, though if you witness one of their live sets, their blend is matched with precise instrumentation and timing that will sneak on you with crafted, smooth transitions. Sayers' roots are deep in blues and southern rock, though his recent time in Ohio greatly inspired an Americana sound.

    " 'Take Me Back To Texas' — the first song off the album — was the first song that I wrote when I moved," Sayers says. "That's where the southern influence is from but since we're signed to an Americana label, Ruthie's folk and gospel contribution was the catalyst of the album. It's also about close friends who have passed away and life experiences."

    Their iFest performance started off with a slamming guitar intro and a raw vocal from Sayers himself. The song was "Crush On You" and it caught the crowd by surprise. It also highlighted the talents of McClung and DeWitt. Throughout an hour-long set, Sayers repeated his pleading lyrics — but that's what the blues is all about right?

    They were a joy to watch as the quartet had a respectable relationship showcased on stage and a relaxed form of performing. They seemed to be having a jam session, but in front of a crowd of intrigued spectators.

    Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    Extended amounts of guitar solos made some songs seem like they were 10-minutes long. Sayers playfully strummed his Fender Stratocaster non-stop just like any pro, then promoted Hard Dollar shortly after, shouting out, "Heck yeah it's on vinyl!"

    "Back To The Blues" the duet featuring Ruthie Foster, switched to a jazz-sounding track that was almost all instrumental halfway through. In between songs, Sayers entertained the audience with personal anecdotes and the crowd started to let loose with spontaneous slow-dancing to easy-listening "Sweet Texas Girls" and "Trippin' Down To Mexico." Frye had an impressive flute solo, while Sayers multi-tasked and helped pluck his bass. Uncle and nephew matched in their Ray-Ban Wayfarers, but Sayers stood out front and center with his signature fedora and bowling shirt.

    "It's a really cool vibe here," Sayers says. "We've been coming for a long time now and it's nice to see old friends and other acts."

    Sayers has an entire summer booked with tour dates. "We try to free up any time to play festivals so we are very fortunate to have a lot of upcoming shows," he says. "The tour's been going good."

    unspecified
    news/entertainment

    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
    news/entertainment
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