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    Top Chef episode 8 recap

    Top Chef recap: A series of poor decisions sends a frontrunner packing

    Eric Sandler
    Apr 22, 2022 | 9:42 am

    Well, it finally happened. One of Top Chef season 19’s three frontrunners — chefs Buddha Lo, Jackson Kalb, and Houston’s own Evelyn Garcia — made a series of poor decisions that led to elimination.

    Fittingly, it came at the end of Restaurant Wars, a signature Top Chef episode that tasks the cheftestants with creating a restaurant from scratch in 36 hours. The pressure of developing a concept, creating a menu, choosing decorations, and managing service to 50 diners proved too great for one of this year’s shining stars, who had to pack his knives and go.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    Outside of a return to Post Houston, this episode didn’t feature much in the way of local color. Rather than find a local food personality to serve as guest judges, the show opts for Food & Wine editor-in-chief Hunter Lewis and Dallas Top Chef alum Tiffany Derry.

    Viewers who kept an eye on the chyrons spotted local artist GONZO247, who contributed to the Top Chef kitchen’s production set design, as well as Fluff Bake Bar owner and Top Chef: Just Desserts alum Rebecca Masson. True food obsessives might have caught a brief shot of Chronicle barbecue columnist J.C. "Chris" Reid among the diners.

    Having dined at Matriarc, this author knows Texas football legend Vince Young also attended the taping, but any footage of him got left on the cutting room floor. If the editors didn't include V-Y, who knows what other VIPs might have scored a coveted seat at either restaurant?

    How did Evelyn Garcia do
    Houston’s own cheffestant had a pretty uneven Restaurant Wars experience. Padma faults her pani puri for lacking “puri,” the liquid component that’s an essential element of the dish. In addition, the curry recipe Garcia attempts to teach Luke Kolpin gets criticized for being too sweet. Typically, the executive chef of the losing team would be on the chopping block, but she’s saved from elimination by the quality of the bbq nem sausage she made and, more importantly, by not being remotely delivering the worst performance on the team.

    Who wins
    Team Matriarc — chefs Buddha, Ashleigh Shanti, Nick Wallace, and Damarr Brown — secures the victory for their well-executed, Southern-inspired fare. Chef Ashleigh earns the individual win based on leading the kitchen as executive chef and her flavorful gumbo z’herbs. Considering Ashleigh had been eliminated and returned via Last Chance Kitchen, the Restaurant Wars victory represents a serious comeback for a chef who had struggled in previous challenges.

    The whole team shines, with Buddha providing smooth service to both the diners and judges, and Damarr serving carrot cake that head judge Tom Colicchio calls the best he’s ever had.

    Who goes home
    Jackson’s ability to win challenges despite losing his senses of smell and taste due to COVID-19 has been truly astonishing, but his luck finally runs out. Decisions he advocates for directly contributed to team No Nem’s loss.

    That starts with suggesting a Southeast Asian theme, even though only chef Evelyn cooks in that style. Then, he proposes family-style service instead of individual plates over the objections of Luke. Additionally, he proposes sending the courses two at a time, which creates confusion among the diners who don’t know whether they’re supposed to be eaten separately or together.

    Even more critically, he takes on front of the house and utterly fails at it. Jackson doesn’t greet the judges when they arrive, tasks a server with explaining the first two courses instead of doing it himself, and generally ignores them until Evelyn orders him to converse with the panel. Combined with a disappointing shortbread cookie, the errors are enough to send the chef packing.

    Who exceeded expectations
    Despite being on the losing team, chef Jae Jung acquits herself well. Her seafood-wrapped spring roll is among No Nem’s strongest dishes, and the sauce she prepared for the bbq sausage earns universal raves. It’s a solid bounce back for the chef who struggled in last week’s Jurassic Park-inspired challenge.

    Buddha's service helped his team win.

    Top Chef Houston episode 8
    Photo by David Moir/Bravo
    Buddha's service helped his team win.
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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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