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Top Chef episode 8 recap

Top Chef recap: A series of poor decisions sends a frontrunner packing

Eric Sandler
Apr 22, 2022 | 9:42 am

Well, it finally happened. One of Top Chef season 19’s three frontrunners — chefs Buddha Lo, Jackson Kalb, and Houston’s own Evelyn Garcia — made a series of poor decisions that led to elimination.

Fittingly, it came at the end of Restaurant Wars, a signature Top Chef episode that tasks the cheftestants with creating a restaurant from scratch in 36 hours. The pressure of developing a concept, creating a menu, choosing decorations, and managing service to 50 diners proved too great for one of this year’s shining stars, who had to pack his knives and go.

Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

Featured Houstonians
Outside of a return to Post Houston, this episode didn’t feature much in the way of local color. Rather than find a local food personality to serve as guest judges, the show opts for Food & Wine editor-in-chief Hunter Lewis and Dallas Top Chef alum Tiffany Derry.

Viewers who kept an eye on the chyrons spotted local artist GONZO247, who contributed to the Top Chef kitchen’s production set design, as well as Fluff Bake Bar owner and Top Chef: Just Desserts alum Rebecca Masson. True food obsessives might have caught a brief shot of Chronicle barbecue columnist J.C. "Chris" Reid among the diners.

Having dined at Matriarc, this author knows Texas football legend Vince Young also attended the taping, but any footage of him got left on the cutting room floor. If the editors didn't include V-Y, who knows what other VIPs might have scored a coveted seat at either restaurant?

How did Evelyn Garcia do
Houston’s own cheffestant had a pretty uneven Restaurant Wars experience. Padma faults her pani puri for lacking “puri,” the liquid component that’s an essential element of the dish. In addition, the curry recipe Garcia attempts to teach Luke Kolpin gets criticized for being too sweet. Typically, the executive chef of the losing team would be on the chopping block, but she’s saved from elimination by the quality of the bbq nem sausage she made and, more importantly, by not being remotely delivering the worst performance on the team.

Who wins
Team Matriarc — chefs Buddha, Ashleigh Shanti, Nick Wallace, and Damarr Brown — secures the victory for their well-executed, Southern-inspired fare. Chef Ashleigh earns the individual win based on leading the kitchen as executive chef and her flavorful gumbo z’herbs. Considering Ashleigh had been eliminated and returned via Last Chance Kitchen, the Restaurant Wars victory represents a serious comeback for a chef who had struggled in previous challenges.

The whole team shines, with Buddha providing smooth service to both the diners and judges, and Damarr serving carrot cake that head judge Tom Colicchio calls the best he’s ever had.

Who goes home
Jackson’s ability to win challenges despite losing his senses of smell and taste due to COVID-19 has been truly astonishing, but his luck finally runs out. Decisions he advocates for directly contributed to team No Nem’s loss.

That starts with suggesting a Southeast Asian theme, even though only chef Evelyn cooks in that style. Then, he proposes family-style service instead of individual plates over the objections of Luke. Additionally, he proposes sending the courses two at a time, which creates confusion among the diners who don’t know whether they’re supposed to be eaten separately or together.

Even more critically, he takes on front of the house and utterly fails at it. Jackson doesn’t greet the judges when they arrive, tasks a server with explaining the first two courses instead of doing it himself, and generally ignores them until Evelyn orders him to converse with the panel. Combined with a disappointing shortbread cookie, the errors are enough to send the chef packing.

Who exceeded expectations
Despite being on the losing team, chef Jae Jung acquits herself well. Her seafood-wrapped spring roll is among No Nem’s strongest dishes, and the sauce she prepared for the bbq sausage earns universal raves. It’s a solid bounce back for the chef who struggled in last week’s Jurassic Park-inspired challenge.

Buddha's service helped his team win.

Top Chef Houston episode 8
Photo by David Moir/Bravo
Buddha's service helped his team win.
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Movie Review

Supergirl fails to take flight in a movie weighed down by grief

Alex Bentley
Jun 26, 2026 | 3:15 pm
Milly Alcock in Supergirl
Photo courtesy of DC Studios and Warner Bros. Pictures
Milly Alcock in Supergirl.

Last year's Superman reboot brought a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

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Supergirl is now playing in theaters.

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