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    Up With People

    Up With People brings musical message of hope to Houston from all corners of the world

    Tarra Gaines
    Apr 20, 2017 | 9:00 am
    Up With People
    The Up With People cast perform Friday, April 21, at St. Pius X High School.
    Up With People Courtesy Photo

    Some very helpful, curious and talented visitors have been making their upbeat presence known throughout Houston this past week as the Up With People tour has come to town bringing their volunteer and performance spirit with them.

    Yes, the organization first founded in the '60s as a people-positive counter to any violent strains in the counter culture movement is still flourishing and still offering young adults the opportunity to tour the world. Unlike a musical group or band whose main focus on a tour is getting in, performing and then moving on to the next city, these Up With People people arrived in Houston ready to explore the city while offering their own gifts in return for our hospitality.

    This international cast of a 100 young adults, representing 20 different countries — some as far away as Madagascar and Nepal — are living with 43 local host families. Throughout their stay, they’ll volunteer with community nonprofit organizations and schools and on Friday (April 21) their Houston visit will culminate with a big musical show at St. Pius X High School before embarking on the European leg of their 2017 tour.

    Homecoming

    This week-long Houston stop is also a bit of a homecoming for one member of the current cast with deep Up With People and Houston roots. Chameli Belk-Gupta, the granddaughter of Up With People founder, J. Blanton Belk, graduated from Lamar High School in Houston, and so her host family this week is her real family.

    I had a chance to catch up with Chameli, who was on a short break from a week packed with volunteer service and rehearsals, and her mother, Jenny Belk-Gupta, who was born the same year that her father founded Up With People and toured as a cast member herself in the mid-80s.

    When discussing the founding of the organization in the '60s and those first song writers who helped hone the Up With People inspirational message, including an Up With People theme song, Jenny Belk-Gupta admits that in cynical times those ideals might sound naive.

    “Now it sounds a little bit simple and hokey, but the message is really great. Instead of down with your political party or down with your beliefs, up with everybody. Up with people.”

    Even when she left performing and touring, married and began raising a family, Jenny Belk-Gupta remained a supporter of the organization, often hosted cast members and instilled those beliefs in her daughters.

    “I’ve always loved Up With People,” explained Chameli, who says one of her first memories was dancing in the aisles at an Up With People concert her mother took her to see when she was four years old. “I’ve been raised with the values and raised to live as a global citizen, but I’m also very passionate about things that Up With People believes in. I decided that before going to college I wanted to take a year and do Up With People and get this new perspective.”

    Timeless Message

    When I asked the Belk women how organization and touring experience has changed over the generations, both mother and daughter say at almost exactly the same time: “Our message hasn’t changed.”

    “The core is still the same,” Jenny want on to explain, “but I think Up With People has kept up with the times very well and adapted the show to modern concerns.”

    Chameli chimes in with examples of some of the current issues raised in the music of this latest show production including a song about global warming and one about Novel Prize winner Malala Yousafzai, a song that Chameli says she still gets goosebumps every time she sings it.

    Chameli also notes the organization has moved with the times when it comes to connecting with people around the world with a strong social media presence.

    Yet Jenny Belk-Gupta sees many similarities between the issues that concern us in the 21st century and when her father founded the organization.

    “I think it’s interesting it was 1965, and now 2017, and here we are again with racial tensions in this country and all over the world and sectarian strife between faiths,” pondered Jenny Belk-Gupta. “As far as we’ve come, we’re back to the basics again of needing to respect each other and find common ground because we have to or we’re going to implode.”

    Still the Up With People message and show remains a very hopeful one, and Houston will even get its own space song of hope at the Friday night show, “Moon Rider.” The cast will sing a special rendition of the song about and inspired by Captain Eugene Cernan, Commander of Apollo 17.

    Cernan was the last man to walk on the moon and later served on the UWP board for several decades. Fittingly, for both Houston and the show’s international cast, the song paints that image the astronaut saw from moon, of an Earth without borders, the place we all call home.

    Up With People performs in Houston, Friday, April 21 at St. Pius X High School. For advanced tickets check the tour website.

    concertsmusic
    news/entertainment

    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
    news/entertainment
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