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    Big Movie Weekend

    WorldFest wraps with a weekend of comedies, family-friendly dramas and a tale of two lovers who are Lost for Words

    Joe Leydon
    Apr 19, 2013 | 7:50 am

    WorldFest/Houston International Film Festival has been very, very good to indie filmmaker Stanley J. Orzel. And he’s hoping the 2013 edition of the fest – which winds down this weekend – will be the third time he’s been charmed by the reception to his work.

    A New York-born, Hong Kong-based writer-director, Orzel has resided in Asia for more than 15 years. After collaborating with renowned filmmakers Zhang Yimou (Hero, House of Flying Daggers) and Ronny Yu (Fearless), he struck out on his own to create several award-winning TV commercials, documentaries and films.

    In 2009, his short film, The Thread, earned a Platinum Award at WorldFest/Houston. Two years later, he returned to the H-Town exposition to claim a Gold Award for his feature Four Assassins.

    And now Orzel is back with Lost for Words, a romantic drama about two disparate strangers who become passionate lovers in contemporary Hong Kong. The film will be shown at 9 p.m. Friday at AMC Studio 30.

    Working from a script he co-wrote with C. Joseph Bendy, Orzel focuses on a relationship that develops after a chance encounter. A lost soul further damaged by a recent breakup, ex-Marine Michael Vane (Houston native Sean Faris) arrives in Hong Kong to seek a fresh start as an IT specialist.

    “I know what you’re thinking,” Orzel said with a laugh during. “But I don’t want people to think that this movie is autobiographical in any way.”

    At first, he feels adrift as a stranger in a strange land, not quite able to navigate through the challenges of the corporate arena. It’s not until co-worker Stanford Lau (Will Yun Lee) becomes his friendly mentor that Michael realizes he can achieve success in the business world by applying his skills as a warrior.

    But man cannot live by workplace triumphs alone. What Michael needs is someone to break down the fortress he’s built around his heart. And that’s exactly what he finds in Anna Zhou (Grace Huang), a lovely and talented dancer from the Beijing Dance Academy.

    So let’s see: We have an American lost in Asia, in need of a shot at redemption, who providentially finds Miss Right.

    “I know what you’re thinking,” Orzel said with a laugh during a phone conversation earlier this week. “But I don’t want people to think that this movie is autobiographical in any way.”

    Really?

    “Well,” Orzel allowed, “I do think, like any artist, you do use certain things in your art that are drawn from your life.

    “But for me, I think the hook in this is, you’ve got these two lost souls in this new city. And they’ve both been concentrating on their work, not their needs. And the question arises: Do you find love, or does love find you? How much of a role does fate play in life – and in love?”

    Elsewhere at WorldFest

    Among the other promising offerings on tap this final weekend at WorldFest/Houston:

    In a World…

    Ever wonder why you rarely (if ever) hear a female voiceover artist doing the portentous intros in trailers for fantasies, sci-fi spectacles and action-adventures? Well, actress Lake Bell has wondered as well.

    And her curiosity sparked her to write, direct and star in this inside-showbiz indie comedy about Carol Solomon (Bell), a vocal coach and would-be voiceover artist who maybe, just maybe, might pass the auditions held by producers of an upcoming fantasy franchise that looks a lot like Hunger Games, with a lead who looks a lot like Cameron Diaz.

    Unfortunately, her most serious competition for this sweet gig is her father, Sam Soto (Fred Melamed). Even more unfortunately, Sam just happens to be the reigning king of Hollywood v.o. artists. In a World… premiered to rave reviews last January at the Sundance Film Festival, and is scheduled for a summer theatrical release.

    But in a world of golden opportunities – you can see it early at WorldFest. (9 p.m. Friday)

    Matt’s Chance

    Edward Furlong (Terminator 2: Judgment Day) heads a crazy-quilt ensemble of what-ever-happened-to's in this dark farce about a young man’s quest for revenge after he catches his girlfriend in a compromising position with another guy.

    Supporting players include Margot Kidder as a gone-to-seed stripper, Gary Busey (late of All-Star Celebrity Apprentice) as a daft pawnbroker – and Houston's own Lee Majors, Mr. Six Million Dollar Man himself, as a barber with questionable motives.

    The movie could be a sleeper hit, or a total train wreck, but admit it: That cast is pretty dang close to irresistible, right? (11 p.m. Friday)

    The Investigator

    While WorldFest Houston hardly qualifies as the Sodom of indie cinema, it’s not exactly known for its fervent embrace of faith-based movies. So it’s mildly surprising, and more than a little intriguing, to see this year’s prestigious closing-night spot has been reserved for The Investigator, a family-friendly inspirational drama about a veteran cop (Wade Williams) whose faith is sorely tested by a series of personal and professional setbacks.

    He winds up becoming a criminal justice instructor — and basketball coach — at a local high school, where he repeatedly challenges his students and players to be all they can be. But he in turn is challenged by one of his brighter students, who wants him to launch an investigation into one of history’s most famous homicides – the murder of Jesus Christ.

    Frankly, I’ll be sorely disappointed if Pontius Pilate isn’t at least brought in for questioning. I always thought that dude could have been convicted by Sam Waterson on Law & Order for depraved indifference. (7 p.m. Sunday)

    Joman Chiang stars as Mei Mei Weng, a dancer from Mainland China

    Mondo Cinema Lost for Words Joman Chiang stars as Mei Mei Weng, a dancer from Mainland China
    Lost for Words Facebook
    Joman Chiang stars as Mei Mei Weng, a dancer from Mainland China
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    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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