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    Do the tango

    Your survival guide for iFest Argentina: Getting the most of Houston's musicstreet party

    Joel Luks
    Apr 18, 2012 | 1:07 pm
    • iFest is like traveling all around the world in one visit without jetlag.
      Photo by Ray Redding
    • The Austin Piazzolla Quintet performs music by the famed Argentinean composer.
      Austin Piazzolla Quintet/Facebook
    • Hailing from Chile, Chico Trujillo updates cumbia with global influences.
      Chico Trujillo
    • Hector Del Curto's "Eternal Tango" kicks off a yearly tradition of taking iFestoff site to other performance venues.
      Hector Del Curto' Eternal Tango/Facebook
    • Los Lonely Boys, though not so lonely, is one of the biggest bands to appear iniFest this year.
      Photo courtesy of Los Lonely Boys

    Get ready to be tangofied.

    The Houston International Festival is just around the corner and that means that the downtown takeover of the cultural fiesta, which runs this weekend and next, has begun.

    In the recent past, iFest has traveled to the Silk Road, the Caribbean, Africa, Ireland, Thailand, India and Jamaica. This year, the saucy nation of Argentina is the inspiration for the 42nd annual gathering of music and arts.

    To learn more about the featured country, an exhibit will morph part of Sam Houston Park into a South American district. The Chevron Living History Museum showcase will explore the arts, culture and history of Argentina by replicating streets typical of a neighborhood in Buenos Aires, an obelisk, the famed Cave of the Hands and an authentic street cafe.

    But the fun doesn't stop there.

    iFest feels like traveling all around the world in one visit without jet lag — unless you drink too much.

    Courtesy of the 10 music stages, six international arts markets, seven entertainment zones, food stations, artist demos and interactive educational exhibits, a myriad of cultures that represent Houston's colorful spirit will suffuse every nook and cranny of the 14-acre street scene.

    If you have never been to iFest before, it's as if Houston's diversity swathed City Hall, Sam Houston Park, Hermann Square and Tranquility Park. Think: Reggae, jazz, blues, global beats and Americana alongside tango entertaining 200,000 expected guests.

    In essence, iFest feels like traveling all around the world in one visit without the jet lag — unless you drink too much.

    Opening Ceremony

    iFest begins with an opening ceremony, 11 a.m. to 2 p.m. Friday, on the steps of City Hall during which a children's parade by the Sister Cities of Houston will usher in remarks from Mayor Annise Parker and performances by south-of-the-border groups, Latin Carnaval and Luna Argentina.

    Food vendors surrounding the Reflection Pool will be on hand to feed hungry festival goers, so bring cash.

    Festival Days

    With more than 30 performances happening every day, you may be tempted to throw your hands up in the air and give up going all together when attempting to plan your visit. Though you can view the complete schedule here, read on for CultureMap's recommendations.

    On Saturday, catch the Austin Piazzolla Quartet at 12:30 or 6:30 p.m., the Luna Argentina Folk Dancers at 4:30 p.m. and Los Lonely Boys at 6:30 p.m.

    Sunday begins with Ambassadors International Ballet Folklorico at 11:30 a.m. Then check out Hadden Sayers Band or JJ Gray and MOFRO at 4:30 p.m. Finish the weekend with Galactic with Corey Glover and Corey Henry at 6:30 p.m.

    Chico Trujillo headlines on April 28 at 4:30 and 6:30 p.m. Also try not to miss WAR at 6:30 p.m. and notable appearances by Bombino at 2:30 p.m., Rich DelGrosso at 12:30 and 4:30 p.m. and The Presidents at 1:20 and 6:30 p.m.

    April 29 is a huge day with a show by Héctor Del Curto Tango at 2:30 and 6:30 p.m., SOJA at 2:30 p.m., Cuadro La Tempestad Flamenco at 4 p.m., and Seun Kuti and Egypt 80 at 4:30 p.m.

    Inaugural Concert and Social at Hobby: "Eternal Tango"

    Bandoneon hotshot and chamber musician Héctor Del Curto will kick off what iFest officials hope is the beginning of an annual tradition. Taking the festival's raison d'etre off site and into the Hobby Center for the Performing Arts,"Eternal Tango" is slated for Saturday at 8 p.m.

    With his orchestra and dancers, Del Curto's "Eternal Tango" promises an orgy of passionate and sensual Argentinean moves and grooves that paint a picture of the country's folklore tradition.

    For the social party types willing to dish out a bit more cash, a Chairman's Reception and after party also offer an opportunity to try tango steps in the venue's Grand Lobby.

    Tickets start at $25 for the performance and $150 for the charity reception.

    Fashion Forward: "Alta Moda Voyage"

    You loved it, so iFest brings them back for a second year. The "Alta Moda Voyage" runway shows produced by Zoë Jackson-Jarra of Chrizcera International & Fashion Square Houston feature fun, colorful fashions for men, women and children.

    The headliner show is set for 5:15 p.m. Saturday with couture by Fashion Plate Lifestyle, Bengjof Couture and Robert & Lonnie's Dance Galaxy. Moreover, there's a fashion showcase at 2:15 p.m. and 5:15 p.m. every day of the festival. The runway is located in the African-Caribbean Bazaar Zone.

    New this year: Village Green

    A section of Sam Houston Park will highlight recycled arts and locally sourced wares. Ten stations featuring rotating eco-conscious artists and organizations showing off their goods and services validate that although Houston owes much of its economy to energy, the city's love for oil doesn't mean it can't be environmentally sound.

    iFest runs this weekend and 28-29. Tickets are $15 in advanced for adults or $18 at the door and $5 for kids per day or for a VIP experience, a $30 ticket includes one parking pass and access to a lounge. A $100 Universal Passport grants admission anytime, a festival T-shirt and $25 off "Eternal Tango" admission.

    Parking is available for $5 at Brookfield Parking Garage at Dallas and Clay and for $10 at the Heritage Clay Parking Garage on Bagby and Clay. On-street parking is free on Saturdays after 6 p.m. and all day on Sundays.

    unspecified
    news/entertainment

    Movie Review

    28 Years Later: The Bone Temple enhances the zombie franchise

    Alex Bentley
    Jan 15, 2026 | 4:30 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple
    Photo by Miya Mizuno
    Ralph Fiennes in 28 Years Later: The Bone Temple.

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds — and with the help of some morphine — Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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