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    Humble Start

    Phil Mickelson completely changes his legacy with Masters win — and perhapsHouston's

    Chris Baldwin
    Apr 12, 2010 | 12:40 am

    When Phil Mickelson walked toward the scorer's tent, hugging his loyal wife Amy the whole way, he already seemed to understand that his legacy had completely changed. Just like we'd never seen Phil this dominant on a major Sunday, we'd never seen Phil this content after a big win.

    In his three previous majors wins, Mickelson came across as near giddy, almost as surprised as anyone in the room that he'd been able to hold on. There was none of that after the 2010 Masters — this was one of the great closes in championship golf history, a 5-under, bogey-free 67 when everyone nipping at his golf spikes carried an aura, including that Tiger guy. It wasn't Johnny Miller's 63 at Oakmont, but you better believe it's in the same conversation.

    Especially with that shot from the pine needles, through that slight opening in the trees on No. 13 on the highlight reel.

    There was "a good four or five feet between them," Mickelson joked in his winner's press conference, as if amazed by his own gumption.

    Mickelson's never closed like this before — not with everything on the line. He won like Tiger Woods used to win in his prime, squeezing all the drama out of a tournament that seeped with it by the strength of his own brilliance.

    He's not Faker Phil (just one of the derogatory nicknames his PGA Tour peers hoisted on him over the years) anymore. He's not the sad sack of a fool who choked away a U.S. Open at Winged Foot with one of the dumbest sports decisions of all time. Phil Mickelson is one of the Top 20 golfers of all time now. His four majors move him past Nick Faldo, even though Faldo has six, because it's been much harder to collect multiple majors in this Tiger era.

    While rewriting his legacy, Mickelson also unknowingly changed the Shell Houston Open's too.

    When Mickelson played Houston the week before the Masters, he sounded about as logical as Snooki when he all but insisted that he was hitting balls in the water almost on purpose at Redstone Golf Club because those were the spots he'd need to hit the ball at the water-light Augusta. Now, Mickelson's strategy looks like the stuff of Vince Lombardi.

    Throw the Houston Open, win a green jacket?

    Even if you take Phil out of the equation, this historic Masters is going to be very, very good for Houston's PGA Tour stop. The winner of the Shell, Anthony Kim, only put up a 7-under 65 on Masters Sunday, almost completely turning the tournament on its head. In going 5-under in one four-hole stretch, Kim only looked like golf's LeBron James (hopefully, you read CultureMap last Sunday and knew this type of Kim lighting bolt was only a matter of time).

    Kim was hardly the only Houston Open player who enjoyed the trip around Amen Corner either. The top of the Masters leaderboard ended up filled with guys who played Houston. Masters champion Mickelson, runner-up Lee Westwood, third-place Anthony Kim and sixth-place Fred Couples all got ready for their Augusta glory by hitting it around Humble, Texas.

    Play Houston, finish in the Top 10 of the Masters?

    This run of Masters success will only make the Houston Open a more attractive choice for the best golfers in the world.

    No, this doesn't mean that Tiger Woods will be here next year. Still not happening.

    But does Houston even needs Woods. Who says he's even the best closer in the world anymore?

    unspecified
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

    moviesfilm
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