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    Important Work

    Bossypants Tina Fey makes you think and laugh at the same time

    Mary Flood
    Apr 10, 2011 | 12:45 pm
    • Tina Fey's new book, "Bossypants," will make you laugh, again
    • Fey, at the SAG Awards with "30 Rock" co-star Alec Baldwin
      Photo by Christopher Polk/WireImage.com
    • In an "SNL" promo shot. She will host the show May 7.

    I’ve felt an odd, almost proprietary pride about Tina Fey’s work since I first saw that sly, knowing smile from behind the Saturday Night Live news desk 11 years ago.

    It’s partly because of her freakin’ hilarious, possibly slightly abnormal, view of the world in both big philosophical strokes and tiny anthropological detail. And it’s because she trades on her smarts, not her looks. Tina Fey is this very pretty woman who often pretends she isn’t. She’s also a wildly intelligent woman who acknowledges that she is.

    Another reason I feel pride in award shows acknowledging her brilliance is because she gets being a woman and is fairly honest about the man-woman thing. In her new book Bossypants (Reagan Arthur/Little, Brown & Company, $26.99), she writes with great humor about discrimination in the comedy workplace, breast feeding, bad haircuts, having crushes on boys who told her about their crushes on other girls, and about how men keep cups of pee in their offices but women don’t so much.

    Tina Fey has made me think and guffaw at the same time. So far no one’s been hurt. Sometimes I just chuckle and then later, I’ll get the rest of the joke. Her comedy river runs deep.

    Bossypants is a delicious gift from its cover of her airbrushed face juxtaposed with burly, hairy man hands, to the last chapters about turning 40 and suddenly needing to take her pants off as soon as she gets home. BTW, I read it on my iPad2 because I’m a Boomer who is cool, even though when I watch SNL now I often have no idea who the musical guests are. They might consider bringing back Paul Simon for the 846th time to keep us from worrying about that.

    Anyway, Fey is Generation X, meaning she was born a few years after bra burning and around the time Ms. Magazine was born. One of my favorite tributes to Fey was when her freakishly-perfect-for-his-role 30 Rock co-star Alec Baldwin lauded her as the Elaine May of her generation at the 2008 Emmys. May was born during the Great Depression, not exactly when comedy was king, and despite enormous talent is most famous for her routines with Mike Nichols.

    In Bossypants, Fey has collected essays about her life in a Dave-Barry-if-he-were-a-woman way. We learn about her suave father’s run in with a carpet shampooer, her super cool gay friends from summer theater, her disastrous fire- and fear-laden honeymoon cruise to Bermuda, breaking the rules at Chicago’s Second City improv troupe, getting to the comedy Mecca of SNL, being the boss at 30 Rock, changing venue on an in-law Christmas, doing her wicked good Sarah Palin, having a baby who is good for many things, including blaming for farts.

    There’s a lot in the book about being a woman. I’m thinking she can’t help that because of her gender. There’s also a repeated understanding that coal mining and active duty military service are the real high stress jobs, even more than working at NBC. She has a chart comparing her job stress to the life of a baby and both are miniscule compared even to the manager of a Chili’s on a Friday night.

    The book also contains bits of scripts and lifted SNL and 30 Rock jokes. There are amusing footnotes too, some that I missed in the beginning because I am not actually cool and hadn’t figured them out on the iPad2’s Kindle.

    Fey’s SNL news was worth staying up for (Boomer time). Her movie Mean Girls was on-target funny. 30 Rock has so many layers of humor-filled quirkiness I’ll bet nobody ever gets everything there. And this Bossypants business is more of the same. Life through the eyes of an observant, ingenious, sometimes shameless woman who left to her own devices claims to dress like someone coming to clean the aquarium; but left to other peoples’ devices happily endorses having her portraits Photoshopped.

    In my family, where humor is a basic currency, we reserve the term “important work” for anything that makes us really laugh. Tina Fey does some of the most important work of several generations, Bossypants included.

    Mary Flood is a Houstonian who has asked both then-comedian Al Franken and then-law professor Archibald Cox to sign baseballs for her brother’s sports-comedy-Watergate memorabilia collection.

    unspecified
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    Kelly Clarkson Concert Review

    Sold-out Houston crowd sings along at Kelly Clarkson's epic rodeo return

    Craig Hlavaty
    Mar 14, 2026 | 8:50 pm
    Kelly Clarkson RodeoHouston 2026
    Courtesy of Houston Livestock Show and Rodeo
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    A cross between Pat Benatar and Reba, with a dash of Aretha, Kelly Clarkson headlined Saturday afternoon’s RodeoHouston matinee, 22 years since she debuted at NRG Stadium, in front of 70,007.

    It was a true “Ladies Day Out” at RodeoHouston for Clarkson, with roving multigenerational groups of women making the rounds under an only mildly-oppressive Houston sun. Between Clarkson, Lainey Wilson, Megan Moroney, and Lizzo, the 2026 rodeo concert season has been dominated by strong female artists, with Clarkson the most decorated.

    The last time Kelly Clarkson played RodeoHouston in 2004, she shared a Tuesday night bill with Y2K it couple Jessica Simpson and Nick Lachey, a match made in MTV ratings heaven. Other acts on the rodeo roster that year included John Mayer, George Strait, Reba, Willie Nelson, and — fresh from her first stint with Destiny’s Child — Beyonce shared the stage with Alicia Keys two nights later.

    The first American Idol winner in 2002, when daresay that truly meant something, she and Carrie Underwood remain the two most successful of winners of Idol all these years later. Clarkson has a permanent seat at the table in Nashville, winning back-to-back CMA Female Vocalist of the Year honors in 2012 and 2013 and never shying away from a little more twang in her power pop. Right out of the chute, she was repping country style, hard to shake when you’re born and raised near Fort Worth.

    Clarkson’s current live act has been honed by various residencies at The Colosseum at Caesars Palace in Las Vegas, playing in front of thousands of Sin City customers. She’s a part of a rare group of performers like Jennifer Lopez, Cyndi Lauper, and even Dolly Parton herself who can command multiple nights. With her syndicated chat show — where her popular genre-bending “Kellyoke” segments were born — ending later this year, it wouldn’t be shocking to see this working mom jump back into regular touring outside of Clark County, especially considering Saturday’s afternoon drawl.

    Clarkson emerged from the cocoon of the rodeo’s revolving star stage just before 4:15 pm in a black, glittery jumpsuit straight from Ozzy’s wardrobe closet with “Favorite Kind of High” from 2023’s divorce record Chemistry, her latest album release. The hard-driving Heart-rock of “Behind These Hazel Eyes” debuted some annoying, intermittent sound skippage but Clarkson’s sold-out crowd filled in any gaps. Her pipes were just too strong.

    A nod to the female country legends of rodeo’s past, Clarkson gave Tanya Tucker’s “It’s A Little Too Late” a widescreen Vegas makeover with horns and fiddle. “This isn’t sweat, it’s glow,” Clarkson joked, kicking off the torch song “Because Of You.” The singalong of “Breakaway” could more than likely be heard out in the carnival, the first big “Kellyoke” moment of the afternoon.

    For “Walk Away” and “Didn’t I,” the horn section and co-ed backup singers that have made Clarkson’s Vegas shows so bombastic got a workout. Clarkson reeled out her Jason Aldean duet “Don’t You Wanna Stay” as a solo. The release was her first country hit and was one of the biggest country duets of the 2010s.

    “It’s way more sad this way,” she laughed. “Because I guess he didn’t stay.”

    Clarkson threw in 2025’s bar-crawling single "Where Have You Been" in the mix, going rogue from the supplied setlist, accentuating the Queen-esque licks with her own highs. Her post-Idol debut rave-up “Miss Independent” set the table for “Stronger (What Doesn’t Kill You),”

    Clarkson sent the crowd out pogo-ing and screaming with “Since U Been Gone,” making her exit in a SUV like a rock star, with plenty of sunshine to spare.

    Setlist

    Favorite Kind Of High
    Behind These Hazel Eyes
    My Life Would Suck Without You
    It’s A Little Too Late (Tanya Tucker cover)
    Because Of You
    Breakaway
    Heat
    Walk Away
    Didn’t I
    Heartbeat Song
    Don’t You Wanna Stay
    Where Have You Been
    Miss Independent
    Stronger (What Doesn’t Kill You)
    Since U Been Gone

    2004 RodeoHouston Lineup

    Mar 2: John Mayer
    Mar 3: George Strait
    Mar 4: Wynonna Judd
    Mar 5: B2K / Bow Wow
    Mar 6: Martina McBride
    Mar 7: Reba McEntire
    Mar 8: Enrique Iglesias
    Mar 9: Alan Jackson
    Mar 10: Amy Grant / Vince Gill
    Mar 11: Clay Walker
    Mar 12: Legends in Concert (Dwight Yoakam, Buck Owens, Marty Stuart, Connie Smith)
    Mar 13: Randy Travis
    Mar 14: Bronco / Jennifer Peña
    Mar 15: Dierks Bentley / Robert Earl Keen
    Mar 16: Jessica Simpson & Nick Lachey / Kelly Clarkson
    Mar 17: Dierks Bentley / Keith Urban / Kenny Chesney
    Mar 18: Alicia Keys / Beyoncé
    Mar 19: Pat Green
    Mar 20: Brooks & Dunn
    Mar 21: Willie Nelson

    Kelly Clarkson RodeoHouston 2026

    Courtesy of Houston Livestock Show and Rodeo

    rodeohoustonconcert reviewkelly clarkson
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