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    At The Movies

    World film fest hits Houston: A fearless guide to the strange and powerful movies that will change your life

    Tarra Gaines
    Apr 9, 2015 | 12:26 pm

    With 10 packed days, more than 50 award-winning new films and 111 shorts, WorldFest Houston is certainly not slowing down after reaching middle age. Even though the 48 years-young indie world film festival will be screening the majority of its films and short programs in one place — AMC Studio 30 on Dunvale — it’s still almost impossible to see everything, unless you plan on taking an extra long spring break and just pitching a tent near the concession stand.

    One look at the WorldFest 2015 schedule, and you might find yourself overwhelmed with the vast variety of comedies, dramas, documentaries and experimental films from pretty much every continent but Antarctica. (Please nobody tell penguins about film school, or else we’ll have to add another two days to the fest.) For me reading through the program guide was a bit like viewing a never ending menu.

    With that analogy in mind, I thought perhaps the best way to indulge, not overindulge, in the WorldFest lineup was to create my own tasting menu. Here’s my curated attempt to sample this cornucopia of movies from around the world.

    Big Bites
    WorldFest opens with a Texas premiere on Friday and and closes with a U.S premiere on April 19, and both films look like they have the potential to be critical darlings.

    Leaves of the Tree
    Filmed in Houston and Sicily — not a combo you often hear this opening night premiere tells the story of a Houston patent lawyer who goes on a quest to find a mystical tree that might hold the cure for a disease that threatens his life. Houstonian David Healey wrote the screenplay and, along with his wife Rebecca Healey, produced the film. The Healeys made an effort to cast local actors, along with established Hollywood stars Armand Assante, Eric Roberts and Sean Young.

    Young will be on hand at the April 10 screening of Leaves of the Tree to receive the annual WorldFest Remi Career Achievement Award.

    Girl on the Edge
    After surviving an encounter with an online predator, a young woman named Hannah Green, played by Taylor Spreitler, is sent by her parents to a treatment center which specializes in equine and horticulture therapy. Hannah begins the healing process by helping to nurture a horse also rescued from abuse. Bring lots of tissue for this tale that’s based on a true story.
    April 19 at 7 p.m.
    A Rare Ingredient Filled International Course

    For something new, let’s try an English-subtitled international film in a language we’re unlikely to hear on the streets of Houston. This one is a difficult choice because what language aren’t you going to hear somewhere in H-Town? How about Tagalog, which is spoken by a fourth of the population of the Philippines as well as the characters of the comedy Ekstra (The Bit Player) about the behind the scenes, day-in-the-life drama of a struggling extra on a soap opera.

    Are soap actor antics a universal inspiration for comedy? Ekstra could be the way to find out.

    Are soap actor antics a universal inspiration for comedy? Ekstra could be the way to find out.
    April 16 at 9 p.m.

    An Experimental Fish Dish

    Filmed in 27 countries by 56 filmmakers aided by 16 musicians, Hydro is a stunning (at least the trailer is) and wordless sort-of documentary adaptation of Homer’s Odyssey filmed entirely beneath the oceans’ surface.
    April 11 at 9 p.m.

    A French Appetizer Infused with Weirdness

    We’ve got to have at least one, so perhaps take a chance on: Now We Are Alive (Et Maintenant Nous Sommes en Vie). In this world, everyone on their 25th birthday, or maybe just men, must pick their soul mate by listening to a range of voices. Tom doesn’t get what he visualized when he opens his eyes to Lea, but then gets visitations from his dream woman. This looks both strange and spooky.
    April 17 at 9 p.m.

    A Nutritious Documentary

    Feed your brain with some new knowledge. This year you might want to view locally with Sweathearts of the Gridiron, a doc that gives the history, along with contemporary stories, of the Kilgore College Rangerettes from Kilgore, Texas. In 1940 their founder Gussie Nell Davis changed college football halftime forever with the creation of this dance team.
    April 11 at 7 p.m.

    A Spicy Comedy Starring Gary Cole
    If there’s some television and movie workhorse actor Gary Cole on the menu, you got to at least try some of that. Because who doesn’t like Gary Cole? He’s like tacos.

    Who doesn’t like Gary Cole? He’s like tacos.

    In Divine Access he plays a public access television preacher who gets debunked on air. As his fortunes fall, the man who humiliated him takes to the road as a new celebrity, until they meet again for a final showdown. This movie about public-access television, spiritual celebrities and road trips, could be that quirky indy hit you’ll be telling everyone you saw first.
    April 14 at 9 p.m.

    A Dessert of Shorts

    Almost every night of the festival has one or multiple short film programs on the schedule. I love shorts because if I don’t like the film another will be along in about five to 10 minutes. From comedies to thrillers, histories and scifi, there’s a genre for everyone. Worldfest even had enough shorts from Houston and Texas — about four hours worth — that they had to break them into two different programs — on April 11 and 14.

    This is my tasting menu, but choose and substitute according to your own appetites, to make that perfect film sampler for yourself.

    Vintage photo from Sweathearts of the Gridiron.

    Tarra Gaines WorldFest April 2015 Sweathearts of the Gridiron Kilgore Rangerettes
    Sweathearts of the Gridiron Facebook
    Vintage photo from Sweathearts of the Gridiron.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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