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    Student Power

    As big as the Lone Star State: The Texas Music Festival's new lineup is . . .

    Joel Luks
    Apr 9, 2013 | 2:01 pm

    While many of the city's art presenters go into summer hibernation mode, another tuneful bacchanal is preparing to bubble with zestful energy on June 4 to 29.

    The 24th annual Immanuel and Helen Olshan Texas Music Festival, in residence at the University of Houston's Moores School of Music, will welcome 95 orchestra fellows in addition to voice, guitar and piano students to refine their craft under the tutelage of world renowned music faculty. This month-long binge offers a cornucopia of concerts, master classes, recitals and competitions.

    "Nearly 350 applicants applied for the TMF Orchestral Institute this year representing such noted music schools as The Juilliard School, Indiana University, Cleveland and Peabody Institutes of Music, Eastman School of Music and Houston's Shepherd School and Moores School of music," Alan Austin, general and artistic director and a former TMF participant, said in a statement.

    The fellows, which hail from across the globe, are chosen via live and recorded auditions.

    Anchoring the musical feast are four orchestra performances. Each will kick off with an outdoor gathering that includes pre-concert amusements like performances by youngsters from Virtuosi of Houston, nibbles from local food trucks and lectures that serve as a listening guide to the programmed repertoire hosted by experts such as Andrew Davis, director of graduate studies and associate professor of music theory at Moores.

    Adding to the educational fun are 250 musicians who will study voice at the Le Chiavi: The Keys to Bel Canto institute, jazz and piano, and guitar at the Classical Minds Guitar Festival and Competition. Festival faculty will also perform a series of chamber music concerts.

    Classical music as big as Texas: The big four

    Resident maestro Franz Anton Krager leads Festival Orchestra 1: Celebratory Opening (June 8). While percussion soloists Ted Atkatz and Matthew Strauss tackle Mark Anthony Turnage' Fractured Lines - Concerto for Double Percussion and Orchestra, the students will take on one of the genre's most infamous scores, Stravinsky's The Rite of Spring, in celebration of the centennial of its premiere in Paris. Selections from Tchaikovsky's Sleeping Beauty will lighten up the otherwise hefty playbill.

    Festival Orchestra 2 (June 14 at the Cynthia Woods Mitchell Pavilion and June 15 at UH) welcomes back Horst Foerster, former conducting professor at the Berlin Music Academy, for Richard Strauss' Don Juan, a tone poem that tests the virtuosity of the whole string section and the lyricism of the oboe, clarinet and flute sections. Also on the program are Tchaikovsky's Symphony No. 5 in E Minor and a solo selection by the 2013 Cynthia Woods Mitchell Young Artist Competition winner.

    Rossen Milanov, principal conductor of Orquesta Sinfonica del Principado de Asturias in Spain, dedicates an evening to a world of music for Festival Orchestra 3 (June 22). That would be Mahler's Symphony No. 7 in E Minor, whose massive forces call for an expanded wind section, tenor horn and mandolin.

    For Festival Orchestra 4: Grand Finale (June 29), conductor Carl St. Clair, music director of the Pacific Symphony, collaborates with soprano Janice Chandler Eteme for Richard Strauss' Four Last Songs. Add Strauss' Dance of the Seven Veils from Salome and Prokofiev's Symphony No. 5 in B-flat Major and you have an evening worthy of closing this summer affair.

    ___

    Tickets may be purchased online or by calling the ticket office at 713-743-3313. Single tickets are $15, $10 for students and seniors.

    Percussionist Matt Strauss

    Texas Music Festival season announcement, April 2013, percussion Matt Strauss barefoot
      
    Photo courtesy of Texas Music Festival
    Percussionist Matt Strauss
    unspecified
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    Movie Review

    Tom Cruise goes all out in Mission: Impossible - The Final Reckoning

    Alex Bentley
    May 22, 2025 | 3:30 pm
    Tom Cruise, Simon Pegg, and Hayley Atwell in Mission: Impossible - The Final Reckoning
    Photo courtesy of
    Tom Cruise, Simon Pegg, and Hayley Atwell in Mission: Impossible - The Final Reckoning.

    Over the course of 30 years and eight films, the Mission: Impossible series has proven to be the most reliable of any action movie franchise. Not all of them are equally good, but with Tom Cruise in the lead as Ethan Hunt, they can be counted on for at least a couple of mind-blowing stunt sequences per film, enough to keep fans clamoring for more.

    Mission: Impossible - The Final Reckoning has the feel of being the last film in the series, and not just because the 62-year-old Cruise is getting up there in age. Following up closely on the events of 2023’s Dead Reckoning Part One (Part Two changed to The Final Reckoning for unknown reasons), the film has Hunt trying to stop an A.I. villain known as The Entity from taking over the world’s collective stash of nuclear weapons.

    To do so, Hunt and his cobbled-together team — Luther (Ving Rhames), Benji (Simon Pegg), Grace (Hayley Atwell), and Paris (Pom Klementieff) — must hopscotch around the world, tracking villain Gabriel (Esai Morales) and trying to figure out a way to get The Entity’s source code, which is located on a sunken Russian submarine. Oh, and they also have to evade capture by a disgruntled U.S. government, led by now-President Erika Sloane (Angela Bassett).

    Written and directed by Christopher McQuarrie and co-written by Erik Jendresen, the film might just be the most convoluted one in the series so far. The filmmakers layer on tons of exposition, with lots of flashbacks to previous events in the series to explicate the events of the present, as well as providing unexpected connections to previous films. The plan for stopping The Entity and the references to the past are so dense that the first half of the film is relatively boring.

    Things pick up in the final 90 minutes of the three-hour film, mostly because that’s when the majority of the action takes place. More than other entries in the series, the film considers the geopolitical implications of Hunt’s actions, and he has to negotiate with a variety of high-powered people to do what he deems best. While his efforts are somewhat preposterous, even by the standards of the series, they lead to a bunch of fun sequences that provide levity among the world-changing drama.

    Ultimately, what makes the film succeed are its action scenes. Cruise has done stunts on planes/helicopters before in the series, but what he does during a biplane sequence toward the end of the film is almost beyond belief. Yes, he’s attached to the plane with harnesses that are digitally erased, but he’s still doing it hundreds of feet in the air at great bodily risk considering. While the series has always featured spectacular stunt sequences, this one deserves to be near the top of the list.

    The flashbacks to scenes from throughout the series underscore just how much Cruise has changed in the past 30 years, but also emphasize how amazing it is that he’s still willing to sacrifice his body as much as does to make these films. No other actor goes as far as he does to entertain the masses, and the events of the story even give him opportunities to show off his dramatic acting skills.

    The supporting cast is more packed than usual, and all of them enhance the film. In addition to Hunt’s team, the President has a group of advisers that includes actors like Henry Czerny, Holt McCallany, Nick Offerman, and Janet McTeer. Other recognizable faces like Hannah Waddingham (Ted Lasso), Trammell Tillman (Severance), and Katy O’Brian (Love Lies Bleeding) show up for impactful roles.

    Whether or not this is the last film in the current incarnation of the series, The Final Reckoning has a lot to offer longtime fans, with action set pieces that remains some of the best Hollywood has to offer. The story may be completely baffling, but with Cruise and other appealing actors leading the way, there’s more than enough great entertainment to go around.

    ---

    Mission: Impossible - The Final Reckoning opens in theaters on May 23.

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