Toast the Tejano superstar at this free screening of Selena.
Photo courtesy of Regent Square
UPDATE: Due to an unforeseen issue, the screening has been canceled. CultureMap will update this story should there be a new show date.
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It’s hard to fathom that legendary and iconic Tejano pop superstar Selena Quintanilla would be only 51 years old this year — so early was her life cut short.
Now, 27 years after Selena’s death, fans can celebrate her birthday on April 16 with a free screening of her biopic, Selena, which marks its 25th anniversary this year. Selena fans can gather at Regent Square Park, the lawn of Regent Square, the development located just steps from Buffalo Bayou, at W. Dallas and Dunlavy streets.
The free screening starts at 8 pm; the film will be projected on a 20-foot screen. All ages are welcome and attendees are encouraged to follow weather updates via @regentsquarehtx on social media.
Often cited as the Jennifer Lopez’s breakout role — one that showcased her singing and dance acumen — Selena won rave reviews in 1997 and after for its musically charged retelling of Selena’s life and her rapid ascension to star status before she was murdered by her friend and fan club manager Yolanda Saldívar in 1995 at a Corpus Christi hotel.
But thanks to songs such as "Dreaming of You," and "I Could Fall in Love," Selena lives on — her movie made Lopez the highest-paid Latina actress at the time and cemented Selena’s place in music history and Texans’ hearts.
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Selena screens at Regent Square Park, 3515 West Dallas St. Free. 8 pm.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
