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    Movie Review

    Speed and brawn collide in fun but uninspired Sonic the Hedgehog 2

    Alex Bentley
    Apr 7, 2022 | 4:06 pm
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.play icon
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
    Photo courtesy of Paramount Pictures

    There are some properties where a rabid fandom can be expected, including any Marvel or DC movie, Star Wars, and the like. But you wouldn’t necessarily expect the same level of enthusiasm for a character from a videogame franchise, even one that has existed across multiple consoles for almost the past 30 years.

    And yet the response from the crowd at this critic’s screening to Sonic and other characters from the game in Sonic the Hedgehog 2 prove that Sega Sammy Studios and Paramount Pictures were right to bring the franchise to the big screen in 2020. The first film wound up making over $350 million worldwide, and it might have been more if the pandemic hadn’t hit a month later.

    Sonic (voiced by Ben Schwartz) is back to his usual antics after banishing the evil Dr. Robotnik (Jim Carrey) to a mushroom planet at the end of the last movie. Still living with Tom (James Marsden) and Maddie (Tika Sumpter) in Montana, Sonic has taken to thwarting criminals in far-off places like Seattle, quickly returning home after a night’s work. His crime-fighting ways are put on pause, however, when Dr. Robotnik figures out a way to return to Earth with the help of an echidna named Knuckles (voiced by Idris Elba).

    They’re on the hunt for the Master Emerald, a legendary jewel that brings great power to whomever possesses it. Naturally, Sonic must try to stop them, and this time he has help from Tails (Colleen O’Shaughnessy), a fox from Sonic’s planet who can fly using her dual tail. Their adventures take them around the world, from Montana to Siberia to Hawaii, with a few surprises thrown in along the way.

    Made once again by director Jeff Fowler and writers Pat Casey, Josh Miller, and newcomer John Whittington, the film is a nice mix between stuff aimed at kids, parts that adults will appreciate, and elements to get the fans cheering. The inclusion of two more animated characters – and Carrey, who’s essentially an animated character – brings a lot more silliness into play, although they still keep the eye-rolling jokes to a minimum.

    Tom and Maddie travel to Hawaii – via one of Sonic’s rings, natch – for the wedding of Maddie’s sister, Rachel (Natasha Rothwell), and even though the subplot is in service to Sonic’s story, they still throw in a couple more mature aspects to keep things interesting for parents. But the film’s final act is really for the superfans who know all about the Master Emerald and what it can do; the residual excitement from certain moments is infectious, even if you’re not exactly sure why they’re so thrilled.

    The filmmakers don’t try to reinvent the wheel for the second film, something that both helps and hurts them. They utilize a couple more slo-mo scenes where Sonic is moving at regular speed while everything else essentially stands still. There are only two ways in which you can only depict how fast he is, so it’s hard to fault them for going back to the well with that joke. But the lack of any new innovation for this film is a bad sign for the continued success of the series.

    All of the actors returning from the first film repeat their fun performances, indicating that they were cast well. Elba is a nice choice for the brawny Knuckles, although it’s even better that they cast O’Shaughnessy as Tails, since she’s voiced the character in video games and on TV since 2014.

    It’s rare that a movie based on a video game gets more than one bite at the apple, and even rarer that they turn out as well as the Sonic films have. Here’s hoping that as the series continues – and the end credits confirm that it will – the filmmakers keep all factions of the audience in mind to keep things equally entertaining.

    ---

    Sonic the Hedgehog 2 opens in theaters on April 8.

    Tails (Colleen O'Shaughnessy in Sonic the Hedgehog 2.

    Tails (Colleen O'Shaughnessy in Sonic the Hedgehog 2
    Photo courtesy of Paramount Pictures
    Tails (Colleen O'Shaughnessy in Sonic the Hedgehog 2.
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    Movie Review

    New horror movie Faces of Death puts a modern twist on cult classic

    Alex Bentley
    Apr 10, 2026 | 4:00 pm
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy — in which content creators go to increasing lengths for clicks — is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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