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    Art Shocker

    Gary Tinterow lures his celebrity pals to MFAH, including close confidant . . . Dr. Ruth

    Tyler Rudick
    Apr 7, 2013 | 7:04 am

    Museum of Fine Arts, Houston director Gary Tinterow will be hosting a new on-stage conversation series starring an impressive — and rather surprising — lineup of cultural figures.

    Conversations with the Director kicks off April 23 with legendary artist Jeff Koons, who will discuss his longstanding fascination with Pablo Picasso, an appropriate topic given both Tinterow's expertise on the Spanish master as well as the MFAH's current Picasso Black and White show.

    "Jeff is a very perceptive observer of art and was particularly taken by the Black and White exhibit when it was at the Guggenheim in New York," Tinterow tells CultureMap.

    "We're hoping that each new installment can be a highly-anticipated event for the Houston and its art lovers."

    "So much of what Jeff makes has these embedded references to the art came before him and as well as to the contemporary culture around us. He tends to be very attuned to artists and their practice and should be able to give a unique read on Picasso."

    Not to diminish Koons' important contributions to American contemporary art, but get this . . . Dr. Ruth — yes, the Dr. Ruth — has signed on as the guest for the second installment of Conversations on June 4.

    Tinterow first met the iconic sex therapist nearly 20 years ago and explains that the two have remained friends ever since.

    "I really cherish our friendship and absolutely love exchanging ideas with her," he says. "I even had a chance to (feature) her a bit with The Art of Arousal [1993], in which she interprets the great images of Western art through a lens of sociology and human sexuality."

    While the director says several more notable figures are booked for the series, which he hopes to stage roughly four times a year, he's planning to keep them a surprise for the time being.

    "It's exciting to start this project with such great colleagues and friends," he says. "We're hoping that each new installment can be a highly-anticipated event for the Houston and its art lovers."

    Tickets for the Koons event, which go on sale April 9, include a private viewing of Picasso Black and White prior to and following the discussion. Prices are $15 for students, $25 for MFAH members and $35 for the general public.

    Gary Tinterow kicks off his new Conversations series with art legend Jeff Koons.

    Gary Tinterow, MFAH, August 2012
    Photo by F. Carter Smith
    Gary Tinterow kicks off his new Conversations series with art legend Jeff Koons.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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