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    Amazing stories

    IMAX Born to be Wild 3D documents efforts to rescue baby orangutans andelephants

    Regina Scruggs
    Apr 7, 2011 | 5:54 pm
    • At the Orangutan Foundation International's Care Center, caretakers have theirarms full while caring for more than 300 orphaned orangutans.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • As seen in the IMAX® film "Born to be Wild 3-D," orphaned baby elephants needblankets to keep them warm.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • A rehabilitated orangutan released two years ago by Dr. Biruté Mary Galdikascradles her wild-born infant in Indonesia's Tanjung Puting National Park.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • Elephants at the David Sheldrick Wildlife Trust play soccer with their keepersas a form of exercise and enrichment.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • As shown in the IMAX® film "Born to be Wild 3-D," the orangutans and assistantsat Orangutan Foundation International make the most out of playtime at the CareCenter's jungle gym.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • David Lickley, director of the IMAX® film "Born to be Wild 3-D," greets one ofthe elephants rehabilitated at the David Sheldrick Wildlife Trust.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • A herd of ex-orphans, now living in the wild, congregate at a water hole inKenya's Tsavo National Park.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • Toung orphan orangutans play in the jungle that surrounds Orangutan FoundationInternational's Care Center.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • An orphan orangutan cuddles up with Dr. Biruté Mary Galdikas during the filmingof the IMAX® film, "Born to be Wild 3-D."
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.

    If your knowledge of orangutans consists of what you remember from Clint Eastwood comedies of 30 years ago or recent stories about the adorable new baby at the Houston Zoo, you can catch up on those amazing primates in Born to be Wild 3D, the newest IMAX film opening Friday at the Houston Museum of Natural Science.

    Narrated by Morgan Freeman and with a soundtrack by Mark Mothersbaugh, this short but delightful movie tells two parallel stories with a common goal: The efforts of rescue organizations, both headed by women, to save the lives of orphaned baby orangutans and baby elephants, with the goal of returning them to their natural habitats.

    Viewers are transported into the lush rainforests of Borneo with world-renowned primatologist Biruté Mary Galdikas, who has dedicated her life to the study of the wild orangutan and to the rugged Kenyan savannah with celebrated elephant authority Daphne Sheldrick. The large IMAX format and impressive use of 3D technology make the viewer feel as if he is swinging through the treetops with the orangutans and close enough to pat the trunks of the gentle elephants.

    First we meet Galdikas, the founder of Orangutan Foundation International. Canadian-born of Lithuanian parents, Galdikas grew up with a love of nature and a desire to become an explorer. After emigrating to the U.S. in the 1960s and earning degrees in psychology, zoology and anthropology, she met Kenyan anthropologist Louis Leakey. He helped her obtain funding for orangutan studies, as he had done previously with both Jane Goodall and Dian Fossey for their respective studies on chimpanzees and mountain gorillas.

    In 1971, ready to study orangutans, Galdikas arrived in one of the world's most remote places, Tanjung Puting Reserve in Indonesian Borneo, despite warnings from her professors and others that "it couldn't be done." The thinking then was that it was impossible to study orangutans in the wild; they were too elusive and wary, living almost entirely in deep swamps.

    Despite the lack of telephones, roads, electricity, or regular mail service, Galdikas persevered. Over the last 40 years she has brought to light not only the ecology and behavior of the wild orangutan, but also the problems brought on by poaching and destruction of their habitat, the tropical rain forest.

    According to most wildlife-monitoring organizations, orangutans are a highly-endangered species that used to be common throughout southeast Asia. Now they are found primarily in Borneo, with a small population in Sumatra; estimates of the current population are less than 60,000.

    In the Malay language, "orang" means "person" and "utan" is derived from "hutan," which means "forest." Thus, orangutan literally means "person of the forest." Babies are totally dependent on their mothers for the first two years of their lives; Dr. Galdikas' organization helps raise these orphans by bottle-feeding them and allowing them to cling to a keeper's body until natural weaning age (2-3 years).

    The other heroine of Born to be Wild 3D is Sheldrick, born in Kenya in 1934 to British parents when the country was still under British rule. From 1955 to 1976 she worked alongside her husband David, the founder of Kenya's giant Tsavo National Park. There she raised and rehabilitated orphan animals of many species: not only the elephant, but also the black rhino, buffalo, zebra, impala, warthog, and many others.

    After her husband's death in 1976, she chose to continue this important work, and at the age of 77 is considered one of the foremost experts in animal husbandry and wildlife conservation. She lives and works in the Nairobi National Park, courtesy of the Kenyan government, and administers the David Sheldrick Wildlife Trust.

    Elephants live in close, social groups. Babies are orphaned for many reasons, commonly due to poaching of adults by humans. The movie shows baby elephants cared for by human keepers from the Sheldrick Trust: each elephant is paired with a keeper who feeds them by day, and sleeps with them by night. The babies do need their "mothers" as a scene in the film shows a stranded baby elephant with a herd of bulls (males). The bull elephants will not look after the baby, so the human keepers run off the bulls, capture the baby, and return him to the orphan herd.

    There are also scenes of the babies being bottle-fed milk, using a formula perfected by Sheldrick to take the place of the mother's milk these elephants should be having. This is all-important as elephants depend on milk for the first two years of their lives.

    "Spending so much time among the orphaned elephants and orangutans in this film was a life-changing experience," said producer/writer Drew Fellman. "And IMAX 3D makes it possible to share that wonder with the audience in a very profound way that takes us directly into the lives and struggles of these amazing animals."

    Rated G, and at only 40 minutes, Born to be Wild 3D can and should be enjoyed by humans of all ages.

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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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