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    Amazing stories

    IMAX Born to be Wild 3D documents efforts to rescue baby orangutans andelephants

    Regina Scruggs
    Apr 7, 2011 | 5:54 pm
    • At the Orangutan Foundation International's Care Center, caretakers have theirarms full while caring for more than 300 orphaned orangutans.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • As seen in the IMAX® film "Born to be Wild 3-D," orphaned baby elephants needblankets to keep them warm.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • A rehabilitated orangutan released two years ago by Dr. Biruté Mary Galdikascradles her wild-born infant in Indonesia's Tanjung Puting National Park.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • Elephants at the David Sheldrick Wildlife Trust play soccer with their keepersas a form of exercise and enrichment.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • As shown in the IMAX® film "Born to be Wild 3-D," the orangutans and assistantsat Orangutan Foundation International make the most out of playtime at the CareCenter's jungle gym.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • David Lickley, director of the IMAX® film "Born to be Wild 3-D," greets one ofthe elephants rehabilitated at the David Sheldrick Wildlife Trust.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • A herd of ex-orphans, now living in the wild, congregate at a water hole inKenya's Tsavo National Park.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • Toung orphan orangutans play in the jungle that surrounds Orangutan FoundationInternational's Care Center.
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.
    • An orphan orangutan cuddles up with Dr. Biruté Mary Galdikas during the filmingof the IMAX® film, "Born to be Wild 3-D."
      Photo by Drew Fellman/© 2011 Warner Bros. Entertainment Inc.

    If your knowledge of orangutans consists of what you remember from Clint Eastwood comedies of 30 years ago or recent stories about the adorable new baby at the Houston Zoo, you can catch up on those amazing primates in Born to be Wild 3D, the newest IMAX film opening Friday at the Houston Museum of Natural Science.

    Narrated by Morgan Freeman and with a soundtrack by Mark Mothersbaugh, this short but delightful movie tells two parallel stories with a common goal: The efforts of rescue organizations, both headed by women, to save the lives of orphaned baby orangutans and baby elephants, with the goal of returning them to their natural habitats.

    Viewers are transported into the lush rainforests of Borneo with world-renowned primatologist Biruté Mary Galdikas, who has dedicated her life to the study of the wild orangutan and to the rugged Kenyan savannah with celebrated elephant authority Daphne Sheldrick. The large IMAX format and impressive use of 3D technology make the viewer feel as if he is swinging through the treetops with the orangutans and close enough to pat the trunks of the gentle elephants.

    First we meet Galdikas, the founder of Orangutan Foundation International. Canadian-born of Lithuanian parents, Galdikas grew up with a love of nature and a desire to become an explorer. After emigrating to the U.S. in the 1960s and earning degrees in psychology, zoology and anthropology, she met Kenyan anthropologist Louis Leakey. He helped her obtain funding for orangutan studies, as he had done previously with both Jane Goodall and Dian Fossey for their respective studies on chimpanzees and mountain gorillas.

    In 1971, ready to study orangutans, Galdikas arrived in one of the world's most remote places, Tanjung Puting Reserve in Indonesian Borneo, despite warnings from her professors and others that "it couldn't be done." The thinking then was that it was impossible to study orangutans in the wild; they were too elusive and wary, living almost entirely in deep swamps.

    Despite the lack of telephones, roads, electricity, or regular mail service, Galdikas persevered. Over the last 40 years she has brought to light not only the ecology and behavior of the wild orangutan, but also the problems brought on by poaching and destruction of their habitat, the tropical rain forest.

    According to most wildlife-monitoring organizations, orangutans are a highly-endangered species that used to be common throughout southeast Asia. Now they are found primarily in Borneo, with a small population in Sumatra; estimates of the current population are less than 60,000.

    In the Malay language, "orang" means "person" and "utan" is derived from "hutan," which means "forest." Thus, orangutan literally means "person of the forest." Babies are totally dependent on their mothers for the first two years of their lives; Dr. Galdikas' organization helps raise these orphans by bottle-feeding them and allowing them to cling to a keeper's body until natural weaning age (2-3 years).

    The other heroine of Born to be Wild 3D is Sheldrick, born in Kenya in 1934 to British parents when the country was still under British rule. From 1955 to 1976 she worked alongside her husband David, the founder of Kenya's giant Tsavo National Park. There she raised and rehabilitated orphan animals of many species: not only the elephant, but also the black rhino, buffalo, zebra, impala, warthog, and many others.

    After her husband's death in 1976, she chose to continue this important work, and at the age of 77 is considered one of the foremost experts in animal husbandry and wildlife conservation. She lives and works in the Nairobi National Park, courtesy of the Kenyan government, and administers the David Sheldrick Wildlife Trust.

    Elephants live in close, social groups. Babies are orphaned for many reasons, commonly due to poaching of adults by humans. The movie shows baby elephants cared for by human keepers from the Sheldrick Trust: each elephant is paired with a keeper who feeds them by day, and sleeps with them by night. The babies do need their "mothers" as a scene in the film shows a stranded baby elephant with a herd of bulls (males). The bull elephants will not look after the baby, so the human keepers run off the bulls, capture the baby, and return him to the orphan herd.

    There are also scenes of the babies being bottle-fed milk, using a formula perfected by Sheldrick to take the place of the mother's milk these elephants should be having. This is all-important as elephants depend on milk for the first two years of their lives.

    "Spending so much time among the orphaned elephants and orangutans in this film was a life-changing experience," said producer/writer Drew Fellman. "And IMAX 3D makes it possible to share that wonder with the audience in a very profound way that takes us directly into the lives and struggles of these amazing animals."

    Rated G, and at only 40 minutes, Born to be Wild 3D can and should be enjoyed by humans of all ages.

    unspecified
    news/entertainment

    Kelly Clarkson Concert Review

    Sold-out Houston crowd sings along at Kelly Clarkson's epic rodeo return

    Craig Hlavaty
    Mar 14, 2026 | 8:50 pm
    Kelly Clarkson RodeoHouston 2026
    Courtesy of Houston Livestock Show and Rodeo
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    A cross between Pat Benatar and Reba, with a dash of Aretha, Kelly Clarkson headlined Saturday afternoon’s RodeoHouston matinee, 22 years since she debuted at NRG Stadium, in front of 70,007.

    It was a true “Ladies Day Out” at RodeoHouston for Clarkson, with roving multigenerational groups of women making the rounds under an only mildly-oppressive Houston sun. Between Clarkson, Lainey Wilson, Megan Moroney, and Lizzo, the 2026 rodeo concert season has been dominated by strong female artists, with Clarkson the most decorated.

    The last time Kelly Clarkson played RodeoHouston in 2004, she shared a Tuesday night bill with Y2K it couple Jessica Simpson and Nick Lachey, a match made in MTV ratings heaven. Other acts on the rodeo roster that year included John Mayer, George Strait, Reba, Willie Nelson, and — fresh from her first stint with Destiny’s Child — Beyonce shared the stage with Alicia Keys two nights later.

    The first American Idol winner in 2002, when daresay that truly meant something, she and Carrie Underwood remain the two most successful of winners of Idol all these years later. Clarkson has a permanent seat at the table in Nashville, winning back-to-back CMA Female Vocalist of the Year honors in 2012 and 2013 and never shying away from a little more twang in her power pop. Right out of the chute, she was repping country style, hard to shake when you’re born and raised near Fort Worth.

    Clarkson’s current live act has been honed by various residencies at The Colosseum at Caesars Palace in Las Vegas, playing in front of thousands of Sin City customers. She’s a part of a rare group of performers like Jennifer Lopez, Cyndi Lauper, and even Dolly Parton herself who can command multiple nights. With her syndicated chat show — where her popular genre-bending “Kellyoke” segments were born — ending later this year, it wouldn’t be shocking to see this working mom jump back into regular touring outside of Clark County, especially considering Saturday’s afternoon drawl.

    Clarkson emerged from the cocoon of the rodeo’s revolving star stage just before 4:15 pm in a black, glittery jumpsuit straight from Ozzy’s wardrobe closet with “Favorite Kind of High” from 2023’s divorce record Chemistry, her latest album release. The hard-driving Heart-rock of “Behind These Hazel Eyes” debuted some annoying, intermittent sound skippage but Clarkson’s sold-out crowd filled in any gaps. Her pipes were just too strong.

    A nod to the female country legends of rodeo’s past, Clarkson gave Tanya Tucker’s “It’s A Little Too Late” a widescreen Vegas makeover with horns and fiddle. “This isn’t sweat, it’s glow,” Clarkson joked, kicking off the torch song “Because Of You.” The singalong of “Breakaway” could more than likely be heard out in the carnival, the first big “Kellyoke” moment of the afternoon.

    For “Walk Away” and “Didn’t I,” the horn section and co-ed backup singers that have made Clarkson’s Vegas shows so bombastic got a workout. Clarkson reeled out her Jason Aldean duet “Don’t You Wanna Stay” as a solo. The release was her first country hit and was one of the biggest country duets of the 2010s.

    “It’s way more sad this way,” she laughed. “Because I guess he didn’t stay.”

    Clarkson threw in 2025’s bar-crawling single "Where Have You Been" in the mix, going rogue from the supplied setlist, accentuating the Queen-esque licks with her own highs. Her post-Idol debut rave-up “Miss Independent” set the table for “Stronger (What Doesn’t Kill You),”

    Clarkson sent the crowd out pogo-ing and screaming with “Since U Been Gone,” making her exit in a SUV like a rock star, with plenty of sunshine to spare.

    Setlist

    Favorite Kind Of High
    Behind These Hazel Eyes
    My Life Would Suck Without You
    It’s A Little Too Late (Tanya Tucker cover)
    Because Of You
    Breakaway
    Heat
    Walk Away
    Didn’t I
    Heartbeat Song
    Don’t You Wanna Stay
    Where Have You Been
    Miss Independent
    Stronger (What Doesn’t Kill You)
    Since U Been Gone

    2004 RodeoHouston Lineup

    Mar 2: John Mayer
    Mar 3: George Strait
    Mar 4: Wynonna Judd
    Mar 5: B2K / Bow Wow
    Mar 6: Martina McBride
    Mar 7: Reba McEntire
    Mar 8: Enrique Iglesias
    Mar 9: Alan Jackson
    Mar 10: Amy Grant / Vince Gill
    Mar 11: Clay Walker
    Mar 12: Legends in Concert (Dwight Yoakam, Buck Owens, Marty Stuart, Connie Smith)
    Mar 13: Randy Travis
    Mar 14: Bronco / Jennifer Peña
    Mar 15: Dierks Bentley / Robert Earl Keen
    Mar 16: Jessica Simpson & Nick Lachey / Kelly Clarkson
    Mar 17: Dierks Bentley / Keith Urban / Kenny Chesney
    Mar 18: Alicia Keys / Beyoncé
    Mar 19: Pat Green
    Mar 20: Brooks & Dunn
    Mar 21: Willie Nelson

    Kelly Clarkson RodeoHouston 2026

    Courtesy of Houston Livestock Show and Rodeo

    rodeohoustonconcert reviewkelly clarkson
    news/entertainment

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