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    greatest hits (and kicks)

    Everybody is kung fu fighting in this new Houston outdoor movie series

    Steven Devadanam
    Apr 6, 2022 | 5:42 pm
    Martial arts icon Bruce Lee kicks things off with Enter the Dragon.
    Martial arts icon Bruce Lee kicks things off with Enter the Dragon.
    Photo courtesy of Asia Society Texas

    For certain Houston kids of the ’80s, few things were more joyous than Saturday morning cartoons, then a switch that afternoon to Kung Fu Theater on UHF channels.

    Dubbed “chopsocky” flicks, these martial arts movies boasted over-the-top storylines, special effects, and dialogue, and copious amounts of violence—in short, a paradise for boisterous fans, especially those acting scenes out in front of their TV.

    Now, fans of all ages can relive that kung fu glory as Asia Society Texas presents Kung Fu Film Nights a showcase of Hong Kong martial arts films — all screened outdoors. This showcase centers less on the campy flicks made famous for lines such as “your kung fu is pretty good,” and instead focuses on seminal, groundbreaking, and historically significant titles.

    The high-flying fun gets started at 8 pm Friday, April 8 and continues on select Fridays through June. Guests are invited to bring their chairs and blankets to spread out on the Asia Society center’s lawn. Free refreshments come courtesy of Asahi Beer (apropos), while food, other drinks, and snacks will be on sale.

    Tickets run $5 for Asia Society members; $10 for non-members. Here is the lineup, description, and schedule.

    Enter the Dragon: Friday, April 8
    Fittingly, the series kicks off on April 8 with martial arts’ biggest icon, Bruce Lee, and his 1973 action-packed release that catapulted the legendary actor from regional hero to international superstar.

    Though fans need no reminder, Enter the Dragon pits Lee in a brutal tournament on a remote island fortress, as he attempts to bring the drug lord responsible for his sister’s death to justice. Dragon is especially memorable for its memorable, mirrored maze fight scenes.

    The Grandmaster: May 13
    Tony Leung stars in the action epic inspired by the life of legendary kung fu master Ip Man. Grandmaster features stunning locales of northeast China’s snow-swept landscapes and the region’s subtropical south, as well as riveting performances and action sequences. The story spans the tumultuous Republican era that followed the fall of China’s last dynasty.

    Once Upon a Time in China: May 27at 8:30 pm
    This blockbuster helped cement this enormously talented Jet Li as the arguably the greatest martial-arts superstar of his generation. Set in 19th-century China, this film finds martial-arts teacher and doctor Wong Fei hung and his band of disciples facing off with enemy forces—foreign and local—who are threatening Chinese sovereignty, just as British and American imperialists encroach upon the country.

    Once Upon a Time is heralded for its blend of comedy, romance, melodrama, and of course, martial arts mastery.

    Police Story: June 17 at 8:30 pm
    Jackie Chan spins, flips, kicks, and flies his way into international superstardom with his inventive martial arts prowess and equally acerbic comic timing. Chan directs and stars — and does his own breakneck stunts — in the rock-’em-sock-’em story of a Hong Kong police inspector trying to protect a star witness from a nefarious drug lord.

    Expect Chan’s trademark goofball, slapstick hijinks and seemingly impossible choreography, especially in a shopping mall melee scene. Released in 1985, Police Story would become a widely copied standard in Hong Kong and Hollywood.

    ---

    Asia Society’s Kung Fu Film Nights runs select Fridays through June at Asia Society Texas, 1370 Southmore Blvd. For tickets and more information, visit the official series website. $5 to $10.

    Martial arts icon Bruce Lee kicks things off with Enter the Dragon.

    Enter the Dragon Bruce Lee
    Photo courtesy of Asia Society Texas
    Martial arts icon Bruce Lee kicks things off with Enter the Dragon.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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