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    The Arthropologist

    The great art outdoors: Everything's free but the Slurpee

    Nancy Wozny
    Apr 8, 2010 | 7:34 pm
    • David Beebe & The Conrads open for Joe King Carrasco for a Tex-Mex Party on June24 to end the Discovery Green Thursday Concert Series presented by Capital OneBank.
      Photo by Jay Lee
    • Del Castillo rocked the hill one Sunday in the Fall of 2009 for DiscoveryGreen’s Sundays in the Park weekly free concerts.
      Photo by Jeff Fitlow
    • Solid Gold Hit machine SKYROCKET! performs on May 13 as part of DiscoveryGreen’s Thursday Concert Series.
    • Miller Outdoor Theatre in Hermann Park
      Photo by Leroy Gibbins
    • Ray Wylie Hubbard, 7:30 p.m. April 24, Miller Outdoor Theatre
    • Kelly Willis to play Miller Outdoor Theatre

    It's Miller time. Nah, not the beer, the city's beloved Miller Outdoor Theatre. Grab a Miller (or something a little more upscale if I were you), your grandmother's tablecloth, some munchies and head to the hill to take in the big scale art on the big stage.

    It's a short window here with Houston's two seasons of not-so-hot and scorching colliding soon. If you want to enjoy outdoor art, the time is now.

    Truthfully, I am usually the one sitting on an old copy of the Houston Press, waiting to be invited to your elaborate picnic. I also blame Miller for my Slurpee addiction. Did you know that a stage full of tappers — as in last season's thundering Theatre Under the Stars(TUTS) production of 42nd Street — actually goes down better with a cone of that bright blue ice?

    Cissy Segall Davis, Miller's managing director, has an eye for the kind of shows that work outdoors. "It's a large stage, you are not just playing to the seated area but the hill," Davis says. "The show has to be big and broad. A magic show just wouldn't work. It can't be too precious, or demand too much focus."

    About the hill, it's six feet higher now. Miller's other recent makeovers include spiffy new seats (more of them too) a new sound system and better wheelchair accessibility.

    With Arlo Guthrie opening the season last week, you might say Miller is stepping it up a bit. Plenty of this year's big-name offerings are touring shows that travel to paying theater goers after they leave us. Miller also partners with several local arts organizations such as Houston Ballet, Dominic Walsh Dance Theater(DWDT), The Metropolitan Dance Company, Dance of Asian America (DAA), Dance Source Houston (DSH), TUTS, Core Performance Company and Houston Shakespeare Festival.

    Don't forget the Green

    With more than 200 events scheduled in the next few months, Discovery Green is on its way to being a go-to destination for cool arts events. When Susanne Theis took the program director helm she figured that people living in downtown would be her main audience.

    "I was wrong about that," Theis says. "People come from everywhere, it's a destination."

    Theis has also developed an eye for art that works not only outdoors but amidst the dramatic backdrop of downtown Houston and the park's stunning features. "The show needs to have a conversation with the other elements in the park. Walter Hopps used to say that about hanging art. So I think about how a dance or music show might work with the fountain behind the stage.

    It worked beautifully for Houston Ballet II. Scale matters."

    If you want to get these two outdoor art mavens in a tizzy just mention the weather. "My stomach ties up in knots every time I see clouds," confesses Davis. "Still, I am amazed at the numbers we get when it's raining. There are some die hard fans out there."

    Theis has learned a thing or two about weather management. "It's best to hold out as long as we can," she says. "We did that with Tilda Swinton at the closing of the Cinema Arts Festival and 400 people showed up to see Houston Ballet II and a screening of The Red Shoes."

    Hanging Out

    Both Davis and Theis are avid dance fans, so it's no surprise that the community loves them back. For any Houston choreographer or dancer, the Miller stage is a rite of passage. Just ask aerialist Amy Ell of Vault who dangled 21 feet high in the air from a special truss (fancy aerial rigging) designed for the Miller stage during A Weekend of Texas Contemporary Dance.

    "I was scared but it was the first time ever that people applauded during a piece of mine," Ell says. "The next night they applauded before we even started. Exciting."

    When the electricity went out during a Met dance show, the Miller staff scrambled to keep the lights on. "The audience never knew what happened," Mets director Michele Smith remembers. "The staff was amazing and we will never fully understand what kind of magic they performed that night to keep the show going."

    Dance people feel at home at the eco-friendly Discovery Green too. Didn't I feel smug showing off the fabulous evening put on by DSH for all the visiting dance dignitaries during the national Dance/USA conference last June. Dance Houston director Andrea Cody just loves the Green and has a star-studded dance show planned for Friday featuring DWDT, DAA and Revolve Dance Company.

    "Dance really works outside, and we have really enjoyed partnering with Dance Houston," Theis says.

    Film also has the grand scale necessary to keep people focused. On April 16th you can catch Two Star Symphony, Houston's much-adored indie string quartet, performing an original score live to the classic Harold Lloyd 1924 film Girl Shy. "It's kid friendly and something cool to do for date night.," Margaret Lejeune, a Two Star member, says. "It really is the perfect thing to do outside."

    And if you want to really do it up, dine at The Grove beforehand.

    Miller turns movie house on April 23th for a showing of Winged Migration as part of a big Earth Day celebration. Da Camera's Jazz in the Park with Bill Evans takes place the day before the movie. See what I mean. Big stage, big names.

    So stop all that whining about the steep price of tickets. There's quality free stuff going on right now. If you act soon, you can catch Cats, which is on the Miller stage for the next two weekends. The Slurpee is under five bucks I promise.

    unspecified
    news/entertainment

    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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