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    The Arthropologist

    The great art outdoors: Everything's free but the Slurpee

    Nancy Wozny
    Apr 8, 2010 | 7:34 pm
    • David Beebe & The Conrads open for Joe King Carrasco for a Tex-Mex Party on June24 to end the Discovery Green Thursday Concert Series presented by Capital OneBank.
      Photo by Jay Lee
    • Del Castillo rocked the hill one Sunday in the Fall of 2009 for DiscoveryGreen’s Sundays in the Park weekly free concerts.
      Photo by Jeff Fitlow
    • Solid Gold Hit machine SKYROCKET! performs on May 13 as part of DiscoveryGreen’s Thursday Concert Series.
    • Miller Outdoor Theatre in Hermann Park
      Photo by Leroy Gibbins
    • Ray Wylie Hubbard, 7:30 p.m. April 24, Miller Outdoor Theatre
    • Kelly Willis to play Miller Outdoor Theatre

    It's Miller time. Nah, not the beer, the city's beloved Miller Outdoor Theatre. Grab a Miller (or something a little more upscale if I were you), your grandmother's tablecloth, some munchies and head to the hill to take in the big scale art on the big stage.

    It's a short window here with Houston's two seasons of not-so-hot and scorching colliding soon. If you want to enjoy outdoor art, the time is now.

    Truthfully, I am usually the one sitting on an old copy of the Houston Press, waiting to be invited to your elaborate picnic. I also blame Miller for my Slurpee addiction. Did you know that a stage full of tappers — as in last season's thundering Theatre Under the Stars(TUTS) production of 42nd Street — actually goes down better with a cone of that bright blue ice?

    Cissy Segall Davis, Miller's managing director, has an eye for the kind of shows that work outdoors. "It's a large stage, you are not just playing to the seated area but the hill," Davis says. "The show has to be big and broad. A magic show just wouldn't work. It can't be too precious, or demand too much focus."

    About the hill, it's six feet higher now. Miller's other recent makeovers include spiffy new seats (more of them too) a new sound system and better wheelchair accessibility.

    With Arlo Guthrie opening the season last week, you might say Miller is stepping it up a bit. Plenty of this year's big-name offerings are touring shows that travel to paying theater goers after they leave us. Miller also partners with several local arts organizations such as Houston Ballet, Dominic Walsh Dance Theater(DWDT), The Metropolitan Dance Company, Dance of Asian America (DAA), Dance Source Houston (DSH), TUTS, Core Performance Company and Houston Shakespeare Festival.

    Don't forget the Green

    With more than 200 events scheduled in the next few months, Discovery Green is on its way to being a go-to destination for cool arts events. When Susanne Theis took the program director helm she figured that people living in downtown would be her main audience.

    "I was wrong about that," Theis says. "People come from everywhere, it's a destination."

    Theis has also developed an eye for art that works not only outdoors but amidst the dramatic backdrop of downtown Houston and the park's stunning features. "The show needs to have a conversation with the other elements in the park. Walter Hopps used to say that about hanging art. So I think about how a dance or music show might work with the fountain behind the stage.

    It worked beautifully for Houston Ballet II. Scale matters."

    If you want to get these two outdoor art mavens in a tizzy just mention the weather. "My stomach ties up in knots every time I see clouds," confesses Davis. "Still, I am amazed at the numbers we get when it's raining. There are some die hard fans out there."

    Theis has learned a thing or two about weather management. "It's best to hold out as long as we can," she says. "We did that with Tilda Swinton at the closing of the Cinema Arts Festival and 400 people showed up to see Houston Ballet II and a screening of The Red Shoes."

    Hanging Out

    Both Davis and Theis are avid dance fans, so it's no surprise that the community loves them back. For any Houston choreographer or dancer, the Miller stage is a rite of passage. Just ask aerialist Amy Ell of Vault who dangled 21 feet high in the air from a special truss (fancy aerial rigging) designed for the Miller stage during A Weekend of Texas Contemporary Dance.

    "I was scared but it was the first time ever that people applauded during a piece of mine," Ell says. "The next night they applauded before we even started. Exciting."

    When the electricity went out during a Met dance show, the Miller staff scrambled to keep the lights on. "The audience never knew what happened," Mets director Michele Smith remembers. "The staff was amazing and we will never fully understand what kind of magic they performed that night to keep the show going."

    Dance people feel at home at the eco-friendly Discovery Green too. Didn't I feel smug showing off the fabulous evening put on by DSH for all the visiting dance dignitaries during the national Dance/USA conference last June. Dance Houston director Andrea Cody just loves the Green and has a star-studded dance show planned for Friday featuring DWDT, DAA and Revolve Dance Company.

    "Dance really works outside, and we have really enjoyed partnering with Dance Houston," Theis says.

    Film also has the grand scale necessary to keep people focused. On April 16th you can catch Two Star Symphony, Houston's much-adored indie string quartet, performing an original score live to the classic Harold Lloyd 1924 film Girl Shy. "It's kid friendly and something cool to do for date night.," Margaret Lejeune, a Two Star member, says. "It really is the perfect thing to do outside."

    And if you want to really do it up, dine at The Grove beforehand.

    Miller turns movie house on April 23th for a showing of Winged Migration as part of a big Earth Day celebration. Da Camera's Jazz in the Park with Bill Evans takes place the day before the movie. See what I mean. Big stage, big names.

    So stop all that whining about the steep price of tickets. There's quality free stuff going on right now. If you act soon, you can catch Cats, which is on the Miller stage for the next two weekends. The Slurpee is under five bucks I promise.

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    Movie Review

    Matt Damon and Ben Affleck square off in Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 2:30 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team — which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) — on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they discover close to $20 million. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary — an unexpected noise, a flashing light, etc. — adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

    ---

    The Rip is now streaming on Netflix.

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