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    Can anyone win?

    Season opener explained: Comet, kings, armies and nobodies play a turbulent Gameof Thrones

    Tarra Gaines
    Apr 2, 2012 | 10:15 am

    Sunday night, after a nine month hiatus, HBO premiered the second season of its hit fantasy series Game of Thrones, and I don’t know about other viewers, but I could use some Dramamine.

    A dilemma for creators and writers of television series with a huge cast and an abundance of plot lines is how to pace that first episode of a new season. Should they ease the audience back into the story water, letting them dip a toe in to get acclimated? Or should they just shove the viewer in to sink or swim? Game of Thrones chose the latter route and then proceeded to throw a bunch of brightly-colored new plot and character noodles at us and hoped we would hang on.

    Game of Thrones is based on the George R.R. Martin’s fantasy series A Song of Ice and Fire, and the show does an interesting balancing act trying to entertain fans of the books, fans of the show who haven’t read the books, and any new viewers brave enough to wade in to Season Two.

    In this season’s first episode, the show attempted to visit all the main plot lines and characters from season one while introducing even more conflicts in the game.

    The first season ended with the character Ned Stark, who appeared to be the protagonist to those who haven’t read the books, dead and most of the other main characters scattered to the coming winter winds and separated by seas or continents. The majority of those characters are both players and pieces in this game of thrones.

    In this season’s first episode, the show attempted to visit all the main plot lines and characters from season one while introducing even more conflicts in the game. Though they are separated by vast distances, episode one linked them all with the stunning image of a red comet streaking high above every scene, an omen of either triumph, woe, dragons or all three for the game’s players.

    So let’s take a big breath and dive back in for a overview of the main players/pieces.

    Kings and Queens

    While usually it’s Emmy winner, Peter Dinklage’s Tyrion Lannister who gets the most astute lines in the show, for episode one Catelyn Stark, widow of Ned Stark, gets the prize for: “There’s a king in every corner now.”

    Five characters have openly proclaimed themselves king of something or other. Catelyn and Ned’s oldest son, Robb, has declared himself king of the North and would like to gather up all his stray siblings and his father’s body, and go back home to rule his northern kingdom.

    Five characters have openly proclaimed themselves king of something or other.

    Dead King Robert Baratheon’s two brothers, Stannis and Renly, both think they should be resting their asses on the Iron Throne. Renly was introduced in Season One and Stannis only receives about 10 minutes of air time in the first episode, but both already seem smarter than Robert.

    Stannis also proves significantly better at PR than poor dead Ned. Stannis sends out Westeros’s version of a press release with the truth Ned discovered playing genetic detective in season one. The father of Queen Cersei’s royal spawn, King Joffery, is not King Robert but her twin brother, Jaime Lannister.

    Joffery Baratheon current sits on the Iron Throne and is both an idiot and probably a psychopath. His hobbies are having people executed and interior throne room design.

    Daenery Targaryen’s claim to the Iron Throne is that she is the daughter of Mad King Aerys, the last of the Targaryen kings. Under the “special skills” section of her resume she lists her ability to withstand fire and mothering her three adorable, infant dragons.

    Armies

    For every want-to-be king there’s an army. Joffery’s only grandfather, Tywin has a big one which allows him to be the absent power behind the throne. Both Baratheon brothers have their own and neither wants to share.

    Robb won three battles so far with his northern army, and managed to capture Jaime Lannister who he keeps locked up in cage, and allows his loose dire wolf to rattle that cage.

    Also floating around is a wild card navy owned by Balon Greyjoy.

    The one throne contender who doesn’t have an army is Daenery who spent her 10 minutes of the episode wandering the Red Waste desert playing Moses, looking for manna for her followers and dragon formula for her babies. Though lacking her own army, her followers worship her, and in an adult dragon vs. human army battle, my money’s on the dragon.

    Episode one also brought word that up north beyond the great wall, an ex-member of the Night’s Watch is amassing his own army of Wilding men, because what this series so desperately needs is another army.

    Also floating around is a wild card navy owned by Balon Greyjoy. His son Theon Greyjoy was raised as a foster brother to the Stark children and Theon, one of Robb’s advisors, has volunteered to go ask daddy for some ships. I’m sure that will go well.

    Advisors

    If a character is not a king contender then he or she is very likely standing behind one advising. One influential type is the willowy advisor. Robb, Joffery, and Stannis all subscribe to the adage, behind every great man there’s a great woman, though “great” is a relative term.

    Besides an army, the throne contenders should own a big table for their advisors to sit around and bicker about everyone else’s armies and advisors

    Robb and Joffery both rely on mom for advice. Meanwhile, Stannis is guided by new girl, and Red priestess Melisandre. She worships the Lord of Light, enjoys competitive poison drinking, and has beautiful red hair so viewers can tell her apart from her blond and brunette willowy counterparts.

    Besides an army, the throne contenders should own a big table for their advisors to sit around and bicker about everyone else’s armies and advisors. Even little Brandon Stark, holding down the fort back at Winterfell, has his own table and advisors.

    Finally, king of the king-advisors is Tyrion Lannister, who swaggers into King’s Landing to take the job of King’s Hand, pausing only to insult Joffery and Cersei, and to recap season 1 from his perspective.

    Nobodies

    There are lots of nobodies playing the game as guards, soldiers, followers, whores, and peasants. Sometimes nobodies are a threat to somebodies, as the slaughter of King Robert’s bastards at the end of the episode proved. Sometimes nobodies are disguised somebodies like Arya Stark who escaped King’s Landing disguised as a boy. Sometimes they’ve agreed to become nobodies for a purpose and greater good, like Ned’s bastard, Jon Snow, member of the Night’s Watch.

    So can any character actually win the Game of Thrones? Probably not in this year. So hold tight to your favorite floaty noodle. We’ll need them to ride the turbulent waves of season two.

    unspecified
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    Movie Review

    Korean dark comedy No Other Choice chronicles a desperate job-seeker

    Alex Bentley
    Jan 12, 2026 | 10:30 am
    Lee Byung-hun in No Other Choice
    Photo courtesy of Neon
    Lee Byung-hun in No Other Choice.

    When Parasite won the Oscar for Best Picture in 2020, it signaled a shift in how international feature films were viewed not only by Academy voters, but also American filmgoers, who made it the fifth-highest grossing non-English language film of all time. Extra attention has been paid to other international films in the intervening years, including the new South Korean film, No Other Choice.

    Starring Lee Byung-hun of Squid Game fame, the dark comedy chronicles the increasingly desperate actions of Man-su, a middle manager at a paper factory who is laid off due to automation. After months of trying to find a job at another paper company, he finally finds a good prospect only to learn that several other men may be better candidates. Man-su decides that the only solution is to eliminate the competition.

    The only problem is Man-su is a bit of a coward; an early plan at standing up to his company in the face of the lay-offs meets an anticlimactic end. His wishy-washy ways seem to permeate his life, from putting off treatment on a painful tooth to not communicating with his more willful wife to actually going through with his vengeful ideas. He bumbles his way through every aspect of his life, virtually daring anyone to call him out on his poor decision-making.

    Written and directed by Park Chan-wook, and co-written by Lee Kyoung-mi, Don McKellar, and Jahye Lee, the film initially seems to be another approach toward telling the class division story that’s at the center of Parasite and Squid Game. And it is that to a degree, as those in charge of the paper companies and the hiring committees are either indifferent or unsympathetic to the plight of those who have been forced out of work.

    But the more we see of Man-su, the more it becomes clear that his is a story all its own, one where a man claims there is “no other choice” when in fact there are plenty of other options. The men in the film in general don’t come across well, with many of them reacting to stress by turning into whiners who believe the world is out to get them. Some situations turn violent as the film goes along, events that most of the time could have been avoided if the people involved actually took the time to think things through.

    The film features a somewhat confusing story made even more puzzling if you don’t speak Korean. On first viewing, it’s initially unclear why Man-su is doing what he’s doing, or why he’s going after certain people in particular. The plot becomes more understandable as the film progresses, but Chan-wook includes several side plots that muddle things further even as they broaden certain characters. There are also a couple of visual text jokes that can easily be missed if you don’t know where to look.

    Byung-hun is great as a man who can’t seem to get out of his own way. The role is almost in direct contrast to the one he played on Squid Game, making it easy to see how well he can adapt to different stories. Son Ye-jin as Man-su’s wife Miri and Lee Sung-min as Bummo, one of Man-su’s intended victims, are also highly engaging.

    Like any film not in English, No Other Choice requires viewers to pay strict attention to the screen to get full enjoyment of the actors and their dialogue. While it doesn’t hit as hard as a comedy because of this factor, it’s still a greatly entertaining film whose underlying message makes it become a little deeper.

    ---

    No Other Choice is now playing in theaters.

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