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    Can anyone win?

    Season opener explained: Comet, kings, armies and nobodies play a turbulent Gameof Thrones

    Tarra Gaines
    Apr 2, 2012 | 10:15 am

    Sunday night, after a nine month hiatus, HBO premiered the second season of its hit fantasy series Game of Thrones, and I don’t know about other viewers, but I could use some Dramamine.

    A dilemma for creators and writers of television series with a huge cast and an abundance of plot lines is how to pace that first episode of a new season. Should they ease the audience back into the story water, letting them dip a toe in to get acclimated? Or should they just shove the viewer in to sink or swim? Game of Thrones chose the latter route and then proceeded to throw a bunch of brightly-colored new plot and character noodles at us and hoped we would hang on.

    Game of Thrones is based on the George R.R. Martin’s fantasy series A Song of Ice and Fire, and the show does an interesting balancing act trying to entertain fans of the books, fans of the show who haven’t read the books, and any new viewers brave enough to wade in to Season Two.

    In this season’s first episode, the show attempted to visit all the main plot lines and characters from season one while introducing even more conflicts in the game.

    The first season ended with the character Ned Stark, who appeared to be the protagonist to those who haven’t read the books, dead and most of the other main characters scattered to the coming winter winds and separated by seas or continents. The majority of those characters are both players and pieces in this game of thrones.

    In this season’s first episode, the show attempted to visit all the main plot lines and characters from season one while introducing even more conflicts in the game. Though they are separated by vast distances, episode one linked them all with the stunning image of a red comet streaking high above every scene, an omen of either triumph, woe, dragons or all three for the game’s players.

    So let’s take a big breath and dive back in for a overview of the main players/pieces.

    Kings and Queens

    While usually it’s Emmy winner, Peter Dinklage’s Tyrion Lannister who gets the most astute lines in the show, for episode one Catelyn Stark, widow of Ned Stark, gets the prize for: “There’s a king in every corner now.”

    Five characters have openly proclaimed themselves king of something or other. Catelyn and Ned’s oldest son, Robb, has declared himself king of the North and would like to gather up all his stray siblings and his father’s body, and go back home to rule his northern kingdom.

    Five characters have openly proclaimed themselves king of something or other.

    Dead King Robert Baratheon’s two brothers, Stannis and Renly, both think they should be resting their asses on the Iron Throne. Renly was introduced in Season One and Stannis only receives about 10 minutes of air time in the first episode, but both already seem smarter than Robert.

    Stannis also proves significantly better at PR than poor dead Ned. Stannis sends out Westeros’s version of a press release with the truth Ned discovered playing genetic detective in season one. The father of Queen Cersei’s royal spawn, King Joffery, is not King Robert but her twin brother, Jaime Lannister.

    Joffery Baratheon current sits on the Iron Throne and is both an idiot and probably a psychopath. His hobbies are having people executed and interior throne room design.

    Daenery Targaryen’s claim to the Iron Throne is that she is the daughter of Mad King Aerys, the last of the Targaryen kings. Under the “special skills” section of her resume she lists her ability to withstand fire and mothering her three adorable, infant dragons.

    Armies

    For every want-to-be king there’s an army. Joffery’s only grandfather, Tywin has a big one which allows him to be the absent power behind the throne. Both Baratheon brothers have their own and neither wants to share.

    Robb won three battles so far with his northern army, and managed to capture Jaime Lannister who he keeps locked up in cage, and allows his loose dire wolf to rattle that cage.

    Also floating around is a wild card navy owned by Balon Greyjoy.

    The one throne contender who doesn’t have an army is Daenery who spent her 10 minutes of the episode wandering the Red Waste desert playing Moses, looking for manna for her followers and dragon formula for her babies. Though lacking her own army, her followers worship her, and in an adult dragon vs. human army battle, my money’s on the dragon.

    Episode one also brought word that up north beyond the great wall, an ex-member of the Night’s Watch is amassing his own army of Wilding men, because what this series so desperately needs is another army.

    Also floating around is a wild card navy owned by Balon Greyjoy. His son Theon Greyjoy was raised as a foster brother to the Stark children and Theon, one of Robb’s advisors, has volunteered to go ask daddy for some ships. I’m sure that will go well.

    Advisors

    If a character is not a king contender then he or she is very likely standing behind one advising. One influential type is the willowy advisor. Robb, Joffery, and Stannis all subscribe to the adage, behind every great man there’s a great woman, though “great” is a relative term.

    Besides an army, the throne contenders should own a big table for their advisors to sit around and bicker about everyone else’s armies and advisors

    Robb and Joffery both rely on mom for advice. Meanwhile, Stannis is guided by new girl, and Red priestess Melisandre. She worships the Lord of Light, enjoys competitive poison drinking, and has beautiful red hair so viewers can tell her apart from her blond and brunette willowy counterparts.

    Besides an army, the throne contenders should own a big table for their advisors to sit around and bicker about everyone else’s armies and advisors. Even little Brandon Stark, holding down the fort back at Winterfell, has his own table and advisors.

    Finally, king of the king-advisors is Tyrion Lannister, who swaggers into King’s Landing to take the job of King’s Hand, pausing only to insult Joffery and Cersei, and to recap season 1 from his perspective.

    Nobodies

    There are lots of nobodies playing the game as guards, soldiers, followers, whores, and peasants. Sometimes nobodies are a threat to somebodies, as the slaughter of King Robert’s bastards at the end of the episode proved. Sometimes nobodies are disguised somebodies like Arya Stark who escaped King’s Landing disguised as a boy. Sometimes they’ve agreed to become nobodies for a purpose and greater good, like Ned’s bastard, Jon Snow, member of the Night’s Watch.

    So can any character actually win the Game of Thrones? Probably not in this year. So hold tight to your favorite floaty noodle. We’ll need them to ride the turbulent waves of season two.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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