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    Mark your calendars

    Making opera popular: Opera in the Heights gets wicked thanks to a hot maestro makeover

    Joel Luks
    Mar 27, 2013 | 12:16 pm

    When Opera in the the Heights needed a makeover, incoming maestro Enrique Carreón-Robledo simply had to take over. He taught the energetic company the proper poise needed to talk to boys, what shoes to wear and how to fix its hair — everything that really counts to be . . .

    Popular.

    These words are stolen from Glinda the Good Witch as she attempts to overhaul a limp Elphaba into a fashionable, en vogue chick. Similarly, since Carreón-Robledo stepped on the podium as top musical stylist, Opera in the Heights has come a long way in its vitality, innovative productions and overall sparkle.

    Coming off a successful season that presented operas based on works by Shakespeare, a just-revealed new 2013-14 season programs four of the most popular scores of the genre. New this year are two Sunday matinees for those who prefer daytime performances.

    "A superb group of guest artists come to join our orchestra and chorus to render a fresh take on four consummate jewels of the repertoire, opening with the last installment on our Verdi bicentennial celebration to be performed on the actual date of his birthday," Carreón-Robledo said in a statement.

    "A superb group of guest artists come to join our orchestra and chorus to render a fresh take on four consummate jewels of the repertoire."

    About honoring the Giuseppe Verdi bicentennial: La Traviata (Oct. 4 to Oct. 13) comprises some of the Italian composer's most catchy airs and arias despite that its premiere wasn't received particularly well by audiences and critics. Yet "Sempre libera," "De'miei bollenti spiriti" and "Libiamo ne'lieti calici" render the story of the fallen Parisian woman a timeless musical party. Too bad she has to die — but she does.

    The Oct. 10 performance falls exactly on Verdi's birthday.

    Gaetano Donizetti's Don Pasquale (Nov. 15 to 24) is a quintessential example of opera buffa that's set in motion by a foolish, older sugar daddy type who has the hots for a younger widow. But the joke's on him as those close to Don Pasquale conspire to teach him a lesson: It's best not to meddle with matters of the heart.

    Following in the theme of trickery and deceit, Mozart's Don Giovanni (Jan. 31 to Feb. 9, 2014) follows the casanova as he tries to score big with the ladies — of any type. Maidservants, city girls, countesses, baronesses, marchionesses, princesses, thin ones, fat ones, ugly ones, beautiful ones — as long as they wear a skirt, they are fair game for his lustful trysts. But the don has it coming, courtesy of a stone statue that comes to life and sends him straight to hell.

    Gaetano Donizetti's Lucia di Lammermoor (March 28 to April 6, 2014) is a bel canto castle opera of love, madness and wicked arias. Keep an eye out for who will be cast as the protagonist. The mad scene, "Il dolce suono . . . Spargi d'amaro pianto," is one that makes or breaks a soprano legacy. It is that demandingly insane.

    Casting will be announced throughout the season.

    ___

    Subscriptions to Opera in the Heights 2013-14 season can be purchased online or by calling 713-861-5303. Prices start at $96 for adults, $82 for seniors and $34 for students with ID. Single tickets will be available starting Aug. 1 and start at $28 for adults, $24 for seniors and $10 for students.

    unspecified
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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    news/entertainment

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