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    Mark your calendars

    Making opera popular: Opera in the Heights gets wicked thanks to a hot maestro makeover

    Joel Luks
    Mar 27, 2013 | 12:16 pm

    When Opera in the the Heights needed a makeover, incoming maestro Enrique Carreón-Robledo simply had to take over. He taught the energetic company the proper poise needed to talk to boys, what shoes to wear and how to fix its hair — everything that really counts to be . . .

    Popular.

    These words are stolen from Glinda the Good Witch as she attempts to overhaul a limp Elphaba into a fashionable, en vogue chick. Similarly, since Carreón-Robledo stepped on the podium as top musical stylist, Opera in the Heights has come a long way in its vitality, innovative productions and overall sparkle.

    Coming off a successful season that presented operas based on works by Shakespeare, a just-revealed new 2013-14 season programs four of the most popular scores of the genre. New this year are two Sunday matinees for those who prefer daytime performances.

    "A superb group of guest artists come to join our orchestra and chorus to render a fresh take on four consummate jewels of the repertoire, opening with the last installment on our Verdi bicentennial celebration to be performed on the actual date of his birthday," Carreón-Robledo said in a statement.

    "A superb group of guest artists come to join our orchestra and chorus to render a fresh take on four consummate jewels of the repertoire."

    About honoring the Giuseppe Verdi bicentennial: La Traviata (Oct. 4 to Oct. 13) comprises some of the Italian composer's most catchy airs and arias despite that its premiere wasn't received particularly well by audiences and critics. Yet "Sempre libera," "De'miei bollenti spiriti" and "Libiamo ne'lieti calici" render the story of the fallen Parisian woman a timeless musical party. Too bad she has to die — but she does.

    The Oct. 10 performance falls exactly on Verdi's birthday.

    Gaetano Donizetti's Don Pasquale (Nov. 15 to 24) is a quintessential example of opera buffa that's set in motion by a foolish, older sugar daddy type who has the hots for a younger widow. But the joke's on him as those close to Don Pasquale conspire to teach him a lesson: It's best not to meddle with matters of the heart.

    Following in the theme of trickery and deceit, Mozart's Don Giovanni (Jan. 31 to Feb. 9, 2014) follows the casanova as he tries to score big with the ladies — of any type. Maidservants, city girls, countesses, baronesses, marchionesses, princesses, thin ones, fat ones, ugly ones, beautiful ones — as long as they wear a skirt, they are fair game for his lustful trysts. But the don has it coming, courtesy of a stone statue that comes to life and sends him straight to hell.

    Gaetano Donizetti's Lucia di Lammermoor (March 28 to April 6, 2014) is a bel canto castle opera of love, madness and wicked arias. Keep an eye out for who will be cast as the protagonist. The mad scene, "Il dolce suono . . . Spargi d'amaro pianto," is one that makes or breaks a soprano legacy. It is that demandingly insane.

    Casting will be announced throughout the season.

    ___

    Subscriptions to Opera in the Heights 2013-14 season can be purchased online or by calling 713-861-5303. Prices start at $96 for adults, $82 for seniors and $34 for students with ID. Single tickets will be available starting Aug. 1 and start at $28 for adults, $24 for seniors and $10 for students.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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