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    Pop Punk Heroes

    Revitalized Blink-182 revs up RodeoHouston crowd with pop-punk energy

    Johnston Farrow
    Johnston Farrow
    Mar 24, 2017 | 5:45 am

    San Diego’s Blink-182 rolled into NRG Stadium on Thursday night and brought a workmanlike attitude to their hour-long set of classic pop-punk tunes at RodeoHouston, a change of pace from the country-heavy lineup over the last few weeks. The band attracted one of the younger Rodeo audiences, comprised of a large number of attendees who grew up on the trio’s hits from the late '90s and early 2000s. Walking through the concourse before the show it was clear that fans had come out specifically to see their punk heroes as many of them were wearing official band T-shirts and hair colors every shade of hot neon.

    Like Green Day, who played the Toyota Center a few weeks ago, Blink-182 is in the middle of a resurgence thanks to their best album in 15 years, California, which hit No. 1 last year. It’s one of seven Top 10 albums in the band’s career, contributing to over 50 million album sales worldwide.

    The trio comprised of bassist-singer Mark Hoppus, newly acquired guitarist-singer Matt Skiba (formerly of Alkaline Trio), and drummer Travis Barker, stuck to their most popular albums — a strong showing for the aforementioned California, as well as familiar tunes from 1999’s Enema of the State, 2001's Take Off Your Pants and Jacket, and songs from the 2003 self-titled set, neglecting anything from the darker Neighborhoods from 2011.

    The band kicked things off with a sweet fireworks display, in front of a crowd of 65,567, with “Feeling This.” Unfortunately, it took a few songs to find a good mix in sound quality, the drums drowning out melodic guitar hooks in the cavernous acoustics of NRG. Enema of the State single “What’s My Age Again?” brought the biggest cheers early on, with Hoppus asking afterwards, “So, how are the Texans going to do this season?” to even louder applause. “Alright, we’ll see,” he shrugged, perhaps knowing full well this team is without a starting quarterback.

    Barker got the girls screaming a few songs in when he took his shirt off to reveal a full set of tattoos, something one likely won’t see on any of the country-themed nights. A word about Barker: he’s a dynamo and simply one of the most exciting drummers to watch in any genre of music. Not that Hoppus and Skiba are slouches, it’s that Blink-182 wouldn’t be as successful or exciting without the innovative and expert timekeeping Barker brings to the table, elevating the band’s brand of adolescent flavored punk to level of mainstream respect. Throughout the night, his drum fills and solos were a joy to behold.

    Crowd interaction was minimal throughout the evening, with only Hoppus leaving the confines of his spot on the stage during songs when he wasn’t responsible for vocals. The best performances came on tracks from California, which makes perfect sense, as it is the only album with this current lineup. Skiba recently replaced former guitarist-vocalist Tom DeLonge, who quit to write books about UFOs (no, really). Songs that DeLonge would normally take vocal lead on were the ones that suffered, Skiba not having the range.

    Where the band did succeed was in playing the big hits, which got the crowd on its feet, singing along. Staples like “Rock Show,” “I Miss You,” and “All The Small Things” were met with thunderous applause. For a band that is known for its sophomoric humor, it refrained from any swearing, likely a contractual obligation of appearing at a family-oriented event like RodeoHouston. Hoppus even left out a key F-word during set closer “Dammit,” the audience more than happy to fill in the blank.

    Despite middling sound quality, Blink-182 proved they belong at RodeoHouston alongside hit makers of other genres. Once again, the talent bookers deserve credit for taking chances with their programming, proving that catering to fans of all musical tastes throughout the three-week event is a recipe for success.

    Setlist:
    Feeling This
    Rock Show
    Cynical
    Anthem Part 2
    What’s My Age Again?
    First Date
    Bored To Death
    Down
    I Miss You
    Dumpweed
    She’s Out Of Her Mind
    Violence
    Sober
    Carousel
    Los Angeles
    All The Small Things
    Brohemian Rhapsody
    Dammit

    Blink-182 is in the middle of a resurgence thanks to their best album in 15 years, in California, which hit No. 1 last year.

    Blink 182 at RodeoHouston
    Photo courtesy of Houston Livestock Show and Rodeo
    Blink-182 is in the middle of a resurgence thanks to their best album in 15 years, in California, which hit No. 1 last year.
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    In Memoriam

    Legendary Texas singer-songwriter Joe Ely dies at 78

    KVUE Staff
    Dec 16, 2025 | 2:00 pm
    Joe Ely
    Joe Ely/Facebook
    Joe Ely was a major figure in Texas' progressive country scene.

    Joe Ely, the legendary songwriter, singer and storyteller whose career spanned more than five decades, has died from complications related to Lewy Body Dementia, Parkinson’s disease, and pneumonia. He was 78.

    In a statement posted to his Facebook page, Ely died at his home in Taos, New Mexico, with his wife, Sharon, and daughter, Marie, at his side.

    Born February 9, 1947, in Amarillo, Texas, Ely was raised in Lubbock and became a central figure among a generation of influential West Texas musicians. He later settled in Austin, helping shape the city’s reputation as a hub for live music.

    As with many local legends, it's hard to tease out what specifically made Ely's time in Austin so great; Austin treasures its live music staples, so being around and staying authentic from the early days is often the most important thing an artist can do.

    Ely got his local start at One Knight Tavern, which later became Stubb's BBQ — the artist and the famous venue share a hometown of Lubbock. He alternated nights with emerging guitar great Stevie Ray Vaughn. He built his own recording studio in Dripping Springs, and kept close relationships with other Texas musicians. Later in his career, Ely brought fans into the live music experience, publishing excerpts from his journal and musings on the road in Bonfire of Roadmaps (2010), and was inducted into the Austin City Limits Hall of Fame in 2022. Austin blues icon Marcia Ball was among Ely's friends who played the induction show.

    "Joe Ely performed American roots music with the fervor of a true believer who knew music could transport souls," said Kyle Young, CEO of the Country Music Hall of Fame and Museum.

    In the 1970s, Ely signed with MCA Records, launching a career that included decades of recording and touring around the world. His work and performances left a lasting impact on the music scene and influenced a wide range of artists, including the Clash and Bruce Springsteen, according to Rolling Stone.

    "His distinctive musical style could only have emerged from Texas, with its southwestern blend of honky-tonk, rock & roll, roadhouse blues, western swing, and conjunto. He began his career in the Flatlanders, with fellow Lubbock natives Jimmie Dale Gilmore and Butch Hancock, and he would mix their songs with his through 50 years of critically acclaimed recordings. [...]"

    --

    Read the full story at KVUE.com. CultureMap has added two paragraphs of context about the Austin portion of Ely's career.

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