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    Rare Birds

    School superheroes: Branford Marsalis & Joey Calderazzo make sure music doesgood in H-Town

    Chris Becker
    Mar 22, 2012 | 1:34 pm
    • Joey Calderazzo, left, and Branford Marsalis
      Photo by Stephen Sheffield/Marsalis Music
    • David LaDuca, executive and creative director of Music Doing Good
      Courtesy Photo

    Music and the arts in pre-college education are the first things to go due to state deficits and blowhard politicking. Several music and arts organizations in Houston with strong educational programming, including Musiqa, Writers in the Schools, and Young Audiences of Houston, work tirelessly to provide arts-integrated learning in some of this city's most financially challenged schools.

    Friday night at The Hobby Center for the Performing Arts, Houston organization MusicDoingGood presents pianist Joey Calderazzo and saxophonist Branford Marsalis in concert, as a duo, to benefit MusicDoingGood in Schools, which serves students 7 to 18 in after-school educational programs. Participating musicians and artists for all of the above mentioned organizations steel themselves to work with underprivileged, and often behaviorally challenged kids.

    And I know from working with and interviewing some of these folks that the work is challenging, yet rewarding.

    LaDuca and other staff identify a worthy charity, in the areas of health, music, education, or children, and craft a special concert fund raising event for the charity that describes its mission and tells its story through music.

    It is work that is being done well here in Houston. In another column, I quoted Discovery Green programming director Susanne Theis as saying, "Houston is way behind in getting credit for its accomplishments, but hopefully, it's catching up." Theis was referring to the programs and alum of Houston's High School for the Performing and Visual Arts, where "jazz is taken as serious . . . as classical music," but her quote definitely describes the work being done by the organizations I've named.

    Executive and creative director David LaDuca describes the 7-month-old MusicDoingGood as being devoted to "philanthropy through music." LaDuca and other staff identify a worthy charity, in the areas of health, music, education, or children, and craft a special concert fund raising event for the charity that describes its mission and tells its story through music. Previous concerts include last January's REVEALED: Unplugged, with tenor Kenneth Gayle and pianist Gary Norian performing a set of original songs to benefit the Montrose Counseling Center and December 2011's Bells in the Spiritual Tradition, Song and Celebration at the Rothko Chapel to benefit Casa de Esperanza de los Ninos, a safe house for children in crisis.

    Friday's concert with Marsalis and Calderazzo benefits MusicDoingGood in Schools, an after-school, multi-disciplinary class designed to support core curriculum. Current MusicDoingGood in Schools students at Alexander Hamilton, Wheatley and McGregor will be a part of a special production entitled "Now You Has Jazz," to be presented on May 10 at Zilkha Hall at The Hobby Center. Non-profit charitable organizations interested in partnering with MusicDoingGood can download an application from the MusicDoingGood website.

    Friday's concert will feature compositions from Calderazzo and Marsalis' latest album Songs of Mirth and Melancholy, available on the independent label Marsalis Music. Having played these songs together now for more than a year, Calderazzo promises "some more mirth with the set . . . we've split the difference."

    He describes the church in downtown Durham, N.C. where the album was recorded as "the perfect room," with microphones carefully placed to capture its natural reverb, compelling Marsalis at times to move the bell of his horn away from the mics for occasional dramatic effect.

    The album's original compositions take inspiration from great melodic geniuses including Schubert, Mahler and Chopin, one cut being a straightforward rendition of the Johannes Brahm's lieder "Die Trauernde." The melodies are startling in their beauty, realized by Marsalis on both tenor and soprano, his soprano tone in particular even fuller and richer than what I hear on classic 1990s recordings like The Beautyful Ones Are Not Yet Born.

    There's a great interpretation of Wayne Shorter's "Face on the Barroom Floor," and the opening "One Way," a Calderazzo original, that references great ragtime, boogie-woogie, and stride piano players, contemporized by way of Thelonious Monk. The album's last cut, "Bri's Dance," manages to sound both strict and unpredictable, its relentlessly morphing melodic and rhythmic dialog somehow held in place by a cantus firmus of specific chords (Calderazzo knocked them out for me over the phone, but I'm still not able to keep up with this tune!)

    It's a great record. And with each track being a "first or second take," one should expect a tight set full of surprises on Friday night.

    MusicDoingGood presents The Branford Marsalis and Joey Calderazzo Duo, 8 p.m. Friday at Zilkha Hall at The Hobby Center. Tickets are $35. To purchase tickets, visit TheHobbyCenter.org or call 713-315-2525.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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