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    Rare Birds

    School superheroes: Branford Marsalis & Joey Calderazzo make sure music doesgood in H-Town

    Chris Becker
    Mar 22, 2012 | 1:34 pm
    • Joey Calderazzo, left, and Branford Marsalis
      Photo by Stephen Sheffield/Marsalis Music
    • David LaDuca, executive and creative director of Music Doing Good
      Courtesy Photo

    Music and the arts in pre-college education are the first things to go due to state deficits and blowhard politicking. Several music and arts organizations in Houston with strong educational programming, including Musiqa, Writers in the Schools, and Young Audiences of Houston, work tirelessly to provide arts-integrated learning in some of this city's most financially challenged schools.

    Friday night at The Hobby Center for the Performing Arts, Houston organization MusicDoingGood presents pianist Joey Calderazzo and saxophonist Branford Marsalis in concert, as a duo, to benefit MusicDoingGood in Schools, which serves students 7 to 18 in after-school educational programs. Participating musicians and artists for all of the above mentioned organizations steel themselves to work with underprivileged, and often behaviorally challenged kids.

    And I know from working with and interviewing some of these folks that the work is challenging, yet rewarding.

    LaDuca and other staff identify a worthy charity, in the areas of health, music, education, or children, and craft a special concert fund raising event for the charity that describes its mission and tells its story through music.

    It is work that is being done well here in Houston. In another column, I quoted Discovery Green programming director Susanne Theis as saying, "Houston is way behind in getting credit for its accomplishments, but hopefully, it's catching up." Theis was referring to the programs and alum of Houston's High School for the Performing and Visual Arts, where "jazz is taken as serious . . . as classical music," but her quote definitely describes the work being done by the organizations I've named.

    Executive and creative director David LaDuca describes the 7-month-old MusicDoingGood as being devoted to "philanthropy through music." LaDuca and other staff identify a worthy charity, in the areas of health, music, education, or children, and craft a special concert fund raising event for the charity that describes its mission and tells its story through music. Previous concerts include last January's REVEALED: Unplugged, with tenor Kenneth Gayle and pianist Gary Norian performing a set of original songs to benefit the Montrose Counseling Center and December 2011's Bells in the Spiritual Tradition, Song and Celebration at the Rothko Chapel to benefit Casa de Esperanza de los Ninos, a safe house for children in crisis.

    Friday's concert with Marsalis and Calderazzo benefits MusicDoingGood in Schools, an after-school, multi-disciplinary class designed to support core curriculum. Current MusicDoingGood in Schools students at Alexander Hamilton, Wheatley and McGregor will be a part of a special production entitled "Now You Has Jazz," to be presented on May 10 at Zilkha Hall at The Hobby Center. Non-profit charitable organizations interested in partnering with MusicDoingGood can download an application from the MusicDoingGood website.

    Friday's concert will feature compositions from Calderazzo and Marsalis' latest album Songs of Mirth and Melancholy, available on the independent label Marsalis Music. Having played these songs together now for more than a year, Calderazzo promises "some more mirth with the set . . . we've split the difference."

    He describes the church in downtown Durham, N.C. where the album was recorded as "the perfect room," with microphones carefully placed to capture its natural reverb, compelling Marsalis at times to move the bell of his horn away from the mics for occasional dramatic effect.

    The album's original compositions take inspiration from great melodic geniuses including Schubert, Mahler and Chopin, one cut being a straightforward rendition of the Johannes Brahm's lieder "Die Trauernde." The melodies are startling in their beauty, realized by Marsalis on both tenor and soprano, his soprano tone in particular even fuller and richer than what I hear on classic 1990s recordings like The Beautyful Ones Are Not Yet Born.

    There's a great interpretation of Wayne Shorter's "Face on the Barroom Floor," and the opening "One Way," a Calderazzo original, that references great ragtime, boogie-woogie, and stride piano players, contemporized by way of Thelonious Monk. The album's last cut, "Bri's Dance," manages to sound both strict and unpredictable, its relentlessly morphing melodic and rhythmic dialog somehow held in place by a cantus firmus of specific chords (Calderazzo knocked them out for me over the phone, but I'm still not able to keep up with this tune!)

    It's a great record. And with each track being a "first or second take," one should expect a tight set full of surprises on Friday night.

    MusicDoingGood presents The Branford Marsalis and Joey Calderazzo Duo, 8 p.m. Friday at Zilkha Hall at The Hobby Center. Tickets are $35. To purchase tickets, visit TheHobbyCenter.org or call 713-315-2525.

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    COMO FLORECE

    Beyoncé celebrates her birthday with surprise 'Como la Flor' mashup

    Brandon Watson
    Sep 4, 2026 | 2:00 pm
    Beyoncé B'Day anniversary edition
    Photo courtesy of Parkwood Entertainment
    Beyoncé is paying tribute to the Queen of Tejano Music.

    More than two years after releasing Cowboy Carter, Beyoncé is still refusing to be pinned down by genre. Now, for the expanded 20th anniversary edition of her iconic album B'Day, she is trying on a sparkly purple jumpsuit.

    On Friday, September 4 (her 45th birthday), the Texas superstar released “Irreemplazable,” a mashup of “Irreplaceable” and “Como la Flor.” The bonus track pairs the melody and Spanish-language lyrics of the 2006 Bey hit with the backing track of Selena Quintanilla’s most iconic song — adding a few dubbed verses from the Queen of Tejano herself.

    According to a release, Beyoncé “revered Selena” and credits the late singer for inspiring Irreemplazable, her Spanish EP released in 2007. The mashup was recorded with full approval from Quintanilla’s estate — a rarity since the singer’s passing in 1995.

    In a clip shared on Selena’s official Instagram, Beyoncé recounts meeting the icon at Houston’s Galleria mall before Destiny’s Child brought her fame.

    “Definitely, growing up in Texas, I heard her on the radio,” Beyoncé said. “And I think listening to her album, even though I didn’t know exactly what she was singing, it helped me with my pronunciation in the studio.”

    The release comes as Selena’s family is making headlines for an alleged lawsuit filed by sibling A.B. Quintanilla III against his sister, Suzette Arriaga — a lawsuit Suzette and her mother Marcella deny exists. Still, Selena’s big brother put aside the public squabbling to praise “Irreemplazable.”

    “Two Queens on one cumbia??? Beyoncé and Selena???” wrote Quintanilla on Instagram. “Thank you @beyonce for showing love and recording one of your classics with one of Selena’s classics.”

    Chris Perez, who was married to Selena at the time of her death, was just as effusive.

    “One of my top favorite singers @beyonce just sang along with my absolute favorite singer @selenaqofficial,” he wrote on social media. “I love it!”

    Although some of his fans grumbled, Perez quickly took naysayers to task.

    “Say what you want. Shout out to Beyoncé for showing respect to an ICON. Some of you can be a bit much at times,” he commented.

    The B'Day anniversary edition is streaming now on Spotify and Apple Music. In addition to the “Como la Flor” homage, the album features a new version of “Get Me Bodied” called “Cuerpo Tumbao,” featuring vocals from reggaetón hitmaker Maluma and a sample from Celia Cruz's "La Negra Tiene Tumbao."

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