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    Celebrity Problems

    Truce or no, LeAnn Rimes continues to be vilified on Twitter: Where a scarletletter lasts forever

    Sarah Rufca
    Mar 22, 2011 | 9:54 pm
    • LeAnn Rimes and Brandi Glanville have called a truce.
    • Eddie Cibrian

    Peace, at long last.

    No, I'm not talking about the civil war in Libya, the uprisings in Bahrain, the end of military operations in Iraq or Afghanistan or the continuing strife in Japan. I'm talking about the Twitter war between LeAnn Rimes and Brandi Glanville.

    In case you haven't been paying attention (see above) Glanville is the ex-wife of Eddie Cibrian. Rimes and Cibrian started a scandalous relationship in February 2009 while they were filming the Lifetime movie Northern Lights — and while they were both married to other people. By the middle of 2010, both had finalized their divorces and the relationship between Rimes and Cibrian continued to grow, culminating in an engagement last Christmas.

    Sure, it's messy — especially since Cibrian has two young sons with Glanville — but these days it's hardly unheard of. Whether it's Angelina Jolie, Claire Danes, Alicia Keyes, Sienna Miller or even Julia Roberts, it's hardly uncommon to fall in love with a married man — or have one fall in love with you. Such a love story has even made The New York Times wedding section. It might not be right, but it's OK.

    But LeAnn Rimes, more than any of the celebrities above, is known (and often vilified) for her relationship. That's partly because it's the only newsworthy thing she's done in a few years and partly because country music circles are more conservative (unless you're Garth Brooks and want to leave your wife for your long-time duet partner Trisha Yearwood). But it's also partly because she's active on Twitter.

    According to the truce released by Rimes over the weekend and re-tweeted by Glanville in support, both women and their friends had been setting up fake accounts to slam the other on Twitter.

    That's in addition to a war of words between their official accounts, including everything from "i told Eddie to please tell you that it is highly inappropriate for you to sing in my sons class on Friday. Boundries!!" [sic] from Glanville and thoughts from Rimes like "Why do people have to run and hide? A real adult should not make an accusation they can't back up and would apologize when they know they are wrong."

    LeAnn's truce (which was released on Twitter, naturally), says:

    As a collective unit, Brandi and I would like all negativity to cease toward one another. We have communicated and have a direct understanding that we are ONLY ourselves on Twitter and have no other accounts that try to destroy one another. Please for our families' sake stop the hate now and let us live OUR lives. We don't need opinions or outside help in order for that to happen.

    According to Perez Hilton, the truce was brokered when Glanville learned that a rumored Newlyweds-style reality show with LeAnn and Eddie wouldn't be happening. But after two years of vitriol, surely they are both ready to move on.

    Will this stop the negativity tweeted at Rimes every day? I doubt it. If the upside of Twitter is that fans feel close to their favorite celebrities, the downside is that those who hate you (whether for good reason or not) have a direct way of letting you know.

    unspecified
    news/entertainment

    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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