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Mondo Cinema

Le Funny Business at MFAH, Kristen Stewart on the road and Gangham Style in Bollywood

Joe Leydon
By Joe Leydon
Mar 22, 2013 | 9:45 am

They’re collectively billed as Five Funny French Films, raising expectations for a lot of “Ha! Ha! Ha!” along with the “Ooh La La!” (Sorry, couldn’t resist.) As they unspool this weekend at the Museum of Fine Arts, Houston, you can enjoy a wide variety of funny business with a lineup that includes:

All That Glitters (5 p.m. Friday, 3 p.m. Sunday) – Two sisters, tired of their dull lives in a suburb 10 minutes by train from Paris, go to amusing extremes to enjoy the good life in the big city.

Skylab (7 p.m. Friday, 9:15 p.m. Saturday) – Actress Julie Delpy once again tries her hand as a writer-director, this time for a semi-autobiographical comedy about a 1979 family gathering that may or may not be rudely interrupted by the threatened crash of a humongous space station.

Big is Beautiful (9:15 p.m. Friday, 1 p.m. Sunday) – Three full-figured ladies forge friendships and gain self-awareness during a weight-loss program at a clinic in the Alps.

My Worst Nightmare (7:15 p.m. Saturday) – French superstar Isabelle Huppert heads the cast of this farce about an icy art gallery owner who’s warmed just a smidge by her edgy yet erotically charged relationship with a uncouth carpenter doing remodeling work in her spacious apartment.

What’s in a Name? (5 p.m. Sunday) – An expectant father (Patrick Bruel) upsets his family with the wholly inappropriate name he has chosen for his soon-to-arrive offspring.

In addition to screening these five flicks, the MFAH Film Department is offering a bit of lagniappe: Le Grand Amour (5:30 p.m. Saturday), a 1969 comedy about a new husband with a wandering eye, starring Pierre Étaix, the French comic actor who’ll be the subject of a retrospective tribute at the museum in May.

Sundancing with cinema

Two new notable offerings are on tap this weekend at the Sundance Cinemas downtown.

After impressing international audiences with his acclaimed Certified Copy, a romantic drama starring Juliette Bincohe and British opera singer William Shimell as attracted opposites in Tuscany, Iranian filmmaker Abbas Kiarostami once again ventures far from his homeland – to Japan, to be precise – for Like Someone in Love, a teasingly ambiguous story about a sociology student (Rin Takanashi) who moonlights as a prostitute, and the elderly professor (Tadashi Okuno) who starts out as her client, but evolves into her mentor.

On the Road, the long-awaited filmization of Jack Kerouac’s classic novel, played in a handful of theaters late last year in the hope of copping critical hosannas and Academy Award nominations. But reviews were mixed and Oscar buzz was muted, so IFC Films opted to wait a little longer before giving the movie a wider release. Now it has arrived in H-Town, and you can decide for yourself if Brazilian director Walter Salles (Central Station, The Motorcycle Diaries) and lead players Garrett Hedlund, Sam Riley and Kristen Stewart have done justice to Kerouac’s story about free spirits in search of new experiences in late 1940s America.

Bollywood Madness

In Rangrezz (at AMC Studio 30), a Hindi-language film by the prolific Indian director known as Priyadarshan, three close friends literally risk life and limb (and long-term disability) to unite two star-crossed lovers. It may look like the usual Bollywood song and dance, but there’s at least one surprise in the soundtrack: According to published reports out of India, producer Vashu Bhagnani paid a hefty fee to use Psy’s monster hit “Gangham Style” in the movie, so his son Jackky Bhagnani, one of the film’s lead players, could dance to it on screen.

But wait, there’s more: Psy refused to sell the rights to his signature tune until he was certain Jackky had sufficient terpsichorean talent to… well, to really do it “Gangham Style.” So he took a look at the young performer’s dance moves in the Hindi movie F.A.L.T.U. – and only then granted his blessing.

Which only goes to show you: In Bollywood, there’s always a happy ending. As you can see here.

Other screens, other cinema

Rob Schneider, Michelle Rodriguez, Lindsay Lohan and Oscar-winner Adrien Brody star in… Wait a minute, that doesn’t look right. Let me double check… Yeah, Brody actually is in InAPPropriate Comedy (various locations), an indie flick that, based on its trailer, appears to be the sort of thing actors do only when they owe a favor to a friend, a payment on a mortgage, or a fee to their legal team.

In New World (AMC Studio 30), South Korean filmmaker Park Hoon-jung (who wrote the script for Kim Ji-woon’s notorious I Saw the Devil ) wrings suspense from the conflicting loyalties of an undercover cop (Lee Jung-jae) who’s begun to take his role as right-hand man to a crime lord a bit too seriously.

A Resurrection (at Edwards Marq*E) is a horror thriller about a high-schooler who returns from the dead to seek revenge on the bullies who killed him, but it’ll likely earn a footnote in film history books primarily because it’s one of the final films completed by the late Michael Clarke Duncan.

Jackky Bhagnani grooves Gangnam Style for Rangrezz

Jackky Bhagnani grooves Gangnam style for Rangrezz, Mondo Cinema
CineGoer.com
Jackky Bhagnani grooves Gangnam Style for Rangrezz
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news/entertainment

Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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The Invite is now playing in theaters.

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