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    Mondo Cinema

    Le Funny Business at MFAH, Kristen Stewart on the road and Gangham Style in Bollywood

    Joe Leydon
    By Joe Leydon
    Mar 22, 2013 | 9:45 am

    They’re collectively billed as Five Funny French Films, raising expectations for a lot of “Ha! Ha! Ha!” along with the “Ooh La La!” (Sorry, couldn’t resist.) As they unspool this weekend at the Museum of Fine Arts, Houston, you can enjoy a wide variety of funny business with a lineup that includes:

    All That Glitters (5 p.m. Friday, 3 p.m. Sunday) – Two sisters, tired of their dull lives in a suburb 10 minutes by train from Paris, go to amusing extremes to enjoy the good life in the big city.

    Skylab (7 p.m. Friday, 9:15 p.m. Saturday) – Actress Julie Delpy once again tries her hand as a writer-director, this time for a semi-autobiographical comedy about a 1979 family gathering that may or may not be rudely interrupted by the threatened crash of a humongous space station.

    Big is Beautiful (9:15 p.m. Friday, 1 p.m. Sunday) – Three full-figured ladies forge friendships and gain self-awareness during a weight-loss program at a clinic in the Alps.

    My Worst Nightmare (7:15 p.m. Saturday) – French superstar Isabelle Huppert heads the cast of this farce about an icy art gallery owner who’s warmed just a smidge by her edgy yet erotically charged relationship with a uncouth carpenter doing remodeling work in her spacious apartment.

    What’s in a Name? (5 p.m. Sunday) – An expectant father (Patrick Bruel) upsets his family with the wholly inappropriate name he has chosen for his soon-to-arrive offspring.

    In addition to screening these five flicks, the MFAH Film Department is offering a bit of lagniappe: Le Grand Amour (5:30 p.m. Saturday), a 1969 comedy about a new husband with a wandering eye, starring Pierre Étaix, the French comic actor who’ll be the subject of a retrospective tribute at the museum in May.

    Sundancing with cinema

    Two new notable offerings are on tap this weekend at the Sundance Cinemas downtown.

    After impressing international audiences with his acclaimed Certified Copy, a romantic drama starring Juliette Bincohe and British opera singer William Shimell as attracted opposites in Tuscany, Iranian filmmaker Abbas Kiarostami once again ventures far from his homeland – to Japan, to be precise – for Like Someone in Love, a teasingly ambiguous story about a sociology student (Rin Takanashi) who moonlights as a prostitute, and the elderly professor (Tadashi Okuno) who starts out as her client, but evolves into her mentor.

    On the Road, the long-awaited filmization of Jack Kerouac’s classic novel, played in a handful of theaters late last year in the hope of copping critical hosannas and Academy Award nominations. But reviews were mixed and Oscar buzz was muted, so IFC Films opted to wait a little longer before giving the movie a wider release. Now it has arrived in H-Town, and you can decide for yourself if Brazilian director Walter Salles (Central Station, The Motorcycle Diaries) and lead players Garrett Hedlund, Sam Riley and Kristen Stewart have done justice to Kerouac’s story about free spirits in search of new experiences in late 1940s America.

    Bollywood Madness

    In Rangrezz (at AMC Studio 30), a Hindi-language film by the prolific Indian director known as Priyadarshan, three close friends literally risk life and limb (and long-term disability) to unite two star-crossed lovers. It may look like the usual Bollywood song and dance, but there’s at least one surprise in the soundtrack: According to published reports out of India, producer Vashu Bhagnani paid a hefty fee to use Psy’s monster hit “Gangham Style” in the movie, so his son Jackky Bhagnani, one of the film’s lead players, could dance to it on screen.

    But wait, there’s more: Psy refused to sell the rights to his signature tune until he was certain Jackky had sufficient terpsichorean talent to… well, to really do it “Gangham Style.” So he took a look at the young performer’s dance moves in the Hindi movie F.A.L.T.U. – and only then granted his blessing.

    Which only goes to show you: In Bollywood, there’s always a happy ending. As you can see here.

    Other screens, other cinema

    Rob Schneider, Michelle Rodriguez, Lindsay Lohan and Oscar-winner Adrien Brody star in… Wait a minute, that doesn’t look right. Let me double check… Yeah, Brody actually is in InAPPropriate Comedy (various locations), an indie flick that, based on its trailer, appears to be the sort of thing actors do only when they owe a favor to a friend, a payment on a mortgage, or a fee to their legal team.

    In New World (AMC Studio 30), South Korean filmmaker Park Hoon-jung (who wrote the script for Kim Ji-woon’s notorious I Saw the Devil ) wrings suspense from the conflicting loyalties of an undercover cop (Lee Jung-jae) who’s begun to take his role as right-hand man to a crime lord a bit too seriously.

    A Resurrection (at Edwards Marq*E) is a horror thriller about a high-schooler who returns from the dead to seek revenge on the bullies who killed him, but it’ll likely earn a footnote in film history books primarily because it’s one of the final films completed by the late Michael Clarke Duncan.

    Jackky Bhagnani grooves Gangnam Style for Rangrezz

    Jackky Bhagnani grooves Gangnam style for Rangrezz, Mondo Cinema
    CineGoer.com
    Jackky Bhagnani grooves Gangnam Style for Rangrezz
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    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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