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    Ariana Grande's Big Bang Rodeo

    Girls Night Out: Ariana Grande makes a big bang at first Rodeo; turns NRG into giant dance club

    Heather Staible
    Heather Staible
    Mar 18, 2015 | 12:51 am

    If you think Ariana Grande is all hair flips, giggles and auto tune, you are very much mistaken. The 21-year-old former Nickelodeon star has some serious pipes, and unlike the pop princess acts of rodeos past, Grande can handle both R&B and pop dance music with ease.

    Whatever problems Grande may have, singing is definitely not one of them.

    Country music is the cornerstone of the Houston Livestock Show and Rodeo, but Tuesday Grande, her DJ and dance crew turned NRG Stadium into a full-out club. The standing room only crowd of 75,068 circled each floor of the stadium six to seven people deep, and as the lights went down, the decibels went up.

    No matter the age, it was a Girls Night Out and Grande set the tone early, starting her 14-song set with "Bang Bang," bringing the people to their feet.

    No matter the age, it was a Girls Night Out and Grande set the tone early, starting her 14-song set with "Bang Bang," bringing the crowd to its feet. She followed with "Hands On Me," "Break Your Heart Right Back" and "Be My Baby," stopping frequently to ask they crowd how they were doing and to yell, “Let’s go!” in a high-pitched voice.

    Grande’s signature half-up, half-down high ponytail was in full effect as was her equally-as-famous cat ear headband. Her flirty sequined dress revealed cutouts at her waist and it looked like she was perfectly comfortable dancing in over-the-knee high heel Louboutin boots.

    Her impressive vocal runs are an interesting contrast to her bouncy, hair flipping persona. She grooved on "Right There" from her 2013 album Yours Truly with great R&B finesse that showed why she was among a heady group of women invited to perform at the White House for the Women of Soul concert last spring.

    She got massive vocal help from the crowd during "Love Me Harder." The fans clearly waiting for the radio hit and when Grande rolled into "All My Love," lying down on the concert stage, she didn’t skip a beat.

    Grande and her crew ended the show with the high-energy "Problem" and from the thumping base to the choreographed dance moves on stage, it was hard to believe that just an hour before the same crowd has been screaming just as loudly for mutton bustin’.

    Grande is petite package with a big voice, proving that when it comes to talent, size isn’t everything.

    Ariana Grande's Set List

    Bang Bang

    Hands On Me

    Break Your Heart Right Back

    Be My Baby

    Lovin' It

    Right There

    The Way

    Tattooed Heart

    Adore

    One Las Time

    Love Me Harder

    All My Love

    Break Free

    Problem

    Ariana Grande drew a near-record rodeo crowd of more than than 75,000.

    Ariana Grande at Houston Rodeo
    Photo by Chinh Phan
    Ariana Grande drew a near-record rodeo crowd of more than than 75,000.
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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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